Midnight Phantom

It's difficult to know who to recommend this poverty row obscurity to. While it's technically a mystery, it barely functions as such due to the way in which it's structured. For the first three-quarters of the film you could be forgiven for wondering where exactly this movie is going. We are introduced to an array of characters who work for a police chief. We are made aware that all of these people have a grudge of sorts against the man. But, aside from a brief car chase involving cops and robbers, the narrative is basically a lot of melodrama; that is until, with fifteen minutes of the movie remaining, the chief is murdered in a darkened room populated by all of the cast members. So the mystery only lasts for about ten minutes before the killer is unmasked and we are treated to the very pointless epilogue. It has to be said, however, that the amazingly inept plot structure is the only thing that stands out about this film.

Midnight Phantom is almost a movie about nothing. Even the title is ridiculously misleading and meaningless. It clocks in at just under an hour so it is at least mercifully short. I can only recommend this to poverty row completists, although I would be surprised if there is such a thing.

A new police chief is murdered and almost all of the suspects are cops.

This is a very talky movie. People talk and talk and talk and talk and it gets dull very quickly since this seems to be more about talk than action. A case in point is that most of the first third of this film is the police chief talking to various members of the police force about how he wants them to change their corrupt or incompetent ways or else he'll fire them or lock them up. While it sets up the suspects nicely it doesn't do much for keeping interest. Eventually Reginald Denny shows up playing a professor of criminology and things pick up as we at last get to the murder. The second half of the film is a battle between Denny's science vs the tried and true police methods. Its a bit more interesting than whats gone before but its still long winded.

Not a bad film as such its just not very compelling. There are too many characters and too much talk and it really just doesn't grab you the way it should. Is it worth seeing? If you like old mysteries its worth a shot but I'd see if you can borrow a copy off a friend since its not worth renting or purchasing since you'll probably watch it just once.

Chief of police Jim Farley (as James A. Sullivan) agrees to give lieutenant Lloyd Hughes (as Dan Burke) permission to marry his daughter, reputed "Columbia Pictures" logo model Claudia Dell (as Diana Sullivan). This disappoints criminologist Reginald Denny (as David Graham), who also wants to marry Ms. Dell. After Mr. Hughes' juvenile delinquent brother is involved in an embarrassing criminal incident, Mr. Farley rejects Hughes' request for his daughter's hand in marriage; and, Mr. Denny finds himself back in the competition.

*** Midnight Phantom (11/27/35) Bernard B. Ray ~ Reginald Denny, Claudia Dell, Lloyd Hughes

This bizarrely paced thriller gets it all wrong for some odd reason. Instead of killing off the person who needs to be killed (and we find out early that that person is going to be killed, the way he sets himself and the characters up) and then creating a mystery leading to the solving of the case, the film introduces us to characters, sets up ridiculous some ridiculous family dramas, and THEN gets around to the murder in the final 15 minutes or so, and goes on to solve it in that time! As usual, it's the guy you least expect that does the deed, but I had my suspicions from the start! Anyways, the bad guy is executed, and one of the characters says, "Gee!" to that. I agree. This movie is fun to watch though for the bizarre story structure though, and the pacing makes it quite entertaining.

Dreary tale of nothing that centres around a city police precinct in which the cranky chief (Farley) becomes the target of an apparently disgruntled regional captain, while his daughter (Dell) frets about her imminent marriage to precinct hotshot (Hughes) whose younger brother was exposed to be a criminal, tainting both his position in the Force and with his future wife and in-law.

Reginald Denny co-stars as the charismatic, cigar-making professor who can diagnose a criminal from just a line-up, a performance he duly displays for the precinct at midnight leading to the anti-climactic five-minute whodunit. The final five minutes treats the audience to a pointless epilogue involving a picnic; something to which you can look forward. As for the first fifty minutes, there's very little material on which to comment, just Farley berating his captains for their ineptitude and remonstrating with Hughes over the shame his criminal family name will bring onto his only daughter. It's an aimless soap opera.

Still not too sure why Denny appears in this film given his relative stature, though his performance is assured where those of his peers in this film leave more than a little to be desired - two obvious line fluffs and frequent jump cuts suggesting a very amateurish production is in the making. Even by mid-thirties poverty row standards, the "Midnight Phantom" is a late-night yawn.