Uma equipe de desajustados está perseguindo um jogo dos anos 80 que supostamente pode controlar a mente das pessoas.Uma equipe de desajustados está perseguindo um jogo dos anos 80 que supostamente pode controlar a mente das pessoas.Uma equipe de desajustados está perseguindo um jogo dos anos 80 que supostamente pode controlar a mente das pessoas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 17 vitórias e 4 indicações no total
Tayla Kovacevic-Ebong
- Persistent Customer
- (as Tayla K. Ebong)
Samuel Arber
- Young Ashens
- (as Samuel John Arber)
Charlotte Arber
- Young Christine
- (as Charlotte Kate Arber)
Nicky Burke
- Mrs Ashen
- (as Nicola Burke)
Taylor Rae Papworth
- 80's Polybius Victim
- (as Taylor Papworth)
Akshy Marayen
- 80's Polybius Victim
- (as Akshay Marayan)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film set itself two very difficult goals.
The first - creating a comedy heist movie at all - it succeeds at very well. The characters are neither so competent that they are distant, nor so incompetent that the heist itself is unconvincing; the percieved difficulty of the heist is pitched just right, the characters' failing are understandable and identifable, and it strictly limits the amount of humor that comes from character incompetence. The production quality is also remarkably high, especially for the budget involved.
The second challenge is making a character-driven movie featuring YouTubers, who (regardless of acting ability) have the difficulty of their existing fanbases associating them wholly with their "YouTube mood". Ashens himself comes off best, due to his previous acting experience, his fanbase's knowledge of his previous films, and his dry-comedy theme; but as mentioned elsewhere, Dan Hardcastle clearly suffers from trying to play his YouTube persona "Nerd Cubed" in a way his viewers would expect (they even named his character "The Cube"), which leaves his character reacting to a disasterous development like.. well, a YouTuber reacting to an abrupt Game Over on a Let's Play video, rather than a person who is actually in imminent and increasing danger of going to prison for 20 years.
The difficulties of the second by no means overcome the success of the first, though, and the film works extremely well as a convincing heist with some genuinely hilarious moments.
There are a few down spots, though, in part caused by the film's habit of integrating meta-humour about directorial tropes and film-making at odd moments. This often comes up in the backgrounds or details of the film, sometimes so dramatically that it comes close to being its own CinemaSins reel, but when it gets pushed to the foreground it becomes more awkward. The scene where the villain has to pursue Ashens while both are moving extremely slowly through motion detectors probably sounded hilarious on paper but when actually filmed you realize it's just two people moving really slowly in gaits that don't make sense; it looks like a good chunk of that scene was edited out, for good reason.
By far the cringiest of these points was one which a sign inside the facility is written purely in Greek, entirely so that the (otherwise incompetent) Greek-speaking character accidentally recruited by the team can turn out to be crucial. I suspect this was intended as a parody of this trope in team movies, but with no explanation it comes across as so contrived as to just be a horrible example of that trope rather than a joke about it.
As previously stated, though, the highs and the general quality outweight the lows, and while this film will obviously appeal much more to fans of the YouTubers involved, to nerds, and to fans of Ashens' style of humor (whether or not they have heard of the man himself), it's a fun watch for anyone, especially those with prior experience of heist movies.
The first - creating a comedy heist movie at all - it succeeds at very well. The characters are neither so competent that they are distant, nor so incompetent that the heist itself is unconvincing; the percieved difficulty of the heist is pitched just right, the characters' failing are understandable and identifable, and it strictly limits the amount of humor that comes from character incompetence. The production quality is also remarkably high, especially for the budget involved.
The second challenge is making a character-driven movie featuring YouTubers, who (regardless of acting ability) have the difficulty of their existing fanbases associating them wholly with their "YouTube mood". Ashens himself comes off best, due to his previous acting experience, his fanbase's knowledge of his previous films, and his dry-comedy theme; but as mentioned elsewhere, Dan Hardcastle clearly suffers from trying to play his YouTube persona "Nerd Cubed" in a way his viewers would expect (they even named his character "The Cube"), which leaves his character reacting to a disasterous development like.. well, a YouTuber reacting to an abrupt Game Over on a Let's Play video, rather than a person who is actually in imminent and increasing danger of going to prison for 20 years.
The difficulties of the second by no means overcome the success of the first, though, and the film works extremely well as a convincing heist with some genuinely hilarious moments.
There are a few down spots, though, in part caused by the film's habit of integrating meta-humour about directorial tropes and film-making at odd moments. This often comes up in the backgrounds or details of the film, sometimes so dramatically that it comes close to being its own CinemaSins reel, but when it gets pushed to the foreground it becomes more awkward. The scene where the villain has to pursue Ashens while both are moving extremely slowly through motion detectors probably sounded hilarious on paper but when actually filmed you realize it's just two people moving really slowly in gaits that don't make sense; it looks like a good chunk of that scene was edited out, for good reason.
By far the cringiest of these points was one which a sign inside the facility is written purely in Greek, entirely so that the (otherwise incompetent) Greek-speaking character accidentally recruited by the team can turn out to be crucial. I suspect this was intended as a parody of this trope in team movies, but with no explanation it comes across as so contrived as to just be a horrible example of that trope rather than a joke about it.
As previously stated, though, the highs and the general quality outweight the lows, and while this film will obviously appeal much more to fans of the YouTubers involved, to nerds, and to fans of Ashens' style of humor (whether or not they have heard of the man himself), it's a fun watch for anyone, especially those with prior experience of heist movies.
First of all, it's rather good. The producers obviously invested in their crew and chose their cast with care, and it shows. Do you need to be an Ashens or Nerdcubed fan already to enjoy the film? I don't think so.
I was relieved to see more of a gender balance than is implied by the poster. The principle women are all excellent and help to lift the film, otherwise it could be conceived as a tad misogynistic.
Overall, the film packs quite a pace. It's funny, engrossing and likeable.
Stuart Ashen himself is a very solid actor - low-key, natural, with a good voice. Dan Hardcastle was top dollar. I also thoroughly enjoyed the OTT villains. Together with Joanna O'Connor, Jarred Christmas knocked my socks off, and their scenes were an absolute delight. I also found Ashens' and Christine's journey a pleasant surprise, providing unexpected emotional depth which came as a welcome contrast to the comedy antics of the Heist team.
There are times when you can see the film-making process has been rushed, a couple of scenes where you feel Barmania must have wished he'd had more time. Others where you can truly appreciate the precision and care taken with set-up and framing. The look of the film costume-wise is unexpectedly stylish.
When you consider the scope of the production, the budget and timescales, you have to give immense credit to Barmania for pulling it all off.
Relentless Films should be very pleased. This is a tremendous start.
I was relieved to see more of a gender balance than is implied by the poster. The principle women are all excellent and help to lift the film, otherwise it could be conceived as a tad misogynistic.
Overall, the film packs quite a pace. It's funny, engrossing and likeable.
Stuart Ashen himself is a very solid actor - low-key, natural, with a good voice. Dan Hardcastle was top dollar. I also thoroughly enjoyed the OTT villains. Together with Joanna O'Connor, Jarred Christmas knocked my socks off, and their scenes were an absolute delight. I also found Ashens' and Christine's journey a pleasant surprise, providing unexpected emotional depth which came as a welcome contrast to the comedy antics of the Heist team.
There are times when you can see the film-making process has been rushed, a couple of scenes where you feel Barmania must have wished he'd had more time. Others where you can truly appreciate the precision and care taken with set-up and framing. The look of the film costume-wise is unexpectedly stylish.
When you consider the scope of the production, the budget and timescales, you have to give immense credit to Barmania for pulling it all off.
Relentless Films should be very pleased. This is a tremendous start.
A decent independent movie. The previous Ashens movie was a good effort but you needed to be a fan of cult movies to appreciate it. This one however is really good. Wonderfull British humour and good acting. If you are into British humour and can appriciate the geeky theme then this movie will not dissapoint you.
The cast was well chosen and the story kept you interested. The characters had enough dept and all contributed to the movie. There was only one gag that seemed a bit out of place but I can easily look past that one.
The cast was well chosen and the story kept you interested. The characters had enough dept and all contributed to the movie. There was only one gag that seemed a bit out of place but I can easily look past that one.
A great film to watch if you like Ashens, British Comedy or general dry humour and slapstick!
Once again Ashens graces us with a legit film, featuring more geeky humour than ever before and hoping to dial everything ut to 11 for a knockout sequel.
Fortuneately this film is vastly superior to the first, which was more of an experiment to see if the concept of Stuart Ashen looking for weird put there gaming artifacts would stick. The first, if you remember had some bits that really worked and others that were just cringe inducing, but even so it was recieved well enough for a sequel.
The Polybius Heist already stands on better feet than it's predecessor, the acting has drastically improved across the board (there is an exception I will get to later) and while the overall goal of this film is pretty much the same as the first, the way that goal is written towards is really well done.
Now the acting exception. Daniel Hardcastle is awful in this film, I've no idea how he managed to get into this film, every line he reads is read exactly the same way and similar tone of voice, he cannot do subtlety or even clearly speak.
Fortuneately this film is vastly superior to the first, which was more of an experiment to see if the concept of Stuart Ashen looking for weird put there gaming artifacts would stick. The first, if you remember had some bits that really worked and others that were just cringe inducing, but even so it was recieved well enough for a sequel.
The Polybius Heist already stands on better feet than it's predecessor, the acting has drastically improved across the board (there is an exception I will get to later) and while the overall goal of this film is pretty much the same as the first, the way that goal is written towards is really well done.
Now the acting exception. Daniel Hardcastle is awful in this film, I've no idea how he managed to get into this film, every line he reads is read exactly the same way and similar tone of voice, he cannot do subtlety or even clearly speak.
Você sabia?
- CuriosidadesThe registration of the van they use for the heist reads PWND LND or Poundland which is a reference to Ashens' Poundland series of videos
- Cenas durante ou pós-créditosAfter all the credits are played out, the distinctive six-note jingle from the start of Ashens' YouTube videos is played, but with the final "Hello!" replaced with "Goodbye!".
- ConexõesFollows Ashens and the Quest for the Gamechild (2013)
- Trilhas sonorasSettle the Score
Written by Michael Spencer Chapman
Composed by Michael Spencer Chapman
Performed by James Marsh
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- How long is Ashens and the Polybius Heist?Fornecido pela Alexa
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