Adicionar um enredo no seu idiomaThe wedding of their daughter brings many surprises, including a determined bill collector, a bad business venture, an elopement, and an unexpected windfall. They all add up to a barrel of o... Ler tudoThe wedding of their daughter brings many surprises, including a determined bill collector, a bad business venture, an elopement, and an unexpected windfall. They all add up to a barrel of one-liners and slap-stick.The wedding of their daughter brings many surprises, including a determined bill collector, a bad business venture, an elopement, and an unexpected windfall. They all add up to a barrel of one-liners and slap-stick.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Marian Nixon
- Arabella Sykes
- (as Marion Nixon)
Buster Crabbe
- Erp Pennington
- (as Larry 'Buster' Crabbe)
Andrés de Segurola
- Jose
- (as Andreas De Segurola)
Nell Baldwin
- Mrs. Green
- (não creditado)
Harry Bowen
- Taxi Driver
- (não creditado)
Don Brodie
- Biltmore Hotel Manager
- (não creditado)
Margaret Dumont
- Wedding Guest
- (não creditado)
Lew Kelly
- Dr. Duncan
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
10nlangdon
I concur! WE'RE RICH AGAIN is a delight from the first frame to the last, sadly neglected among it's peers, but definitely worth a look. I ran this film for my movie crowd here in Sacramento and they howled through it, especially the antics of Edna May Oliver and beefcake Crabbe. At the time it was released the critics lambasted Marian Nixon but I think she's a hoot as the oh so talkative cousin. The film survives in pristine condition as well, it looks as if it were filmed yesterday. Billie Burke has several wonderful scenes, one of my favorites is when she gives the butler a quarter and rattles off a huge grocery list, the perplexed servant does his best to assure Burke that he'll acquire everything on the list. Oliver and her polo buddies steal the show, be sure to catch this film!
It may not be on the level of His Girl Friday or Bringing Up Baby but it is a lot of silly fun. This film will make you forget your problems and cheer you up.
The only character that is a letdown us Billy Burke's. She basically plays the same character as in Dinner at Eight.
Buster Crabbe barely speaks until the end of the film but he steals every scene he is in.
The only character that is a letdown us Billy Burke's. She basically plays the same character as in Dinner at Eight.
Buster Crabbe barely speaks until the end of the film but he steals every scene he is in.
This is the story of a prosperous man who tries to extricate his wealthy family from the doldrums. This movie is based on the play by Alden Nash in which Reginald Denny played a vacillating matrimonial object (groom) and Joan Marsh the prospective bride and Billie Burke as her mother and Grant Mitchel as the depressed ex-millionaire father. Veteran actress Edna May Oliver is really cracking as the polo playing grandmother, who is also very interfering and sometimes annoying in a funny sort of way. They are in finer mettle and everyone pitches in to "rescue" them from a court clerk who wants to serve legal papers for the bills Grant Mitchell owes. The film is supposed to be off-beat comedy and a screwball slapstick, but it does not go well and the film falls short of a first rate comedy.
It's a setup used in more than one 1930s comedy: the once-prosperous family living in a huge house and enjoying expensive tastes but going broke fast. In this case, Grant Mitchell is the perpetually exasperated husband and Billie Burke his slightly wacky wife.
One grown daughter is serious-minded and about to be married, while the other daughter is wild and fun-loving and does crazy things like dragging home Buster Crabbe in swimming trunks.
Joan Marsh and Gloria Shea are fine as the contrasting daughters; Reginald Denny is solid as always as Marsh's wealthy fiancé, who may bring some much-needed cash into the family; Edna May Oliver is hilarious as the polo-playing grandmother.
The plot starts out slowly but picks up steam with the arrival of Marian Nixon as Cousin Arabella, who talks nonstop and stirs up trouble on multiple fronts.
Despite lots of fast talk, there really isn't that much great dialog...however, the characters do grow on you, especially the nutty but charming Marian Nixon and persistent fiancé Reginald Denny.
It's nothing too exciting but it's certainly pleasant enough...and Crabbe's surprising bit at the end really is cute.
One grown daughter is serious-minded and about to be married, while the other daughter is wild and fun-loving and does crazy things like dragging home Buster Crabbe in swimming trunks.
Joan Marsh and Gloria Shea are fine as the contrasting daughters; Reginald Denny is solid as always as Marsh's wealthy fiancé, who may bring some much-needed cash into the family; Edna May Oliver is hilarious as the polo-playing grandmother.
The plot starts out slowly but picks up steam with the arrival of Marian Nixon as Cousin Arabella, who talks nonstop and stirs up trouble on multiple fronts.
Despite lots of fast talk, there really isn't that much great dialog...however, the characters do grow on you, especially the nutty but charming Marian Nixon and persistent fiancé Reginald Denny.
It's nothing too exciting but it's certainly pleasant enough...and Crabbe's surprising bit at the end really is cute.
WE'RE RICH AGAIN is about a wacky family of rich deadbeats who are trying to marry off one of their daughters to a rich man before the creditors take away what's left of their fortune. As a result, the family patriarch, Grant Mitchell, spends most of the film avoiding a process server (Edgar Kennedy). Additionally, the mother (Billie Burke) spends almost all the film whining and crying while her children run about like spoiled brats.
While there are many other films I could compare WE'RE RICH AGAIN to, two films with almost the exact same plot which were far better are MERRILY WE LIVE and MY MAN GODFREY. All three films involve daffy rich families which are having domestic and financial troubles and all three result in a finale where everything is magically fixed and everyone lives happily ever after. However, the other two films are light years better than WE'RE RICH AGAIN. Why, well because WE'RE RICH AGAIN is frequently very, very annoying. Unlike the wacky but lovable families in these other films, the family in WE'RE RICH AGAIN are just annoying and after a while I just wanted them to go away--and in some cases (the annoying Billie Burke and Marian Nixon) I wanted them to die! They were just too annoying to be likable and unfortunately, the film was just written very poorly--providing little comedy or incentive to keep watching it.
By the way, Olympic swimming champ Buster Crabbe plays a guy who is, not surprisingly, a fan of swimming and diving. He says absolutely nothing during 99% of the film--just swimming and splashing and diving like an idiot. However, in the last moments of the film, he is given some excellent lines that just appear out of nowhere.
While there are many other films I could compare WE'RE RICH AGAIN to, two films with almost the exact same plot which were far better are MERRILY WE LIVE and MY MAN GODFREY. All three films involve daffy rich families which are having domestic and financial troubles and all three result in a finale where everything is magically fixed and everyone lives happily ever after. However, the other two films are light years better than WE'RE RICH AGAIN. Why, well because WE'RE RICH AGAIN is frequently very, very annoying. Unlike the wacky but lovable families in these other films, the family in WE'RE RICH AGAIN are just annoying and after a while I just wanted them to go away--and in some cases (the annoying Billie Burke and Marian Nixon) I wanted them to die! They were just too annoying to be likable and unfortunately, the film was just written very poorly--providing little comedy or incentive to keep watching it.
By the way, Olympic swimming champ Buster Crabbe plays a guy who is, not surprisingly, a fan of swimming and diving. He says absolutely nothing during 99% of the film--just swimming and splashing and diving like an idiot. However, in the last moments of the film, he is given some excellent lines that just appear out of nowhere.
Você sabia?
- CuriosidadesThe play opened in Hollywood, California, USA on 2 February 1934.
- Trilhas sonorasSeñorita
(uncredited)
Music and Lyrics by Albert Hay Malotte
Played by unidentified guitarists and sung by an unidentified man in Mexico
Principais escolhas
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Detalhes
- Tempo de duração
- 1 h 11 min(71 min)
- Cor
- Proporção
- 1.37 : 1
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