AVALIAÇÃO DA IMDb
5,4/10
47 mil
SUA AVALIAÇÃO
Snake Eyes, um solitário tenaz, é recebido em um antigo clã japonês chamado Arashikage, que lhe ensina os costumes do ninja e lhe fornece um lar. Mas quando os segredos do seu passado são re... Ler tudoSnake Eyes, um solitário tenaz, é recebido em um antigo clã japonês chamado Arashikage, que lhe ensina os costumes do ninja e lhe fornece um lar. Mas quando os segredos do seu passado são revelados, a honra e lealdade dele serão testadas.Snake Eyes, um solitário tenaz, é recebido em um antigo clã japonês chamado Arashikage, que lhe ensina os costumes do ninja e lhe fornece um lar. Mas quando os segredos do seu passado são revelados, a honra e lealdade dele serão testadas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Derrick de Villiers
- Promoter
- (as Derrick Devilliers)
Dean Muhtadi
- Bruiser Streetfighter
- (as Mojo Rawley)
Avaliações em destaque
I'm a big fan of Yakuza films, so when I saw the trailer for "Snake Eyes," I was ecstatic - a gritty, grounded origin of one of G. I. Joe's most beloved characters, in the form of a Japanese mobster movie, seemed too good to be true. And lo and behold, it was! "Snake Eyes" seems to suffer from an identity crisis; there is not enough gangster politics to be a successful gangster movie - there is not enough character development to be a satisfying drama - and perhaps the worst offense: there is not enough well-filmed action for this to be a great action film.
Let's jump right into why "Snake Eyes" isn't a good film - the action. When you hire master choreographers to create beautiful action sequences, why would you then destroy them by choosing to film your action with close-up, handheld, shaky cam? This stylistic decision is infuriating and unforgivable. There was only one sequence in this movie that was well shot; other than that, literally every other single action scene was made incomprehensible due to the filmmaking.
There were so many set pieces that could've been memorable and exciting if only the cameraman would've put the camera on a tripod, prepared a wide shot, and stepped away. You have scenes of small armies engaged in katana-on-katana action, and you won't be able to see any of it because the cameraman is standing two feet away and shaking the camera like it owes him money. This filmmaking decision literally ruined the action in this film, and as a consequence, ruined the film itself - because when the action in your action movie sucks, your movie sucks.
That said, perhaps the storyline and the engaging characters can add some sort of entertainment value? You'd be half right. The story itself is pretty interesting, if not very engaging. There's enough to keep you slightly invested in what's happening and why, but again, everything is framed around terribly filmed action sequences that damper the fun. The acting was serviceable, but nothing too breathtaking. Henry Golding as Snake Eyes had a certain tenacity about him that was fun to watch, but the script seemed to try a little too hard to make him "cool." Samara Weaving was gorgeous, as always, and pretty good here - however, she barely has any screen time, and isn't introduced until about half way through the film. That said, she is a show stealer when she's on screen.
"Snake Eyes" did have some cool cinematography to bask at - if you enjoy Asian cinema, you'll certainly enjoy the look of the film. That said, if you enjoy good action, you're going to despise this movie. I'd recommend only checking this out if you're a big G. I. Joe fan - if you're not? There's a million other Yakuza action films at your disposal; don't waste your time with this.
Let's jump right into why "Snake Eyes" isn't a good film - the action. When you hire master choreographers to create beautiful action sequences, why would you then destroy them by choosing to film your action with close-up, handheld, shaky cam? This stylistic decision is infuriating and unforgivable. There was only one sequence in this movie that was well shot; other than that, literally every other single action scene was made incomprehensible due to the filmmaking.
There were so many set pieces that could've been memorable and exciting if only the cameraman would've put the camera on a tripod, prepared a wide shot, and stepped away. You have scenes of small armies engaged in katana-on-katana action, and you won't be able to see any of it because the cameraman is standing two feet away and shaking the camera like it owes him money. This filmmaking decision literally ruined the action in this film, and as a consequence, ruined the film itself - because when the action in your action movie sucks, your movie sucks.
That said, perhaps the storyline and the engaging characters can add some sort of entertainment value? You'd be half right. The story itself is pretty interesting, if not very engaging. There's enough to keep you slightly invested in what's happening and why, but again, everything is framed around terribly filmed action sequences that damper the fun. The acting was serviceable, but nothing too breathtaking. Henry Golding as Snake Eyes had a certain tenacity about him that was fun to watch, but the script seemed to try a little too hard to make him "cool." Samara Weaving was gorgeous, as always, and pretty good here - however, she barely has any screen time, and isn't introduced until about half way through the film. That said, she is a show stealer when she's on screen.
"Snake Eyes" did have some cool cinematography to bask at - if you enjoy Asian cinema, you'll certainly enjoy the look of the film. That said, if you enjoy good action, you're going to despise this movie. I'd recommend only checking this out if you're a big G. I. Joe fan - if you're not? There's a million other Yakuza action films at your disposal; don't waste your time with this.
Saw the movie last night and was not impressed with anything I saw. The makers of this film have either no idea of the origins of Snake-Eyes or they intentionally destroyed the character. Aside from the fact that Snake-Eyes was always a Gaijin (white guy) he was also honorable in all that he did. This version has him as a two-faced, lying, thief. The feeble redemption arc in the final act was too little - too late, and unbelievable. The casting choices also left me a bit confused. Golding was never a good choice for Snake-Eyes and as much as I love Samara Weaving, she was a horrible Scarlet. The actress who ineptly portrayed the Baroness was too young for the character and was not even close to being believable. Iko Uwais was great as usual but would have been a much better Storm Shadow or even Snake-Eyes! Andrew Koji did do a good job as Storm Shadow and his was the best performance in the whole film by far.
The story was subpar, even for a genre piece, and the script could have been written by a middle-schooler. The action was decently choreographed and wasn't too over the top. It seemed like it couldn't decide whether to be gritty or cartoonish in its approach to the action, which was a letdown. There are several continuity issues as well; a brawler raised on the street with no formal training can automatically hold his own against highly trained ninjas (can you say Rey Palpatine?) or a girl who had been a devoted part of the clan for over a decade breaking sacred rules to save someone she just met?
All in all, this movie sucked!
The story was subpar, even for a genre piece, and the script could have been written by a middle-schooler. The action was decently choreographed and wasn't too over the top. It seemed like it couldn't decide whether to be gritty or cartoonish in its approach to the action, which was a letdown. There are several continuity issues as well; a brawler raised on the street with no formal training can automatically hold his own against highly trained ninjas (can you say Rey Palpatine?) or a girl who had been a devoted part of the clan for over a decade breaking sacred rules to save someone she just met?
All in all, this movie sucked!
Having grown up with the "G. I. Joe" cartoons on TV and always liked them, I must say that my expectations for this 2021 movie "Snake Eyes: G. I. Joe Origins" weren't exactly sky high, given the previous live action movies based on the cartoons.
But still, of course I sat down to watch this movie and see what writers Evan Spiliotopoulos, Joe Shrapnel and Anna Waterhouse would come up with.
And while "Snake Eyes: G. I. Joe Origins" certainly was a watchable movie, this was essentially a no-brainer. You just disconnect your brain, lean back and munch the popcorn while watching the action on the screen. In terms of proper contents for a deeper storyline or a fulfilling storyline, then "Snake Eyes: G. I. Joe Origins" is not the movie you should watch. Nay, this was just mindless action with a "G. I. Joe" template dragged down over it to sell it to a wider audience.
I must admit that I sit here with a feeling of this being a rather unnecessary and unfulfilling movie, now that the movie came to an end. Sure, the movie was a cheesy action flick and watchable enough for what it turned out to be. But this was by no means an outstanding movie from director Robert Schwentke.
The action sequences in the movie are good, and they are what keeps the movie afloat. That, and also some nice visuals and special effects. But other than that, then this movie was a shallow shell.
The cast ensemble was interesting, though, I will say that much. I am not familiar with Henry Golding, but he did a good job at bringing Snake Eyes to life on the screen. And actor Andrew Koji was definitely a good choice for Stormshadow. Now, it was really great to see the likes of Iko Uwais and Haruka Abe in the movie as well.
I doubt that I will ever return to watch "Snake Eyes: G. I. Joe Origins" a second time, because the storyline just barely had enough contents to support the first viewing.
My rating of "Snake Eyes: G. I. Joe Origins" lands on a very mediocre five out of ten stars.
But still, of course I sat down to watch this movie and see what writers Evan Spiliotopoulos, Joe Shrapnel and Anna Waterhouse would come up with.
And while "Snake Eyes: G. I. Joe Origins" certainly was a watchable movie, this was essentially a no-brainer. You just disconnect your brain, lean back and munch the popcorn while watching the action on the screen. In terms of proper contents for a deeper storyline or a fulfilling storyline, then "Snake Eyes: G. I. Joe Origins" is not the movie you should watch. Nay, this was just mindless action with a "G. I. Joe" template dragged down over it to sell it to a wider audience.
I must admit that I sit here with a feeling of this being a rather unnecessary and unfulfilling movie, now that the movie came to an end. Sure, the movie was a cheesy action flick and watchable enough for what it turned out to be. But this was by no means an outstanding movie from director Robert Schwentke.
The action sequences in the movie are good, and they are what keeps the movie afloat. That, and also some nice visuals and special effects. But other than that, then this movie was a shallow shell.
The cast ensemble was interesting, though, I will say that much. I am not familiar with Henry Golding, but he did a good job at bringing Snake Eyes to life on the screen. And actor Andrew Koji was definitely a good choice for Stormshadow. Now, it was really great to see the likes of Iko Uwais and Haruka Abe in the movie as well.
I doubt that I will ever return to watch "Snake Eyes: G. I. Joe Origins" a second time, because the storyline just barely had enough contents to support the first viewing.
My rating of "Snake Eyes: G. I. Joe Origins" lands on a very mediocre five out of ten stars.
First of all, this has *nothing* to do with G. I. Joe, as it is a medieval story about two Japanese clans and the protagonist is caught somewhat in between. Yes, it happens today, but 90% of all fights are using swords and the prize of the war is a magical stone. It's like someone took an existing Japanese samurai and ninjas script, added an extraneous character and made him the protagonist, then plastered on a Joe/Cobra connection and brought it into the present. And the way they added this stuff is like fixing a broken mirror with industrial sticky tape on the visible side.
And what a cast this had: Andrew Koji from Warrior (I still crave for a new season), Iko Uwais from Raid, Peter Mensah from Spartacus, Takehiro Hira (who in my mind did the best job in the film, even if he was the villain and had a really dumb role), Samara Weaving from Guns Akimbo. Not to mention Eri Ishida, who did more in a few scenes than "Snake Eyes" in the entire film. They did nothing with all of this. The fights were fractured and made little sense, focused on form and ignoring substance. Two people fighting 50 and succeeding because they all used swords and the heroes had unlimited stamina, the usual running (slowly and awkwardly) from bullets scene, people running in the sword range to fire a gun, ugh! It was incredibly ugly. Even the motorcycle and car scenes were ridiculously bad. A team of 5 snipers could have finished *everybody* without loses.
Worst of all, it's called G. I. Joe Origins and it features a character who has never heard of the Joes in a time when both Cobra and Joes have been established for a long time. There is no origin story at all! There is no story, really!
Bottom line: this film is something that whole teams of people should be fired because of. A 100 million dollar film that manages to waste every resource it bought. Avoid it like it's the plague.
And what a cast this had: Andrew Koji from Warrior (I still crave for a new season), Iko Uwais from Raid, Peter Mensah from Spartacus, Takehiro Hira (who in my mind did the best job in the film, even if he was the villain and had a really dumb role), Samara Weaving from Guns Akimbo. Not to mention Eri Ishida, who did more in a few scenes than "Snake Eyes" in the entire film. They did nothing with all of this. The fights were fractured and made little sense, focused on form and ignoring substance. Two people fighting 50 and succeeding because they all used swords and the heroes had unlimited stamina, the usual running (slowly and awkwardly) from bullets scene, people running in the sword range to fire a gun, ugh! It was incredibly ugly. Even the motorcycle and car scenes were ridiculously bad. A team of 5 snipers could have finished *everybody* without loses.
Worst of all, it's called G. I. Joe Origins and it features a character who has never heard of the Joes in a time when both Cobra and Joes have been established for a long time. There is no origin story at all! There is no story, really!
Bottom line: this film is something that whole teams of people should be fired because of. A 100 million dollar film that manages to waste every resource it bought. Avoid it like it's the plague.
Andrew. Koji steals the attention with his emotional expression, too bad his lines were not so good. I think he should be snake eyes.
Você sabia?
- CuriosidadesThe electric motorcycles the characters are riding throughout the movie are heavily modified Energica Eva Ribelle.
- Erros de gravaçãoHenry Golding's American accent keeps slipping throughout the movie. This is because the actor, Henry Golding, is of English and Malaysian descent. He therefore speaks English with a British accent, but his character, Snake Eyes, is Asian American.
- Cenas durante ou pós-créditosThe closing credit crawl is superimposed over insignia for G.I. Joe, Cobra, and the Arashikage clan.
- Trilhas sonorasTokyo Mayhem
Written & Performed by Martin Todsharow
Additional Electronica Programming by Henrik Müller & Tassilo Ippenberger
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Snake Eyes?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- G.I. Joe: Snake Eyes
- Locações de filme
- Japão(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 88.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 28.264.325
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.367.853
- 25 de jul. de 2021
- Faturamento bruto mundial
- US$ 40.064.325
- Tempo de duração
- 2 h 1 min(121 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente