Uma Doce Revolução

This movie is set in an unspecified state in the deep south (filmed in Athens, Georgia) in 1963 and 1964. It includes the Civil Rights movement and President Johnson's Equal Rights push. What was being ignored, at least at first, was the issue of women's rights. The attitude was mostly, things are working well, let's not change things.

While this particular movie is fiction it certainly was inspired by real people and real events. I was graduating from high school and starting college in Louisiana then, my wife was about to finish middle school in New Orleans, we remember the times well.

This is a good movie of a significant subject, entertaining but also with a meaningful theme. My wife and I watched it streaming on Amazom Prime. The two key characters are British actress Anna Friel, doing an authentic accent as Southerner Grace Gordon, motivated to find something better after her father died and she found it hard to do business as a woman. And Kelsey Grammer as the US Congressman who was sweet on Grace and was to have a voice in including rights of women in the law.

It's 1963. Grace Gordon (Anna Friel) has come home to the deep south after the death of her powerful judge father. She finds that the family fortune had all been spent on her. With no money left, her only option is to remarry to someone rich. Her sights eventually settles on the Congressman (Kelsey Grammer). Meanwhile, the hated civil rights movement has come to the southern community.

The movie starts with the hammer blow "useless female" declaration. The next move should be showing Grace as a smart modern woman. Instead, the movie only re-enforces the useless female idea by having her ignore her bills and being completely clueless about her finances. She is utterly flighty and every bit the useless female. It is probably the exact opposite of what this movie needs. It's a bad start.

Over time, the movie does put in little bits of the civil rights movement. The general concept changes from a rom-com movie to a social justice movie. It functions better as such especially since the romance between Grace and the Congressman is never going to take off. That's another issue. The Congressman has no name. It seems like a fictional movie which is too scared to put in a real name. I don't know why they couldn't put in a fictional name.

Oh, how this could have been a grander film, on the level of The Help. But it isn't. That doesn't mean it's not without its charms. Lordy, does Grammar soar here in what he does like few others can -- character work with both whimsy and gravitas.

I am a product of the 60s South. Notice I did not say "proud" product. But I am still interested in well-told tales of the 60s South, and some come close. The Help came close. And this one comes even closer.

Hollywood has been flogging tales of the South since the first feature silent films. All kinds of stories. This one is a story about rights, but not merely race, but of sex. It tells that story in the lazy, slow way that the rural South did things. It's not punchy, it's not edgy, it's not delightfully written. It's langorously written. That makes for a bit duller entertainment, but it can also make for something that touches hearts.

This touches hearts, if you let it. It's not unforgettable, but it's also not disposable. It's in the middle.

Its faults are that it dances around themes a bit too much, tries to touch too many bases, and its resolution is a bit too saccharine, and a lot too easy. That said, it makes you feel good. And I bet that's what it was aiming for.

Well written - fine acting. Inspiring for young women. Not raunchy - found myself wishing it were longer. The dressing, the cars everything made it feel like the 1960's. Bravo!

This is missing an open goal. Movies on racism in the south aren't a hard begining. But this movie takes that basic premise and slowly goes backwards with a slow boring story. Thankfully the civil rights movement didn't follow the same trajectory . A terrible waste of time and talent.