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IMDbPro

Névoa do Mistério

Título original: Fog Over Frisco
  • 1934
  • Approved
  • 1 h 8 min
AVALIAÇÃO DA IMDb
6,5/10
2 mil
SUA AVALIAÇÃO
Bette Davis and Donald Woods in Névoa do Mistério (1934)
The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.
Reproduzir trailer2:30
2 vídeos
15 fotos
CrimeMistérioRomanceSuspense

Adicionar um enredo no seu idiomaThe lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.

  • Direção
    • William Dieterle
  • Roteiristas
    • Robert N. Lee
    • George Dyer
    • Eugene Solow
  • Estrelas
    • Bette Davis
    • Donald Woods
    • Margaret Lindsay
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    2 mil
    SUA AVALIAÇÃO
    • Direção
      • William Dieterle
    • Roteiristas
      • Robert N. Lee
      • George Dyer
      • Eugene Solow
    • Estrelas
      • Bette Davis
      • Donald Woods
      • Margaret Lindsay
    • 32Avaliações de usuários
    • 20Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    Official Trailer
    Trailer 2:30
    Official Trailer
    Fog Over Frisco Clip
    Clip 2:56
    Fog Over Frisco Clip
    Fog Over Frisco Clip
    Clip 2:56
    Fog Over Frisco Clip

    Fotos15

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    + 9
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    Elenco Principal40

    Editar
    Bette Davis
    Bette Davis
    • Arlene Bradford
    Donald Woods
    Donald Woods
    • Tony Sterling
    Margaret Lindsay
    Margaret Lindsay
    • Valkyr 'Val' Bradford
    Lyle Talbot
    Lyle Talbot
    • Spencer Carleton
    Hugh Herbert
    Hugh Herbert
    • Izzy Wright
    Arthur Byron
    Arthur Byron
    • Everett Bradford
    Robert Barrat
    Robert Barrat
    • Thorne
    Henry O'Neill
    Henry O'Neill
    • Oren Porter
    Irving Pichel
    Irving Pichel
    • Jake Bello
    Douglass Dumbrille
    Douglass Dumbrille
    • Joshua Mayard
    • (as Douglas Dumbrille)
    Alan Hale
    Alan Hale
    • Police Chief O'Malley
    Gordon Westcott
    Gordon Westcott
    • Joe Bello
    Charles C. Wilson
    Charles C. Wilson
    • Detective Sgt. O'Hagen
    • (as Charles Wilson)
    Harold Minjir
    Harold Minjir
    • Archie Van Ness
    William Demarest
    William Demarest
    • Spike Smith
    Douglas Cosgrove
    Douglas Cosgrove
    • Detective Lt. Davis
    William B. Davidson
    William B. Davidson
    • Joe Hogue - Editor
    • (as William Davidson)
    George Chandler
    George Chandler
    • Taxi Driver
    • Direção
      • William Dieterle
    • Roteiristas
      • Robert N. Lee
      • George Dyer
      • Eugene Solow
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários32

    6,51.9K
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    10

    Avaliações em destaque

    8AlsExGal

    Thank goodness for DVRs

    If you watch this only once it will strike you as a 7/10 because, unless you have the attention of a speed reader, much will escape you. After a second viewing and filling in all of the gaps, you'll likely see it as 8/10. This is a fast paced crime drama in which Bette Davis plays Arlene Bradford, the wicked stepdaughter of a wealthy man, and Margaret Lindsay plays the good daughter, Val. Everett Bradford is the father of Val, but he was once married to Arlene's mother who was apparently a wild one who ran out on him. Arlene is made in her mother's image - something her stepfather won't let her forget. Bette Davis gives a very lively performance here as a spoiled and easily bored socialite who, in spite of the family drama, has a good relationship with stepsister Val.

    The whole movie centers on a complex securities smuggling racket that involves Arlene using her stepfather's business as a means of laundering the stolen securities - without his knowledge of course. When Arlene turns up dead, there are a multitude of suspects including the girl's own stepfather.

    Bette Davis gives an energetic performance that presages the great roles to come, in spite of the fact that she is only in the first half of the film. Hugh Herbert plays the bumbling newspaper photographer who actually stumbles across a key clue. Warner contract player Robert Barrat plays the Bradford family butler, Thorne, who seems way too interested in Arlene's comings and goings.

    I highly recommend this one, but only if you have the time to sit through it twice.
    7susansweb

    By the time you figure everything out the movie has been over for 10 minutes

    Bette Davis gets top billing even though she isn't in two thirds of the movie? Well, considering how boring the leads were, she deserved it. This films crams a lot into 68 minutes. Red herrings, wild car chases, a butler with a secret and of course Bette Davis as the one who sets it all off, it's all in the film. Davis as Arlene Bradford, seems always in command, that her fate is a little shocking but not unexpected and a little bit delicious. With her short blonde hair and the tight shiny dresses, she is quite a welcome sight. A short fun little film.
    6Nate-48

    Davis is as good as ever but it slows down

    Bette Davis is an absolute delight and this is worth watching just to see her in her pre-code sultry best. There are some great costumes, nice sets and sequences but the plot and direction gets muddled midway after a great 20 minutes at the beginning. They try to cram too much into a short space and then move too quickly without making sense of what happens. There is also some corny screwball stuff which interferes with the flow of the film. This is what you would call a b picture with some good appearances by an interesting cast but it has an identity crisis going from serious danger in the air beginning with hot fox Davis and ends up as your average who done it vehicle.
    7HerrDoktorMabuse

    Great Movie? No. Great Fun? Yes!

    I saw this at the Stanford Theatre in Palo Alto last week on a double bill with Of Human Bondage. At any rate, nothing really groundbreaking about this movie except that it was a fast paced, low budget bill-filler made before Bette Davis had broken through as a big star. The real treat here is the location shooting in San Francisco, showing the city before they built the bridges and a car chase that predates the one in Bullitt, except never exceeding 35 miles per hour. I also give the scriptwriters high marks for authentic use of forgotten place names ("Butchertown," "South of the Slot"). I'll admit my admiration is parochial, but you could do worse if it ever turns up on TCM or a streaming video service.

    BTW: I can't recommend the Stanford highly enough. Beautifully restored movie palace featuring live intermission organ music on weekends and the cheapest date in town at only $7/ticket for a double bill. Google Stanford Theatre for the latest program.
    6SnoopyStyle

    Bette Davis for a half

    Spoiled San Francisco socialite Arlene Bradford (Bette Davis) returns to her partying ways and brings along her sweet half-sister Val. She steals security bonds from the family and cash out with investment broker fiancé Spencer Carlton. She's involved with crime boss Jake Bello. The theft is discovered as the family business tries to cover it up. Arlene disappears and Val is desperate to find her. Reporters find her body in the car that Val is driving.

    This starts as an intriguing drama with Bette Davis. I expected this to be a girl behaving badly and getting over her head. In a way, that's what happens but I'm surprised that Bette Davis doesn't stay in the movie. It stops being her movie. It becomes a bit of a screwball thriller with the body in the trunk. This is a movie split in two. The first half is a character study with Arlene. The second half is more silly starting with the kicking contest in the newsroom. After that, even Arlene disappears for a while. It becomes a bit jumbled. I would have liked to follow Bette Davis for the whole movie. Failing that, the movie should follow Arlene all the way to the end.

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    Interesses relacionados

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    Crime
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    Suspense

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The dog in this film is played by Asta, who rose to fame as with that name in A Ceia dos Acusados (1934) series. His uncredited name in this film is "Ragsy".
    • Erros de gravação
      When Joe the newspaper editor nudges Tony toward the desk, his hand is on Tony's arm. But on the next immediate cut, Joe now has his hand on Tony's back.
    • Citações

      Spike Smith: Say, Society, who's the gal dancing with Tony

      Archie Van Ness: She's the only real Bradford daughter. Arlene's her stepsister.

      Spike Smith: Say, she must be respectable. I've never seen her before.

      Archie Van Ness: Say,I've picked Arlene off the blotter for everything from speeding to being picked up in Chinatown raids.

      Izzy Wright: Oh, that I were young.

      Archie Van Ness: And old Bradford's got more millions than there were Indians out here when her family landed.

    • Conexões
      Edited into The Green Fog (2017)
    • Trilhas sonoras
      Why Do I Dream Those Dreams?
      (1933) (uncredited)

      Music by Harry Warren

      Played by request by the nightclub band and as background music

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 2 de junho de 1934 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Fog Over Frisco
    • Locações de filme
      • 2180 Washington St., San Francisco, Califórnia, EUA(Bradford mansion - burned down 1955)
    • Empresa de produção
      • First National Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 8 min(68 min)
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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