Sob o Sol do Arizona

Neath the Arizona skies is one of the better early John Wayne efforts. It is clear watching this film that he was growing in stature as an actor since the very early efforts where he was often a bit wooden.

It's quite crisply filmed and has a more interesting if still quite clumsy plot than many of his early efforts. Here he attempts to keep safe a little Indian girl ( a cute Shirley Jean Rickett) who who a price on her head.

There are the familiar stunts including one great one near the end, the obligatory shootout and of course his usual sidekick Gabby Hughes manages to get involved as well.

This is another one that is really just for John Wayne fans only but if you are one this is worth watching.

"Neath the Arizona Skies" was one of the series of Lone Star Westerns that Wayne made between 1933 and 1935. It contains plenty of action and stunts. Wayne was looking more comfortable and less awkward as the hero. Sheila Terry, who had worked with Wayne at Columbia and in one of his serials is the heroine. Yakima Canutt is the chief heavy and George Hayes appears unbilled playing a character very close to the "Gabby" character that he would play exclusively from about 1936 onward. In this series Hayes played a variety of roles from sidekick, to father of the heroine, to the villain.

The best that can be said of Canutt's performance is that as an actor, he made a great stuntman. He performs a number of his trademark stunts in this film from the horse and rider going over over the cliff, to numerous horse falls and fights. The chase sequences were well photographed and staged. the plot involving the protection by Wayne of a little girl who stands to inherit oil wells, moves along and is believable. All in all, 'Neath the Arizona Skies is a competent little actioner.

Cowboy John Wayne goes in search of the long-lost father of a half-Indian girl in order to for her to cash in on her late mother's oil rich property, while a nasty gang of cutthroats plan on snatching her for their own enrichment. Complicating things is a gang of armed robbers who attempt to frame Wayne.

Despite a few good stunts and the presence of Yakima Cannut and George "Gabby" Hayes the first two-thirds of this entry in Lone Star/Monogram Pictures' John Wayne films is mediocre and bland. Fortunately, the last third brings it all out of the muck with probably some of the best suspense and action in all of the series!

Overall, it's worth watching.

... from Monogram/Lone Star and director Harry Fraser. In the barely-there plot, Wayne plays Chris Morrell, the caretaker of young half-breed Native girl Nina (Shirley Jean Rickert). Nina is owed nearly $50,000 from oil leases on her family's land, and since the girl's mother is deceased, Chris has to track down the girl's father and get his signature on some paperwork, or else prove that the man is dead, for the girl to get her money. Naturally, some bad guys led by Sam Black (Yakima Canutt) overhear the situation and decide to try and kidnap the girl and get the money themselves. For the remainder of the movie's 52 minute running time, Chris and Nina try to outwit the baddies, with help from nice lady Clara (Sheila Terry) and old coot Matt (George "Gabby" Hayes).

This is largely indistinguishable from most of the other Lone Star westerns Wayne was in at the time: cardboard sets, bare-minimum scripting, poorly staged fist fights, and a foregone conclusion. Hayes was appearing in many of these westerns at the time, but for some reason he received no on-screen credit for this one. Wayne is slowly learning his craft, and seems just a tiny bit more natural than in previous outings.

I'm not necessarily a fan of the 'Duke' but I do enjoy a good Western - and this one isn't. Technically, it's rough and ready and I suppose typical for an unrestored print that's nearly 80 years old.

At least there's some action - quite a lot of it but is essentially Wayne either singly on horseback, chasing after someone, or having fisty-cuffs with someone. And, yes, there's a shoot-out.

The other reviewer of this title did a fine job pointing out the plot, for what it is.

The half Native American girl is quite sparky, the Duke speaks in monotones and is rather wooden but the love interest (she finds him wounded by a river) Clara, (Sheila Terry) is more natural and a welcome diversion.

However despite all this, it's quite watchable, in a rudimentary sort of way and if it wasn't John Wayne, we wouldn't even be watching it and nor would have TCM bothered to air it, which is where I saw the movie.