O Delator

The Informer(1935) is a movie that made people aware of a director named John Ford. Became a big name in Hollywood for the years after the movie. Gives a detailed look at the early history of the IRA. The Informer(1935) deals with a man who informs on his best friend and feels guilty afterwards. Victor Mclaglen as Gypo Nolan gives a performance of great human depth. The themes of betrayal and redemption are present through the entire film. Of all John Ford's films this is his most religious themed film. The Informer(1935) ends in the style of an An American Gangster Film.

A brilliant portrait of a traitor (Victor McLaglen in Oscar winning performance) who is hounded by his own conscience. McLaglen plays an IRA rouge who betrays his leader to collect a reward during Ireland's Sinn Fein Rebellion. The scenes showing fights and mob actions are very realistic, focusing on the desperation within individuals. The lack of hope for a better future seems to be a fate worse than death.

Director John Ford superbly creates an murky and tense atmosphere, enhanced by the foggy and grimy depiction of the Irish landscape. Max Steiner's dramatic music score adds to the cinematic delight. Oscar Winner also for Best Screenplay, nominated for Best Picture. This is one of Hollywood's Classic.

An excellent movie of the issue of being an informant and the consequences of the deed. Victor McLagen gives a sympatheic performance as Gypo Nolan, a man who's only way to Move to America is to tell on his best friend. This was one of the first movies that looks into the lives and organization of the IRA(Irish Republic Army). The Informer(1935) is good at showing the poverty stricken Northern Ireland of the 1920's.

Although John Ford has been making films since the early teens, it is this movie that put his name on the map. The Informer(1935) along with The Searchers(1956) are John Ford's most Catholic driven motion pictures as it deals with guilt and redemption. John Ford was good at showing the lifestyles and values of many Irishmen in many of his work. I Only wish that this movie was available on Home Video as it is hard to find.

I don't doubt that Victor McLaglen won his Best Actor Oscar for this film by dint of a three way split among the Mutiny on the Bounty leads of Clark Gable, Charles Laughton, and Franchot Tone who were all in the same race. But The Informer is still a fine film because John Ford wouldn't have gotten his first Best Director Oscar if it wasn't. No split involved in his award.

The movie and the story by Liam O'Flaherty that it is based on involves a poor simpleton of a man named Gypo Nolan who was once a member of the Irish Republican Army. He was cashiered out of it for some imbecilic stunt he pulled and wants back in. He's down to his last pence and if he can't get back in, wants enough for passage to America. There's a twenty pound reward for information leading to the arrest of a former comrade named Frankie McPhillip played by Wallace Ford. In a moment of weakness he goes to the Black and Tan constabulary and informs on McPhillip.

The IRA is pretty anxious to find out who ratted McPhillip out and they're pretty certain it was McLaglen. He hasn't the wit to really cover his own tracks. He does make a feeble effort to implicate another man named Peter Mulligan played by Donald Meek. He also picks up a hanger-on played by J.M. Kerrigan.

The whole action of The Informer takes place in 1922 in Dublin from about six in the evening to early the following morning. Of a necessity it is shot in darkness and shadows, making it possibly the first noir thriller. Had it been done post World War II The Informer would have ranked as a great noir classic, like Odd Man Out or the The Third Man which it bares a lot of resemblance to.

John Ford knew this world very well. He took some time off during the Rebellion and was in Ireland at the time and had a brother who was in the IRA. His real name before having it anglicized was Sean O'Fiernan.

Preston Foster plays the IRA commandant Dan Gallagher. In the book Gallagher is a harder and meaner man than Foster has him here. My guess is that John Ford wanted him as a sympathetic character to give movie fans some rooting interest. He makes it clear that Foster has to eliminate the informer because the Black and Tans will grab him and get quite a bit more out of him and put the whole organization in peril.

The IRA trial scene is the highlight of the film. When Foster asks Donald Meek whether he recognizes the authority of their court, Meek ain't in a position to say no. The King's justice and writ does not run here. It graphically illustrates at that point despite occupation by army troops and constabulary, the British are indeed losing their grip on the population.

Of course The Informer a rather grim story has its John Ford touches, but rather fewer than you would expect. Even as McLaglen is spending his money on a drunken spree, the IRA is constantly in the shadows watching him and counting every farthing.

The Informer is a tale well told about Ireland in a grim and dismal time.

Dublin, 1922 . Gypo Nolan (Victor McLagen) , a slow-witted Irish pug has been ousted from the rebel organization . He is hungry and attempts to impress his ladylove . When he finds that his equally destitute girlfriend Katie Madden (Margot Grahame) has been reduced to prostitution , he succumbs to temptation and turns his friend Frankie McPhillip (Wallace Ford) in for money to the British authorities for a 20 pound reward . Nolan then feels doom closing in . He also gets his comeuppance from the IRA (whose leader is Preston Foster) . Later on , Gypo gets home Mrs. McPhillip (Una O'Connor) and Mary McPhillip (Heather Angel) .

Intense film about loneliness , suspicion , frightening , treason , information ; and including a descriptive, evocative black-and-white cinematography . This is a dramatic film dealing with thought-provoking themes about betrayal , guilt and retribution . John Ford re-made "The Informer" (1929) by Arthur Robinson ; and , obviously, he was influenced by this version . Good acting by Victor Mclagen as a strong but none too bright man who betrays his former comrade , though overacting and bears excessive gesticulation . The day before shooting McLagen's trial scene , he proceeded to go out drinking - which Ford knew he would do - and the next day was forced to film the scene with a terrible hangover, which was just the effect Ford wanted . John Ford had been highly impressed by F.W. Murnau's ¨Sunrise¨ and wanted to bring an element of German Expressionism to this film . As it displays an expressionist cinematography by Joseph M August , plenty if lights and dark , being well showed in the course of one gloomy , foggy night . Interesting screenplay by Dudley Nichols who wrote the script in six days , being based from the story by Liam O'Flaherty .

This was the first of RKO's three-picture deal with director John Ford and despite its deserved reputation and multiple Oscars, it was a low budget production . Another reason why RKO was reluctant to make the film was because a version of the story had already been filmed in the UK in 1929 .Initially a box office failure, the film made millions when it was re-released after its multiple wins at the Academy Awards .Shot in 17 days and its production costs came to a mere $243,000 . The picture belongs the Ford's second period -subsequently his silent time-when John Ford (1895-1973) made a rich variety of stories and his reputation rightly rests on his work in the 30s and 1940s, as ¨Grapes of wrath¨ , ¨How green was my valley¨ , ¨Fugitive¨ , ¨They were expendable¨, ¨My darling Clementine¨ and the Cavalry trilogy