Viver, Amar e Aprender

Don't normally like these type of movies as they're either very depressing or very crass. This was beautiful. Acting was superb. Please watch. You won't regret it.

I stumbled across this movie when I flicked on Netflix one night after work and just wanted something on in the background while I caught up on social media. But within moments, the movie had me hooked and I put down the phone and settled in for what turned out to be a great movie! Something a little different from the norm, and probably one of the best Aussie movies I've seen in years, with a top group of iconic Aussie actors, who played very relatable characters. I think I could see a bit of my own family in every one of them. The plot was not glaringly predictable either.

I agree with a review written about the title needing a rethink. It is a brilliant Australian production with excellent cast and script. Apparently it was filmed in 3 weeks! Shows the dedication and professionalism of the australian production team, cast etc.

The story itself is well written & has a unexpected moments that make it even more poignant and meaningful. It is a story about family, life, mistakes made & misunderstandings.

Having had a grandmother pass away from Alzheimer's it is so relatable. Insidious disease that is so hard on the family.

Noni Hazlehurst shines as June and her wit is as always worth a chuckle.

Please go see it take a tissue but tell your friends to go tell everyone to go.

Having seen The Father with Anthony Hopkins, it was with reservations I saw June Again. Another movie about old age and dementia? Am I glad I overcame my reservations.

This film was poignant and believable. Noni Hazlehurst is the rock around which this sad and funny movie is based. Her performance is outstanding and she is ably supported by Claudia Karvan and Stephen Curry. In fact all the cast add to a strong cast that keeps the narrative purring along.

The premise that a woman with vascular dementia 'suddenly' comes good is apparently medically quite sound.

What June does with her short time of lucidity is the crux of the story. Her family have fallen apart and then it's June to the rescue (admittedly not with the support of her children).

The film is heart-warming, sad and funny. The fall back to dementia, though expected is very sad.

As an older person myself, this film is quite hard to watch. Still I am glad I did. Well done to all concerned.

2021 has certainly seen its fair share of feature films about dementia. The brilliantly staged 'The Father', the intimately moving 'Supernova'; the yet to be released Australian movie 'Ruby's Choice' and the title reviewed here: 'June Again' starring Aussie acting legend Noni Hazelhurst.

With quite the mix of tonal shifts through its duration, 'June Again' also stretches believability and does cut corners at times, but its heart is absolutely in the right place and it gives Noni her best role in decades. I gather that the Writer/Director JJ. Winlove did research into the subject matter, and a short term respite from the ravages of dementia can occur in certain cases, but as the device used here to explore family and estrangement within relationships, it felt a little at odds with the veering from gravitas to comedic sequences and be tackling dementia.

'June Again' is made most enjoyable by the leading lady and Noni Hazelhurst gives a tour de force in the title role and reaffirms why she is a national treasure. Having won a pair of AFI awards for Leading Actress in the 1980's, this film gives her the opportunity to reach into her acting toolkit and creates a wonderfully vivid and inimitable figure; one that is sure to earn the showbiz veteran another prize.

Claudia Karvan and Stephen Curry give wonderful supporting turns as 'June's' offspring and both have some terrific scenes with the star as well as with one another. Notwithstanding some of my concerns about the construct of the movie, there is much to relate to in the family dynamics. Curry is especially good here.

There are some brilliantly written and directed sequences that effectively convey what must be the indescribable experience of losing one's cognitive functions. Having marveled at Anthony Hopkins in 'The Father', Noni Hazelhurst also gives a master class in facial and vocal expression to depict the tyranny of dementia. For this, the movie excels.

So a mixed bag for me, tonally, but there is no denying the cogency of the performances by the central trio, and the fact that the condition is so pervasive in contemporary life, stories like 'June Again' even with some credulity issues, are essential viewing.