Dia de Pagamento

Arriving late for work on the construction site is not a good idea when you're trying to earn enough money to keep some back from your domineering wife. That is just the situation our hero finds himself in though, but it doesn't stop him enough a drink or five from night through to early morning.

An afternoon of Charlie Chaplin shorts and features was mine recently as I tried to catch up on some things I had not seen before. Pay Day was one of those short films and while being roundly good, it is still an affair of two halves. The first half has some great bits in it, the reverse filmed bricklaying sequence being my favourite but the service elevator stuff is as good but in different ways. The second half is nearly as good but is too dominated by the device of drunkenness for my liking. That said it does still have some laugh-out-loud moments in there but for sure the first half is the strongest.

Chaplin delivers with strength as usual. Whether it be his work with his face or his ability to work in reverse on the brick sequence, he is quite brilliant and you can see here some of the reasons that his name is mentioned when discussing genius. The support cast is not as important here as in some other films, as Chaplin tends to play off things more than people here. Still, regulars Swain, Perviance, Bergman and others are all here.

Overall then a generally funny and enjoyable short film with Chaplin on inventive good form even if the second half is not quite up to the level of the first.

Altogether amazing little short with the comic at his best as a brick layer who is late on the job and presents a flower to his monstrous boss (MACK SWAIN). Swain looks so much like Billy Gilbert that I thought that's who it was at first. Swain orders him immediately to work and the fun starts.

A particularly amusing lunch hour sequence is full of sight gags requiring perfect timing. Charlie gets paid, then has to deal with an overbearing wife who sleeps with a rolling pin in her arms, ready to pounce on him when he doesn't come home from work on time. Instead, he's at the local pub having a night out with the other workers.

The pub sequence leads to other amusing sight gags as he and a fellow worker struggle to get out of the rain and onto a streetcar.

No wonder Chaplin considers this one his favorite silent short. Again, Edna Purviance has little to do but it hardly matters. It's Chaplin's limelight and that's all audiences wanted.

All of the stunts are exhibited in perfect timing and are the mark of genius.

Said to be Chaplin's favorite of his short films, Pay Day is a quick, yet funny story of the Tramp and his Pay Day. Showing up to the job late, complaining about his wage, and then having to deal with his scary wife is just the first half of the movie. The night spent out on the town, drinking his problems away and then trying ever so hard to catch the train home is the second half. The physical comedy in Pay day is pure Chaplin. Catching the bricks, the escapades with the elevator and the mob to ride the train are segments that are unique and very funny. Still, Pay Day is not you average Chaplin film. There are moments in the movie that are just there to make you laugh. More of a joke filled story that an actual story with a beginning, middle and an end, Pay Day is a no holds bar comedy with the object to make the audience laugh. And it does.

Chaplin's tramp has a job in this half hour short which comically depicts the plight of the era's laborer that has changed negligibly since. There is little plot to go around but plenty of perfected sight gags by the Silent master as he works and drinks with co-workers and fends off his shrewish rolling pin wielding wife who is intent on collecting his entire pay. The most deft comedy bits are on the job as he does amazing things with a lift as well as a scene grabbing bricks being tossed to him (albeit achieved by reversing the negative). The drinking with co-workers keeps the laughs going and continue through the final confrontation with the wife as Chaplin's uproarious balletic grace remains in fine form from start to finish.

This film has some highly imaginative and well-timed stunts--all revolving around Charlie's job at a construction site. All the near-falls and accidents remind me of Sweet Pea from POPEYE cartoons--as the baby is nearly killed again and again but miraculously escapes. In Chaplin's case, it involved a funny sequence when he ALMOST falls down an elevator many times, dropping objects accidentally on those below and a really interesting sight gag involving guys throwing bricks up to Charlie who catches this with complete ease (it was done by running the film backwards). Later, Charlie's hideous and scary wife is introduced and it goes from a work comedy to a domestic one. In a way, this was a minor disappointment, as I preferred the faster paced work stunts, but all-in-all this is a funny and well executed short.