Au secours!

Au Secours! / Help! (1924) : Brief Review -

The Haunted House and a Dare to Spend an Hour Alone! An old-hat experiment by Abel Gance, but still a fine Max Linder show. My first introduction to 'the haunted house' was when I was 5. A year or two later, I came to know about 'a dare to spend an hour alone in the mansion'. These two things are an inevitable part of my childhood, and I have read enough fairytale books on them. What's more, I have seen some TV serials that have a horror episode on the same subject. Au Secours is my instant nostalgia for the famous "pop," but what's great about it is the experiment with the characters. All those slow motions, waving screens, split screens, flip screens, and moving picture tricks were old by 1924. Gance still managed to wow with the characters. It's a short film running about 24 minutes, which gives 20 minutes completely to the horror show. In those 20 minutes, you see all the horror cliches being formed. A wax statue, a snake, a tiger, a bird, a chandelier, candles, shadows behind window glasses, and that horrifying tall man-you get everything. To add some comedy, we have a poison bottle, a bell to ring, a telephone, and the Max Linder show! By the way, how many horror-comedies were made at the time? I'd like to know because, in my encyclopaedia, I have "The Old Dark House" (1932) as the oldest horror comedy. I thought I'd stick to it until I found an older one, and Help seems to be a new update to my list. The film is about Max, who accepts the dare of a friend to spend an hour at his ancient mansion while everybody else is afraid to go there. He sees and experiences things that are unbearable, but then there is a kick in the climax. This was sort of a serious film for Linder, contrary to his image, but he still finds a stage to perform what he does best. Gance, however, stuck to old theories, which is not at all expected from the director who has given us some brilliant, pathbreaking films. Overall, something to remember.

RATING - 7/10*

By - #samthebestest.

Au secours! (1924)

*** (out of 4)

Forgotten comic Max Linder takes a bet that he can't stay an hour inside a haunted house without crying out for help. This is a pretty interesting short as it really takes a star and director who have nothing in common and they end up turning out a pretty good film. Gance is best known for his three to five hour epics so seeing him do a short was pretty interesting. The director is able to bring some of his trademark skills to the film including a brilliant looking shot of Max going to the house. The camera-work is very impressive as is the editing and some trick shots done with the framing. Linder does a good job with the comedy, which has him running into several ghouls, snakes and even a dancing skeleton. There's really nothing too original storywise here but Gance really makes the film seem fresh with his style.

Au Secours!" is a frenchified film that is a collaboration of two of the most important silent film personalities of that European country: Herr Abel Gance und Herr Max Linder.

For Herr Gance to direct this two reel comedy was a kind of break after the contrarieties and problems during the filming of "La Roue" (1923) and before he began another complicated and colossal film project, "Napoléon" (1927), so, "Au Secours!" was an amusing trifle filmed between masterpieces, two film milestones in the silent film history. For Herr Linder, this film was his next to last film before he decided to leave this cruel world.

The original idea of the film was Max Linder's who was a close friend of Herr Gance. It's not a very original idea for a comedy: Herr Max accepts a bet to spend an hour in a haunted house in order to win 1.000 francs, but there's a funny and surprising finale. In spite of "Au Secours!" being merely a divertimento, it has excellent examples of the superb Herr Gance's cinematic achievements and techniques; for example, when Herr Max is clinging to a chandelier the image is distorted in different ways to give the illusion of vertigo. And there is also a fascinating travelling shot when Herr Max is entering the house, a shot that shows us the terrors awaiting the unknowing hero.

The comedy works perfectly well at the service of an efficient Herr Linder who will have to deal with a crowded haunted house full of strange devices and monsters, not to mention the great variety of animals that are in there ( hypos, hyenas, snakes, crocodiles, tigers… ), giving the impression that it is more of a zoo than a haunted house.

And now, if you'll allow me, I must temporarily take my leave because this German Count must ask for more daily help.

For fans of haunted house thrillers this short subject could serve as an offbeat Halloween appetizer, an ideal curtain-raiser to The Old Dark House or something along those lines, but for film buffs it is a fascinating artifact that offers more than meets the eye. Au Secours! was the product of a collaboration between director Abel Gance, best remembered for his wildly adventurous cinematic tribute to Napoleon, and Max Linder, remembered as the first great comedy star of the movies. Linder was starring in and directing his own brief comic films in France by 1907, while Charlie Chaplin was still a teenager trying to break into the English music-halls. Linder was eventually overshadowed by his younger rival, and by the 1920s, after a harsh tour of duty in the First World War, he was an emotionally troubled man who told friends that he no longer felt funny. Abel Gance, meanwhile, who had acted in some of Linder's comedies early in his career, had since emerged as one of France's most iconoclastic young film-making talents, a director who vigorously experimented with film and loved to devise new visual techniques and optical effects. In 1923 an exhausted and depleted Linder combined his abilities with those of the energetic Gance, and the result was this eerie horror-comedy.

The premise of Au Secours! will be familiar to everyone who has ever heard a ghost story: Max plays a man who accepts a bet that he cannot remain in an allegedly haunted castle for one hour (11 PM to midnight) without having to call for help. During his time in the castle Max faces a relentless barrage of nightmarish experiences. He encounters a waxwork servant who carries his own head, snakes that crawl into his clothing, a walking skeleton at least ten-feet tall, an alligator, furniture that comes to life, etc. And just when Max believes he's survived everything and is on the verge of winning his bet, he finds there's one more nasty surprise awaiting him.

This haunted house tale allows Gance full opportunity to play with the basic techniques of cinematic trickery such as slow motion, reverse footage, high-speed montage, negative image, and other devices, while it allows Max Linder the opportunity to explore a deeper and darker screen persona. Although in the opening scenes he is essentially reprising the usual 'Max' character we know from his many short comedies, the twists of the tale soon reveal a Max we haven't seen before: tense, frightened, eventually distraught. Despite the comic moments scattered along the way, Max plays his role with a grim intensity that is striking and disturbing.

Although it would not be his final film, Au Secours! is believed to be Max Linder's last surviving work. Its morbid imagery and creepy atmospherics feel all the more macabre today, considering what Fate had in store for its leading player: less than two years after the completion of this film, ill and deeply depressed, Linder died in a suicide pact with his wife on Halloween Day. Au Secours! has a happy ending, but Max Linder did not.

This is a cute little French silent comedy about a man who bets another that he can't stay in this castle for one hour due to its being haunted. And, once the guy enters the house, it looks much more like a crazed fun house or maybe like the after-effects of LSD!! While there ARE ghosts and skeletons, there is a weird menagerie of animals, odd special effects and gags as well. It's awfully hard to describe but the visuals alone make the film worth seeing. HOWEVER, understand that the self-indulgent director also had many "funny gags" that totally fell flat and hurt the movie. His "camera tricks" weren't so much tricky but annoying and stupid. IGNORE THESE AND KEEP WATCHING--it does get better. The film is fast paced, funny and worth seeing. In particular, I really liked watching the acting and mugging of Max Linder--he was so expressive and funny! Too bad he is virtually forgotten today. For an interesting but very sad read, check out the IMDb biography on him.