Kill Me
- Episódio foi ao ar 7 de jul. de 2019
- TV-MA
- 45 min
AVALIAÇÃO DA IMDb
8,0/10
3,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaRenata tries to help Celeste; Bonnie struggles with her mother's recovery; Celeste attends a custody hearing; Josh, Max and Ziggy are bullied by a boy at school.Renata tries to help Celeste; Bonnie struggles with her mother's recovery; Celeste attends a custody hearing; Josh, Max and Ziggy are bullied by a boy at school.Renata tries to help Celeste; Bonnie struggles with her mother's recovery; Celeste attends a custody hearing; Josh, Max and Ziggy are bullied by a boy at school.
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Avaliações em destaque
A powerful turning point that brings the characters' inner turmoil to the forefront with an intensity that underscores the emotional weight each woman bears
Episode 5 of Big Little Lies Season 2, titled "Kill Me," is a powerful turning point that brings the characters' inner turmoil to the forefront with an intensity that underscores the emotional weight each woman bears. Directed by Andrea Arnold, the episode digs deeply into themes of control, vulnerability, and the devastating consequences of suppressed trauma. As Celeste grapples with her custody battle against Mary Louise, her pain and desperation are palpable. This episode exposes her internal conflict as she prepares to fight for her children while haunted by memories of Perry, revealing the deep scars left by her past. Meanwhile, Bonnie confronts her guilt more openly, experiencing a haunting vision of her mother, and her storyline receives the attention it has previously lacked, heightening the emotional gravity surrounding her character. This episode carefully peels back the layers of each woman's struggle, revealing a raw and honest portrayal of the repercussions of Perry's death on each of the "Monterey Five."
The performances in "Kill Me" are outstanding, with Nicole Kidman delivering a remarkably intense portrayal of Celeste's fractured mental state. Kidman captures Celeste's vulnerability and strength in equal measure, especially in her courtroom scenes opposite Meryl Streep's Mary Louise, who is relentless and unsettling in her portrayal. Streep's embodiment of Mary Louise's icy persistence is hauntingly effective, especially as she escalates her pursuit to control Celeste's life, masked as maternal concern. Zoe Kravitz as Bonnie finally has her own narrative moment to shine, as her guilt and strained relationship with her mother reach an emotional peak, bringing newfound depth to her character. The ensemble cast, including Reese Witherspoon as Madeline and Laura Dern as Renata, continues to carry their storylines with skill and depth, adding to the overall tension that permeates the episode. Each actress brings a unique intensity to her role, enhancing the weight of the unfolding drama.
Arnold's direction is both stylistically compelling and emotionally resonant, using close-up shots and intimate framing to emphasize the characters' isolation and internal battles. She uses the camera to reflect Celeste's disorientation and vulnerability in court, capturing every tremble and flicker of emotion as she faces Mary Louise. Arnold's careful attention to body language and subtle cues within each frame enriches the storytelling, making the viewer feel the characters' distress without excessive dialogue. The pacing of the episode is deliberate, allowing viewers to immerse themselves in the emotional highs and lows that define each woman's journey. Though some may find this pacing slow, Arnold's intentional focus on character introspection offers a depth that is often rare in ensemble dramas, enhancing the gravity of each scene without sacrificing the narrative's momentum.
David E. Kelley's writing in this episode is intricate and precise, emphasizing the complex emotional dynamics within the Monterey Five as their bonds are tested. The courtroom scenes are especially well-written, capturing the intricacies of Celeste's struggle and Mary Louise's manipulative tactics. Kelley uses every interaction to delve into the characters' deepest fears and insecurities, adding layers to their relationships without oversimplifying their motivations. The tension between Mary Louise and Celeste is particularly gripping, with dialogue that cuts sharply into the core of Celeste's trauma and guilt. The script also skillfully handles Bonnie's storyline, shedding light on her emotional trauma and strained familial ties without feeling forced. While Kelley's script is undeniably effective, some viewers might feel that Renata's storyline with her husband's bankruptcy is somewhat disconnected from the central plot, though Dern's magnetic performance manages to keep it engaging and relevant to the episode's themes.
Cinematography and editing are crucial to the episode's effectiveness, with visual choices that underscore the characters' emotional states. The lighting is frequently subdued, creating a mood that reflects the characters' inner turmoil and mirroring the somber themes. The editing is seamless, particularly in scenes that transition between Celeste's court battle and Bonnie's moments of introspection, connecting their struggles without disrupting the narrative flow. Music plays a key role in setting the tone, with a haunting score that heightens the tension and draws the viewer into the emotional world of the characters. The episode's technical elements, from its visual style to its sound design, contribute to a cohesive and immersive experience, drawing viewers into the characters' psyches and amplifying the story's emotional resonance.
In conclusion, "Kill Me" is a remarkable episode that encapsulates the best of Big Little Lies, with compelling performances, thoughtful direction, and a script that deftly explores the psychological toll of trauma and secrecy. Arnold's direction, combined with Kelley's layered writing, allows the characters to confront their pasts in ways that feel authentic and emotionally charged. The episode's emphasis on character-driven storytelling and the exploration of complex themes elevate it beyond conventional drama, making it a standout installment in the season. Although the pacing may not suit all viewers, "Kill Me" provides a powerful and introspective look into the lives of the Monterey Five, capturing the intricacies of their emotional worlds. It is a testament to the show's commitment to exploring difficult themes with nuance and depth, cementing Big Little Lies as a series that goes beyond mere entertainment to engage with the darker aspects of human relationships and the enduring impact of trauma.
The performances in "Kill Me" are outstanding, with Nicole Kidman delivering a remarkably intense portrayal of Celeste's fractured mental state. Kidman captures Celeste's vulnerability and strength in equal measure, especially in her courtroom scenes opposite Meryl Streep's Mary Louise, who is relentless and unsettling in her portrayal. Streep's embodiment of Mary Louise's icy persistence is hauntingly effective, especially as she escalates her pursuit to control Celeste's life, masked as maternal concern. Zoe Kravitz as Bonnie finally has her own narrative moment to shine, as her guilt and strained relationship with her mother reach an emotional peak, bringing newfound depth to her character. The ensemble cast, including Reese Witherspoon as Madeline and Laura Dern as Renata, continues to carry their storylines with skill and depth, adding to the overall tension that permeates the episode. Each actress brings a unique intensity to her role, enhancing the weight of the unfolding drama.
Arnold's direction is both stylistically compelling and emotionally resonant, using close-up shots and intimate framing to emphasize the characters' isolation and internal battles. She uses the camera to reflect Celeste's disorientation and vulnerability in court, capturing every tremble and flicker of emotion as she faces Mary Louise. Arnold's careful attention to body language and subtle cues within each frame enriches the storytelling, making the viewer feel the characters' distress without excessive dialogue. The pacing of the episode is deliberate, allowing viewers to immerse themselves in the emotional highs and lows that define each woman's journey. Though some may find this pacing slow, Arnold's intentional focus on character introspection offers a depth that is often rare in ensemble dramas, enhancing the gravity of each scene without sacrificing the narrative's momentum.
David E. Kelley's writing in this episode is intricate and precise, emphasizing the complex emotional dynamics within the Monterey Five as their bonds are tested. The courtroom scenes are especially well-written, capturing the intricacies of Celeste's struggle and Mary Louise's manipulative tactics. Kelley uses every interaction to delve into the characters' deepest fears and insecurities, adding layers to their relationships without oversimplifying their motivations. The tension between Mary Louise and Celeste is particularly gripping, with dialogue that cuts sharply into the core of Celeste's trauma and guilt. The script also skillfully handles Bonnie's storyline, shedding light on her emotional trauma and strained familial ties without feeling forced. While Kelley's script is undeniably effective, some viewers might feel that Renata's storyline with her husband's bankruptcy is somewhat disconnected from the central plot, though Dern's magnetic performance manages to keep it engaging and relevant to the episode's themes.
Cinematography and editing are crucial to the episode's effectiveness, with visual choices that underscore the characters' emotional states. The lighting is frequently subdued, creating a mood that reflects the characters' inner turmoil and mirroring the somber themes. The editing is seamless, particularly in scenes that transition between Celeste's court battle and Bonnie's moments of introspection, connecting their struggles without disrupting the narrative flow. Music plays a key role in setting the tone, with a haunting score that heightens the tension and draws the viewer into the emotional world of the characters. The episode's technical elements, from its visual style to its sound design, contribute to a cohesive and immersive experience, drawing viewers into the characters' psyches and amplifying the story's emotional resonance.
In conclusion, "Kill Me" is a remarkable episode that encapsulates the best of Big Little Lies, with compelling performances, thoughtful direction, and a script that deftly explores the psychological toll of trauma and secrecy. Arnold's direction, combined with Kelley's layered writing, allows the characters to confront their pasts in ways that feel authentic and emotionally charged. The episode's emphasis on character-driven storytelling and the exploration of complex themes elevate it beyond conventional drama, making it a standout installment in the season. Although the pacing may not suit all viewers, "Kill Me" provides a powerful and introspective look into the lives of the Monterey Five, capturing the intricacies of their emotional worlds. It is a testament to the show's commitment to exploring difficult themes with nuance and depth, cementing Big Little Lies as a series that goes beyond mere entertainment to engage with the darker aspects of human relationships and the enduring impact of trauma.
"Sync into the floor"
Powerful, well edited and genuine authenticity vibrating all the way through! Every episode is 10 out of 10, I love it no matter what and I'm sticking by that. Love everything that's occurring with characters bad or good, it's done so well! Also every scene with Meryl Streep, Zoe Kravitz, and Nicole Kidman is great.
I wish time would slow down when I watch this show!
Seriously, while I'm watching this show, I don't want it to end. I don't ever feel bored. I am just as engaged in season 2 as I was in season 1. And the addition of Merle Streep? Genius! Sometimes I feel like I'm just waiting for her to appear on screen with her snide, not-holding-anything-back, biting remarks!
The cinematography...the choice of music...just so perfect. What I really enjoy, is all the different personalities on this show, and the way they all meld together...and of course, the way all the actors on the show play them all so beautifully.
The problems in these peoples' relationships....the difficult times with their kids...the emotions...this is the stuff I find interesting in a show! I'm so tired of fake fantasy vampires and witches and Vikings and super-heroes taking over the airwaves. Give me "real" people and "real" families with "real" problems. That's what keeps me watching.
Would I recommend this show? Absolutely! I only hope they have a season 3....
The cinematography...the choice of music...just so perfect. What I really enjoy, is all the different personalities on this show, and the way they all meld together...and of course, the way all the actors on the show play them all so beautifully.
The problems in these peoples' relationships....the difficult times with their kids...the emotions...this is the stuff I find interesting in a show! I'm so tired of fake fantasy vampires and witches and Vikings and super-heroes taking over the airwaves. Give me "real" people and "real" families with "real" problems. That's what keeps me watching.
Would I recommend this show? Absolutely! I only hope they have a season 3....
Mirror
I think It's just a mirror of the first season and everythings are repeated.
But😉 I'm wating for the last episode👍🏻.
only 2 episodes left
I am so obsessed with this show. This episode's ending has made me curious what was that? All the actors have done amazing job mainly Meryl's performance.
Você sabia?
- Trilhas sonorasCold Little Heart
Written by Danger Mouse, Dean Josiah, Michael Kiwanuka
Performed by Michael Kiwanuka
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Detalhes
- Tempo de duração
- 45 min
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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