Adicionar um enredo no seu idiomaDanny Kean, a former inmate, pursues photography and romance with Patricia, whose father initially disapproves. A ethical dilemma strains their bond until Kean confronts his criminal past.Danny Kean, a former inmate, pursues photography and romance with Patricia, whose father initially disapproves. A ethical dilemma strains their bond until Kean confronts his criminal past.Danny Kean, a former inmate, pursues photography and romance with Patricia, whose father initially disapproves. A ethical dilemma strains their bond until Kean confronts his criminal past.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias no total
- Hennessy - Fireman
- (as George Pat Collins)
- Speakeasy Proprietor
- (não creditado)
- Prison Guard
- (não creditado)
- Hood
- (não creditado)
- Reporter
- (não creditado)
- James Peters - Drunken Reporter
- (não creditado)
- Reporter
- (não creditado)
- Jerry's Little Girl
- (não creditado)
- Barber
- (não creditado)
Avaliações em destaque
Imagine the outcry today if they showed the hero pushing women around as James Cagney did here and in other films of the period. This particular story has Cagney playing "Danny Kean," an ex-con who quits his former mob and winds up at a tabloid newspaper as a member of the paparazzi! (I guess this story was ahead of it's time.) He does what he has to do get a picture for the paper, and a financial raise for his efforts.
Along the way are several very pretty women "Pat" and "Allison" (played respectively by Patricia Ellis and Alice White); a number of sexual innuendos (which wouldn't have made it in the picture had this been made a year later); and just a fun-filled corny 1930s ride.
I wish a bunch more of these entertaining films, especially with Cagney, were available.
Cagney is terrific as a former mobster who gets released from prison and tries to make a go of it as a photographer for a local newspaper rag, which is edited by Ralph Bellamy.
This film is from the first scene, where Cagney shows affection for the guards and warden, has a ridiculous story line all the way thru to the end. But it moves along at a breakneck pace and has several very good performances, so although we might know it's ridiculous, we really don't care.
Alice White is terrific as a gun moll on the make for Cagney. Bellamy is good as Cagney's drunken editor.
But the film belongs to Cagney, who turns in another terrific, under - appreciated performance.
7 out of 10
This film moves like lightning, guided along by Cagney's seemingly inexhaustible energy. Lots of snappy dialog, great acting, and fine direction make this quite a little gem. Great 1930s feel, and watch quickly for Sterling Holloway (wearing outrageous glasses!) as a journalism student. Highly recommended.
Cagney struts around this second-tier feature like a first-rate star. He, director Lloyd Bacon, photographer Sol Polito, editor William Holmes and the Warner Bros. crew make punk look classy. The centerpiece is Cagney's assignment to photograph an electric chair execution. Also notable is the easy sex offered by a lone female co-worker. She puts the lonely staff ladies room to good use, but Cagney is a gentleman after discovering Ms. White is considered Bellamy's girl. Also watch for bookish bit-player Sterling Holloway and three beautiful young students. Based on a story by Danny Ahern, "Picture Snatcher" was re-made as "Escape from Crime" (1942).
******* Picture Snatcher (5/6/33) Lloyd Bacon ~ James Cagney, Ralph Bellamy, Alice White, Patricia Ellis
Enredo
Você sabia?
- CuriosidadesThe scene of Danny photographing an execution is based an actual incident in which Chicago-based crime photographer Tom Howard (who was the grandfather of George Wendt surreptitiously snapped the famous photo of convicted murderess Ruth Snyder's January 12, 1928 execution in the electric chair at Sing Sing for the New York Daily News.
- Erros de gravaçãoWhen Jerry the Mug is shot in the back by the cops, his gun falls out of his hand as his body goes limp and then after the gun had already landed on the floor, Danny takes out the camera and snatches pictures of Jerry. But when the pictures get published in the newspapers it now shows Jerry the Mug with a gun still in his hand as he gets shot.
- Citações
[Danny is giving a tour of his newspaper's printing room]
Journalism Student: Yes, here it is - white wood pulp, plain white... Why, today it's raw, but tonight it's cooked with printer's ink, photographic art, the sweat of creative effort. Tomorrow it goes out and hundreds of thousands of men and women feed their starving, mediocre souls on the indiscretions and adventures of others. And then, a little while later, what is it?
Danny Kean: Don't you know? They use it to wrap up herring.
- ConexõesFeatured in Brother Can You Spare a Dime (1975)
- Trilhas sonorasThat's All That Matters To Me
(1932) (uncredited)
Music by Herb Magidson and Sam H. Stept
Played throughout the film as well as at the beginning and the end.
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Picture Snatcher
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 17 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1