M3GAN

Fine, it's a moderately entertaining deadly doll movie but... seriously, it's been a bit overpraised. This is paint by numbers storytelling. A beat by beat remake of every "deadly friend" tale. Also, while I generally find her appealing, Allison Williams looks like she's about to crack up half the time. It's also a little soft on the true horror/scares front. Id actually love to see an R rated sequel that goes as hard as "Child's Play" or "Annabelle." Anyway, it makes me sad to think that there are strong movies out right now ("Babylon," "The Whale") that audiences are ignoring in favor of this January junk.

Hands down the better reboot of Child's Play than Child's Play (2019). Although it's predictable from start to finish, it was at least a better made movie in terms of production design and cinematography.

And yes when you think about it too much, a lot of it doesn't make any sense. Why are all of the adults dumb or willfully ignorant when it comes to implementing AI into their prototype? Why didn't they have the slightest foresight or precautions in store if something goes wrong? Why does a puppet for kids posses the strength of a Terminator? And if said robot is so dangerous, why not disconnect the brain chip entirely from the body when doing any fail safe tests?

But even with all the predictability and the leaps in logic I was still entertained. Maybe because I haven't seen a trailer, the movie had actually some neat visual ideas in store. I liked some of the cinematography, there were some pretty interesting shots in the forest and towards the end. The choreography of the puppet was pretty well done, it is a blend of animatronics, mo-cap and vfx animation, depending on the shot. The movie is a bit tame in terms of showing actual violence. The actual showdown could have been a bit more creative. It felt like the 7th studio re-write to punch up the final confrontation but it felt somehow weak, I expected a bit more shock value. Basically it's like a glorified Black Mirror episode, but without going too dark unfortunately. It's still a solid horror movie for the average moviegoer or as an introduction into horror movies. But I'm afraid horror fans might be a bit disappointed by the lack of commitment the movie has towards the genre.

It seems especially in the horror genre nearly everything lately is regurgitated and advertised as something new. Blumhouse does this more than anyone lately and yet still manages to rake in profits from mostly generation z unfamiliar with the old classic horror films that came long before. The glaring similarities and material borrowing comes from basically every Chucky film, though it's presented in a way that's more appetizing to the newer tik tok gen z crowd. Not saying the film isn't still executed solidly or isn't effective. It just feels like such an obvious rewrapping of an old classic.

The film itself has a solid enough story and decently intriguing visuals to keep it interesting. The acting is subpar at times but the shock value makes up for it. The true issues lay in the blatant lack of originality toward the overall product. Slight futuristic advancements in plot points and cgi can only differentiate from the old so much when something feels so familiar.

First hype of 2023 is this horror flick coming from the hands of writer Wan. You know, the guy from Saw and The Conjuring amongst others. So I expected a lot from this flick.

Sorry to say but for me it wasn't what I expected. It was low on horror and it became more of a thriller. And the reason is simple, it used to be a R-rated flick but while editing this flick they agreed to make it a PG-13 flick, so low on horror and the red stuff.

It's not a bad flick, it's what we can expect from the future but even as it is entertaining and the story is okay for me personally it failed to be called a horror.

Gore 0/5 Nudity 0/5 Effects 4/5 Story 2/5 Comedy 0/5.

Solid and, at times, actually entertaining. Like other reviewers have mentioned, this strikes me as another version of the 2019 Childs Play; a fun, doesn't-take-itself too-seriously movie. Nonetheless, it added its own spin to the horror/comedy genre with its intentional and unintentional comedy.

I went into M3GAN with little to no expectation given the only marketing material I could remember was the dance scene. I found that the film accomplished the message it set out on. Parents suck at raising children and having no parental figure could be deadly because they will get attached to anything that shows them affection.

As far as the quality of the film, there wasn't really anything surprising or new I could think of. Most of the elements were very predictable from the beginning. That's not always a bad thing because most people like the predictability and knowing where a film is headed.

Overall, not bad for an early January released PG-13 horror movie.