A Filha do Rei do Pântano

I was quite lucky I didn't read the IMDb synopsis for 'The Marsh King's Daughter' before seeing it, because it would've completely ruined the film's opening - and the opening is the strongest thing this film has going for it.

From there the film falls into "perfectly fine" land. Everything is passable and it's a mildly entertaining way to pass 110 minutes. But there's nothing daring or original or memorable here sadly.

The film also relies heavily on characters making nonsensical decisions that only make sense as a method to drive the plot forward. You either get used to that in this film or you're unlikely to have a good time.

As I mentioned, if you go in with a positive attitude and you're not looking for perfection you might just have a reasonably good time with this film. Even if you do however, I doubt you'll think about it again a week after seeing it. 6/10.

I don't like to be that person who says the book was better, but in this case I couldn't enjoy the film because I had read the book. The film felt rushed and it lacked deepness: the story, the characters and the relations between them lacked deepness. Everything happened really fast and what we got to see from the main character's childhood wasn't enough. Since it lacked deepness, some moments seemed like they made no sense.

My boyfriend hadn't read the book, but he went to see the film with me and he also felt like it was rushed and that they just tried to summarize a complex story with complex characters.

It's a very good story though and it will keep you entertained, specially if you know nothing about it. Also the acting isn't bad at all. I give it a 6 based on the film itself, ignoring the existence of the book.

Anyway, I hope you get to enjoy it.

In mild thriller "The Marsh King's Daughter" Ben Mendelsohn's arrested after holding Caren Pistorius captive in the US wilds, where she had Brooklyn Prince who she & Mendelsohn raised for 12 yrs. Years later Prince (now Daisy Ridley) has a child of her own (via hubbie Garrett Hedlund) who Mendelsohn comes for (or does he?) on escaping prison. Director Neil Burger styles it like "Where The Crawdads Sing" / "Lou" but it's lower quality, thanks mainly to the co-writing duo of debutant Elle Smith & "The Covenant" co-writer Mark L Smith whose script is implausible, hole-filled & short-cutting. Gil Birmingham lends decent support, but this one is only just passable.

The Marsh King's Daughter is based on the novel of the same name by Karen Dionne. It tells the story of Helena Pelletier(Daisy Ridley). Helena goes after the man who kidnapped her mother, to safeguard her family's future.

The Marsh King's Daughter is a pretty good film. However, it would have been fantastic if it had just been fast-paced, like how a thriller should be. Usually, slow-burn movies build up to an electrifying climax. However, that's not the case with this film. Even during its final act, it still doesn't pick up the pace. The cinematography by Alwin H. Kukler is gorgeous. The performances are the movie's strongpoint. Daisy Ridley is spectacular as Helena Pelletier. Ben Mendelsohn is outstanding as Jacob Holbrook. Brooklynn Prince is fantastic as Young Helena. Gil Birmingham is great as Clark. Caren Pistorius is brilliant as Helena's mother. Garrett Hedlund is excellent as Stephen Pelletier. Joey Carson is adorable as Marigold Pelletier. The Marsh King's Daughter is not a must watch in theatres. However, watch it on streaming if you have time to kill.

"The Marsh King's Daughter" is a gripping psychological thriller that keeps viewers on the edge of their seats. Based on the novel by Karen Dionne, the movie tells the story of Helena, a woman who must confront her traumatic past when her father, a dangerous fugitive, escapes from prison. The film expertly weaves together elements of suspense, drama, and mystery, creating a tense and atmospheric experience for the audience. The performances are top-notch, with strong portrayals from the lead actors. Overall, "The Marsh King's Daughter" is a haunting and intense film that will leave viewers thinking long after the credits roll.