A história de amor entre Rick e Michonne, transformada por um mundo que está em constante mudança, eles se encontrarão em uma guerra contra os vivos ou descobrirão que também são The Walking... Ler tudoA história de amor entre Rick e Michonne, transformada por um mundo que está em constante mudança, eles se encontrarão em uma guerra contra os vivos ou descobrirão que também são The Walking DeadA história de amor entre Rick e Michonne, transformada por um mundo que está em constante mudança, eles se encontrarão em uma guerra contra os vivos ou descobrirão que também são The Walking Dead
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- CuriosidadesOriginally planned to be an AMC original film for television, it was later announced that it would be a film trilogy with a wide theatrical release by Universal Pictures. However, due to the pandemic and the parent series concluding, it transitioned itself into a television miniseries.
- ConexõesFollows The Walking Dead (2010)
Avaliação em destaque
Before someone reads this and assumes I'm some hater who didn't give this series a chance, I've watched this universe for nearly a decade now and sat through it's highs and lows, have read all the comics, and even gave a chance on most of the shows spin-offs whether bad or not. Which in some cases is actually kind of important considering the effort the writers had to emphasize the CRM lore in a lot of them. While I did enjoy some of the great moments of this universe I'm also not scared to call out when it tries to insult the audience with its unrealistic, out of touch, and dare I say season 8 level Game Of Thrones writing. That said I'm unbiased and simply one person that has liked and disliked this universe just giving my opinion.
The Ones Who Live started off well, making the presence of the CRM felt immediately and doing justice to the near decade Rick had been gone from his family. The series subverts expectations a bit in the early half but not in a way that's done poorly. I don't think it's without flaws but nothing that takes me out of the experience. Episode 4 takes a slow change in pace but one I thought was necessary at the time for Rick's development. But then the final 2 episodes came and I realized how poorly they treated the time they were given, ESPECIALLY in the finale. Little did I know the entire 7 year build of the CRM from season 8 of TWD till now was going to be thrown out the window.
I've seen some fans cope about how this series was meant to focus on the love story of Rick and Michonne which is completely fine. But using that as an excuse for the butchering of the CRM as if they hadn't spent all this time building them up is an absolute JOKE. Throwing away the ENTIRE storyline and doing absolutely 0 justice to their buildup is such an insult to the investment people had in them as villains. An investment that was put into place by the show itself. Making the CRM out to be the most dangerous threat in the entire Walking Dead universe, then completely dropping the ball with them just for some cliche generic ending you'd get from a modern day Disney movie.
Scott Gimple has been criticized in the past for his AWFUL decisions with TWD. So much so that he had to step down and give the reigns to Angela Kang for the final 3 seasons of the main show, even if that didn't really end well either despite a great 9th season. Gimple being the lead producer and writer for this series was something I was extremely skeptical about, but I tried to give him the benefit of the doubt considering he did write some of the best TWD episodes we have today. He also was working on this story for plenty of years, so surely he treated it with a lot of care and would be prepared to make the best of it, right? No. Absolutely not.
Gimple has always had a HUGE problem with writing dialogue. In many instances in his material, the characters have these corny lines that try too hard to be wise and clever that it inhumanizes them, ESPECIALLY in life or death moments. He wouldn't dare take this problem to this series after being off of the main show and taking part in ruining Fear The Walking Dead in many aspects as well, right? No, he brought it here too.
You have a character that is fixated on one thing for YEARS, then all of a sudden become this in-touch grounded person out of nowhere for the sake of making the audience feel sympathy for them? Not to mention in nearly every action scene these awfully corny dialogue pieces that a human is NOT going to say in a LIFE OR DEATH SITUATION. Minor details here but honestly it's not that big of a deal considering this is the most formulaic Disney Junior like writing I've seen in an adult drama in a very long time but whatever. A character in a very intense moment says "LoVe iS DeAd" and another character says "LoVe DoEsNt DiE" and I cringed out of my mind. HUMANS DO NOT TALK LIKE THIS!!!! FOR GODS SAKE THIS ISNT A FORMULAIC DISNEY SHOW SCOTT GIMPLE!!!
I'm not trying to bash on people's experience if they enjoyed the show, but it absolutely pains me to see so many people that are blinded by the nostalgia of these characters, ESPECIALLY getting blinded by fan service and undeserved emotional moments to make up for how forced of a finish this was. I'm almost convinced these fans who loved the ending would watch The Long Night episode from Game Of Thrones and be jumping with joy and have 0 problem with it. Because that's the type of writing we got here in the final act of this series that had so much more potential than this.
Either way if you enjoyed The Ones Who Live, all power to you. But don't write off the people who disliked it as haters and completely dismiss anyone who doesn't think this ending is anything close to "perfect" because I'll be damned if this is what a perfect television ending looks like. If you read allat, thank you. Even if you disagree. Shoutout to the performances from Danai, Andy and others. Scott Gimple, shame on you.
The Ones Who Live started off well, making the presence of the CRM felt immediately and doing justice to the near decade Rick had been gone from his family. The series subverts expectations a bit in the early half but not in a way that's done poorly. I don't think it's without flaws but nothing that takes me out of the experience. Episode 4 takes a slow change in pace but one I thought was necessary at the time for Rick's development. But then the final 2 episodes came and I realized how poorly they treated the time they were given, ESPECIALLY in the finale. Little did I know the entire 7 year build of the CRM from season 8 of TWD till now was going to be thrown out the window.
I've seen some fans cope about how this series was meant to focus on the love story of Rick and Michonne which is completely fine. But using that as an excuse for the butchering of the CRM as if they hadn't spent all this time building them up is an absolute JOKE. Throwing away the ENTIRE storyline and doing absolutely 0 justice to their buildup is such an insult to the investment people had in them as villains. An investment that was put into place by the show itself. Making the CRM out to be the most dangerous threat in the entire Walking Dead universe, then completely dropping the ball with them just for some cliche generic ending you'd get from a modern day Disney movie.
Scott Gimple has been criticized in the past for his AWFUL decisions with TWD. So much so that he had to step down and give the reigns to Angela Kang for the final 3 seasons of the main show, even if that didn't really end well either despite a great 9th season. Gimple being the lead producer and writer for this series was something I was extremely skeptical about, but I tried to give him the benefit of the doubt considering he did write some of the best TWD episodes we have today. He also was working on this story for plenty of years, so surely he treated it with a lot of care and would be prepared to make the best of it, right? No. Absolutely not.
Gimple has always had a HUGE problem with writing dialogue. In many instances in his material, the characters have these corny lines that try too hard to be wise and clever that it inhumanizes them, ESPECIALLY in life or death moments. He wouldn't dare take this problem to this series after being off of the main show and taking part in ruining Fear The Walking Dead in many aspects as well, right? No, he brought it here too.
You have a character that is fixated on one thing for YEARS, then all of a sudden become this in-touch grounded person out of nowhere for the sake of making the audience feel sympathy for them? Not to mention in nearly every action scene these awfully corny dialogue pieces that a human is NOT going to say in a LIFE OR DEATH SITUATION. Minor details here but honestly it's not that big of a deal considering this is the most formulaic Disney Junior like writing I've seen in an adult drama in a very long time but whatever. A character in a very intense moment says "LoVe iS DeAd" and another character says "LoVe DoEsNt DiE" and I cringed out of my mind. HUMANS DO NOT TALK LIKE THIS!!!! FOR GODS SAKE THIS ISNT A FORMULAIC DISNEY SHOW SCOTT GIMPLE!!!
I'm not trying to bash on people's experience if they enjoyed the show, but it absolutely pains me to see so many people that are blinded by the nostalgia of these characters, ESPECIALLY getting blinded by fan service and undeserved emotional moments to make up for how forced of a finish this was. I'm almost convinced these fans who loved the ending would watch The Long Night episode from Game Of Thrones and be jumping with joy and have 0 problem with it. Because that's the type of writing we got here in the final act of this series that had so much more potential than this.
Either way if you enjoyed The Ones Who Live, all power to you. But don't write off the people who disliked it as haters and completely dismiss anyone who doesn't think this ending is anything close to "perfect" because I'll be damned if this is what a perfect television ending looks like. If you read allat, thank you. Even if you disagree. Shoutout to the performances from Danai, Andy and others. Scott Gimple, shame on you.
- rxckne
- 5 de abr. de 2024
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Xác Sống: Những Kẻ Còn Sống
- Locações de filme
- Meadowlands Arena - East Rutherford, Nova Jersey, EUA(In-studio filming)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora
- Cor
- Proporção
- 2.39 : 1
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What was the official certification given to The Walking Dead: The Ones Who Live (2024) in Canada?
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