O Quarto de Vidro

It's a very beautifully crafted movie. I love the costume and cast. More to the message of the movie. Even in the darkest time, you can fine a light. Love wins.

The Glass Room (novel) is a fantastic story about a house. the people whose lives are connected to it, their relationships, and the transformations of the country it is in.

The Glass Room (Film) is a mess.

Everything that was great about the book is missing from the film. The characters are mere cardboard cut outs of those that grow and develop so wonderfully in the novel. No time is spent establishing any of them, nor their relationships.

The star of the novel, the house, is never shown in its glory in the film, only a few overly repeated angles that never let the house truly shine. And the many significant historical milestones are flipped from one to the other as if mere inconveniences.

Those who have not read the book must spend the first 30 minutes of the film in complete and utter confusion, barely having a clue who each person on screen is and what they mean to each other.

As such they will be frustrated. Likewise those who enjoyed the book, seeing its essence removed and only a watery reflection of it remaining. Those who watch based on the marketing, especially from the US where it goes by the thoroughly misleading title The Affair, who think they are watching a Lesbian love story will be frustrated for the most part.

A real shame that such an excellent story, cast and location are wasted on this terrible film.

"The Affair" (2019 release; 104 min.) brings the story of best friends Liesel and Hana, and their attachment to a particular house. As the movie opens, we are in the 1930s and newlyweds Liesel and Viktor meet with a famous architect, and he designs and builds a fabulous house for them, with glass windows from floor to ceiling and an overall minimalist and modern feeling. It's not long before Liesel has a baby, and then another. Hana is herself trying desperately to get pregnant. Then the Nazis cross into Czechoslovakia and force Liesel and her family to flee... At this point we are 15 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is a Ccech mega-production, directed by Julius Sevcík. The film is the big screen adaptation of the novel "The Glass Room" by British author Simon Mawer. I didn't read the book and hence cannot comment on how closely the movie sticks to the book. Spanning a good 30 years (up to the 1968 invasion by the Soviets), this historical drama has all the makings of a thrilling movie, in which we follow the fates of several families, and that one fabulous house. But when you are watching it all unfold, several things do not add up and feel strangely removed, or simply manufactured. There are a number of other issues that bother me. First, why was the movie's title changed from "The Glass Room" (which would make perfect sense) to "The Affair"? Second, when you look at the movie's poster, it is very misleading (for reasons that become clear once you see the movie). Third, the new title is confusing as one of the movie's lead performers, Danish actor Claes Bang, starred in the long-running Showtime TV series called "The Affair", which to be clear has nothing to this with this film. Last but not least, after seeing the film, I was curious about that house and it didn't take me long to find that indeed this house was built for real in the 1930s for the Tugendhat family. One of the family's real-life descendents decried the book upon its publication, saying that "first the Nazis took our house, and now Mawer took our story". (Please note that the film does not reference this historical link in any manner, presenting this as pure fiction.) Despite all these misgivings, there are some great elements to the film, including the lead performances be Dutch actress Carie va Houten (as Hana) and Swedish actress Hanna Alstrom (as Liesel). This film gathered 6 nominations for the Czech equivalents of the Oscars, mostly for second-tier categories like Best Cinematography, Stage Design, and Costume Design. Bottom line: "The Affair" is an okay, but just okay, historical drama that feels like a missed opportunity for something much bigger than what we end up watching.

"The Affair" premiered 2 years ago in Europe, and out of the blue it was released this weekend in select US theaters. I have no idea how or why that is, and why it's released in the US right now. The Saturday early evening screening where I saw this at was attended so-so: 5 people to be exact including myself, which is par for the course for most films I've seen during these COVID-19 times. I can't imagine this will play more than a week or two in theaters before this moves on to streaming. If you are in the mood for a historical drama playing out over 3 decades in central Europe, I>'d readily suggest you check this out, be it in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.

When this movie reached its end I sat here going "Huh?" I haven't felt this way about a film in a long time, thank goodness. It was highly confusing. I just read in another review here that the title was changed from the title of the book the film is an adaptation of. I suppose the confusion starts there. As I watched "The Affair" I wondered which one the title referred to because there was more than one affair. Who was with whom was unclear to me and I really didn't know what the point of the movie was either. If I can see it again without paying (which I had to the first time) perhaps I will. Then I could redirect my attention.

I watched this movie while preparing supper. I enjoy spending time in kitchen so I walked to the room from time to time and found myself attracted. The picture was presented very well. The relations, emotions ... I was able to feel them.

There was lots of erotic scenes of sex between partners of which one was no really happy about it. Some kind of exploitation because of Nazi threat and Jewish nationality. Yet The core emotion was love between two women and their attachment to house and the architect.

Intriguing. I somehow believe the female-female relationship was something director wanted to focus. Discovering.