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IMDbPro

Um Dia Bem Passado

Título original: A Day's Pleasure
  • 1919
  • TV-G
  • 20 min
AVALIAÇÃO DA IMDb
6,6/10
3,9 mil
SUA AVALIAÇÃO
Um Dia Bem Passado (1919)
ComédiaCurto

Adicionar um enredo no seu idiomaA father takes his family for an outing, which turns out to be a ridiculous trial.A father takes his family for an outing, which turns out to be a ridiculous trial.A father takes his family for an outing, which turns out to be a ridiculous trial.

  • Direção
    • Charles Chaplin
  • Roteirista
    • Charles Chaplin
  • Artistas
    • Charles Chaplin
    • Edna Purviance
    • C. Allen
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    3,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Charles Chaplin
    • Roteirista
      • Charles Chaplin
    • Artistas
      • Charles Chaplin
      • Edna Purviance
      • C. Allen
    • 26Avaliações de usuários
    • 14Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos146

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    + 140
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    Elenco principal43

    Editar
    Charles Chaplin
    Charles Chaplin
    • Father
    • (as Charlie Chaplin)
    Edna Purviance
    Edna Purviance
    • Mother
    C. Allen
    • Jazz Musician
    • (não creditado)
    Naomi Bailey
    • Boat Passenger
    • (não creditado)
    Sallie Barr
    • Boat Passenger
    • (não creditado)
    Henry Bergman
    Henry Bergman
    • Captain
    • (não creditado)
    • …
    True Boardman
    True Boardman
    • Boy on Boat
    • (não creditado)
    James Bryson
    • Boat Passenger
    • (não creditado)
    Bliss Chevalier
    • Woman on Street Corner
    • (não creditado)
    Jackie Coogan
    Jackie Coogan
    • Smallest Boy
    • (não creditado)
    Dixie Doll
    • Girl on Boat
    • (não creditado)
    Charles S. Drew
    • Boat Passenger
    • (não creditado)
    Elmer Ellsworth
    • Boat Passenger
    • (não creditado)
    • …
    Marion Feducha
    Marion Feducha
    • Small Boy
    • (não creditado)
    Leroy Finnegan
    • Boat Passenger
    • (não creditado)
    Mrs. Fowler
    • Boat Passenger
    • (não creditado)
    Warren Gilbert
    • Boat Passenger
    • (não creditado)
    • …
    J.A. Irvin
    • Jazz Musician
    • (não creditado)
    • Direção
      • Charles Chaplin
    • Roteirista
      • Charles Chaplin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários26

    6,63.8K
    1
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    10

    Avaliações em destaque

    Cineanalyst

    Forced

    "A Day's Pleasure" has a story and plot. In this one, Charlie Chaplin plays a family man, and they have a day of misadventures beginning with some trouble starting their automobile, then sea sickness on a cruise and, finally, they have difficulties passing a traffic crossing. The problem with the story and plot isn't that it's simple or episodic; the problem is that it's uncharacteristic of Chaplin. It would be a completely acceptable, perhaps even above average, two-reeler for any lesser comedian. Although everyone was a lesser comedian (at least in 1919), I mean those who didn't rise above these kinds of slapstick shorts.

    Those like Laurel and Hardy would become masters of them, but films such as "A Day's Pleasure" were no longer the best Chaplin could do. He was already working on "The Kid", and it seems he wasn't very interested in shorter and simpler films anymore. First National demanded product, however, and so Chaplin rushed and forced out "A Day's Pleasure". And, it shows.

    This is still pleasant to watch (it'd have been difficult to make this kind of picture unpleasant), and one may find plenty of laughs in it, but Chaplin was aiming, by now, for more than humor, and he could also be a lot funnier. His breakthrough, "The Kid", reflects that.
    Snow Leopard

    Good Short Comedy, With a Slightly Different Feel For Chaplin

    This is a good short comedy, and it has a bit of a different feel to it than most of Chaplin's shorts. Instead of his familiar tramp character or some other underdog, this time Charlie is a family man taking everyone out for a day of fun, along with some misadventures on the way there and back. There isn't much of Chaplin's usual social commentary, as it focuses instead on trying to get as much mileage as possible out of a few basic gags. Most of the time this works pretty well, although it bogs down a bit in the middle when a couple of the gags start to wear rather thin. Among other things, it's interesting in that the approach this time - the story line, and especially the milking each gag for all it is worth - is what you would expect from Laurel and Hardy, rather than from Chaplin. Overall, it's amusing and interesting, and worth a look.
    caspian1978

    Sea Sick

    More like a day with the family, it appears that The Tramp is married with children. Here, he spends the day with the family as he drives them to and from the boat ride. While the movie deals with situation after situation that the 'Tramp's' get themselves involved in, the majority of the movie takes place on the boat ride. It is here where Chaplin uses some early fantasy camera work to make the boat ride less enjoyable than it really is. Back and forth Chaplin sways the camera from left to right, making the boat look like it is being rocked back and forth by the ocean waves. A nice little comedy with a minor blooper in the background. In the start of the movie when Chaplin is trying to start the car, if you look behind in the open street you will see a man walking down the sidewalk toward the car. He stops half way when he sees that there is a camera and that they are shooting a movie. He quickly stops and turns around to walk out of the shot. Before he does, he stops again and looks back to get one final look. He then hurries off to get out of the shot.
    7Hitchcoc

    Good Fun

    Chaplin is married with a couple kids. They appear to be 10-12 years old or so. Once they get the car started, a major task, they head off to a pier where they will get on an excursion boat. The sign says, children in arms are free, so he carries these two kids onto the boat. From there on things don't go well. Thee is seasickness, fist fighting, and a misunderstanding husband. Upon there return, there is a hilarious series of events at an intersection. No Academy Award her, but non stop craziness.
    7TheLittleSongbird

    A pleasant day

    Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

    From his period after Mutual, 'A Day's Pleasure' is not one of his very best and not even among the best of this particular period. As said with many of his post-Keystone efforts, it shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career. The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. After Mutual the style had properly settled and the cinematic genius emerged. Something that can be seen in 'A Day's Pleasure' though other efforts do it better.

    The story is slight and a bit too busy and manic in places. It does get bogged down at times by padding and a few scenes that don't serve a lot of purpose. Not all the sequences work either.

    It is agreed that the part with the rocking boat is far too exaggerated and doesn't look good or fit.

    On the other hand, 'A Day's Pleasure' looks good, not amazing (though the opening shot for early Chaplin is remarkable) but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

    'A Day's Pleasure' is very funny and charming, if not one of Chaplin's substance or pathos-filled. Its best moments are hilarious with some clever, entertaining, remarkably inventive and well-timed slapstick and the charm doesn't get over-sentimental. It generally moves quickly and there is little dullness in sight. The second half is both amusing and enchanting and the message isn't laid on too thick and has more potency than one would think.

    Chaplin directs more than competently and the cinematic genius quality is emerging. He also, as usual, gives a playful and expressive performance and at clear ease with the physicality and substance of the role. The support is good and the chemistry charms.

    Overall, good but not great. 7/10 Bethany Cox

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The house the family appears from is in reality Charles Chaplin's office.
    • Erros de gravação
      (at around 2 mins) As Father (Charles Chaplin) struggles with the cantankerous car, a pedestrian comes into view on the far sidewalk in the background. Either realizing a film is being shot or waved off by the crew, he turns around and walks away, but he pauses to look back over his shoulder just before he walks out of sight.
    • Citações

      Angry Little Man in Street: Stupid ass!

    • Conexões
      Featured in Charlie: A Vida e a Arte de Charles Chaplin (2003)

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 15 de dezembro de 1919 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Instagram
      • Official Site
    • Idiomas
      • Nenhum
      • Inglês
    • Também conhecido como
      • Um Dia de Prazer
    • Locações de filme
      • Chaplin Studios - 1416 N. La Brea Avenue, Hollywood, Los Angeles, Califórnia, EUA(family house)
    • Empresa de produção
      • First National Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 20 min
    • Cor
      • Black and White
    • Mixagem de som
      • Silent
    • Proporção
      • 1.33 : 1

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