Adicionar um enredo no seu idiomaAfter an endless cycle of dish washing, Ollie makes a withdrawal, ending up in the hospital after buying a grandfather clock. Only a generous blood transfusion can help him bounce back; howe... Ler tudoAfter an endless cycle of dish washing, Ollie makes a withdrawal, ending up in the hospital after buying a grandfather clock. Only a generous blood transfusion can help him bounce back; however, is modern medicine prepared for the outcome?After an endless cycle of dish washing, Ollie makes a withdrawal, ending up in the hospital after buying a grandfather clock. Only a generous blood transfusion can help him bounce back; however, is modern medicine prepared for the outcome?
- Direção
- Roteiristas
- Artistas
- Auctioneer
- (não creditado)
- Bank Teller
- (não creditado)
- Dr. F.D. Allen
- (não creditado)
- Hospital Visitor
- (não creditado)
- Man at Auction
- (não creditado)
- Nurse
- (não creditado)
- Auction Bidder
- (não creditado)
- Nurse Goodall
- (não creditado)
- Bank Teller
- (não creditado)
Avaliações em destaque
Although the film feels like it has been made up of several good ideas rather than one, it still manages to be very funny for the most part. The opening dish washing routine is a great example of how much comedy they can get from a simple concept, while the `I gave it to him to give to you' routine is a good example of their verbal skills as actors. The short continues well but isn't able to be as good as it's first half again. The final scene is funny but the whole hospital epilogue doesn't really belong and it suggests that the idea occurred to them and they just looked for a film that they could tack it onto.
This sounds like a problem but it isn't that big a deal as the majority of the film works really well. Hardy and Laurel work well together and do well with the many types of routine they have here just the routine where Laurel keeps putting clean dishes into the sink for washing is a good example of how their looks and body language can create laughs. Pollard is a good Mrs Hardy as she is feisty without being too dour. Finlayson enjoys his role as he has more dialogue than usual but also gets to do his `d'oh' and double take stuff (often it seems he either gets the physical stuff OR the dialogue).
Overall this is a really funny little short from Laurel and Hardy. The ending may feel like it doesn't belong with this film but even it manages to be worth a laugh! The fancy way that the scenes are linked (sliding doors effects) adds a novelty feel to what is a strong short from Laurel and Hardy.
The story is just above average. It's your typical Laurel & Hardy stuff in which the boys get into some serious and unlikely trouble again. It's nothing special but the story and the movie in general serves its purpose to entertain and amuse its viewers.
The movie begins good with some typical slapstick moments. This is Laurel & Hardy at their best. After that the boys get into some more trouble, which also involves of course once more one of their wives and luckily it also involves James Finlayson again. His role is quite small and not really that impressive but his presence alone is more than enough reason to consider this movie an entertaining and above average one. All of the comical moments are rather predictable but executed very well, due to some good timing and acting by especially Stan Laurel and Oliver Hardy. The ending of the movie might feel out of place but nevertheless it's pretty entertaining to watch Stan Laurel imitate Oliver Hardy and vice versa. They both did a good job at imitating each other there and it surely made me laugh.
All in all it's a well made, consistent comedy by James W. Horne, who probably was the best and most consistent director of Laurel & Hardy pictures. Not their best or most memorable work but nevertheless a worthy last comedy short by the famous comical duo.
7/10
http://bobafett1138.blogspot.com/
Ollie is married to a tough little woman. In fact, the contrast between them is funny in itself. Ollie is of course big and fat, but his wife is so tiny, seeing her scolding him and bullying him is pretty funny. In fact, late in the film, she needs to stand on a chair when she ultimately smacks him over the head with a frying pan! So how did their domestic bliss degenerate to such depths? Well, much of it seems to arise from allowing Stanley to live with them as a border and Ollie's stupid decision to actually listen to one of Stan's "good ideas". Given she has to deal with BOTH these men, I guess I can forgive Mrs. Hardy for being so angry!! Perhaps the one thing I like about the film best were its scene transitions. In a truly unusual and cute touch, Stan and Ollie often stop the scene they were doing and then walked to the corner of the scene and then "pulling" the next scene into the camera! This sliding transition was very well done and it was cute when they would say something like "wait" and then do this.
As the end of the film goes, I am a tad uncertain what I thought of it. Sure, seeing Ollie pay the price for his stupidity by getting slugged over the head with the frying pan and ending up in the hospital is kind of funny, but it's also a tad cruel and how all this is wrapped up it totally bizarre (albeit, funny). I think you just have to see it--I'd hate to spoil the ending by going any further.
Personally I felt that the banter about who gave the money to whom went on a bit longer than it needed to. I hope audiences in 1935 found it more engaging than I did.
The main reason I wanted to write a review is that I was impressed by the creative and clever way they handled scene changes from the Hardy house to other locations. Stanley grabs what might be some sort of pocket door or panel (if it were a real house) and pulls on its thick black border to walk it across the screen. The scene changes with it. In one of these clever "wipes" he accidentally lets go and it returns to the right side of the screen. So he grabs it again and walks it across the room. The scene change follows the movement of this panel. I haven't seen this trick done before. And being that this was decades before green screen, it must have been rather labor intensive to handle it in the cutting room. Bravo for this quirky little technique!
Você sabia?
- CuriosidadesThis is Laurel & Hardy's last two-reel short, except for a cameo appearance in Caminho Errado (1936). Hal Roach decided to move the pair into feature-length films from here on.
- Erros de gravaçãoWhen the truck runs over the grandfather clock, there are no mechanical parts inside.
- Citações
Mrs. Daphne Hardy: Oliver, did I or did I not give you the money to pay on the furniture?
Ollie: You certainly did.
Mrs. Daphne Hardy: Then why wasn't it paid?
Ollie: [points to Stan] Why I gave it to him to pay it for me.
Mrs. Daphne Hardy: [to Stan] Then what did YOU do with it?
Stanley: [points to Ollie] I gave it back to him.
Ollie: You gave it to ME?
Stanley: Yeah, I gave it to you to pay my room and board, and you gave it to her.
[points to Mrs. Hardy]
Stanley: "Recomember"?
Mrs. Daphne Hardy: Do you mean to say that the money that he
[points to Ollie]
Mrs. Daphne Hardy: gave to you
[points to Stan]
Mrs. Daphne Hardy: that you gave to him
[points to Ollie]
Mrs. Daphne Hardy: that he gave to me was the same money that I gave to him
[points to Ollie]
Mrs. Daphne Hardy: to pay HIM?
[points to Finlayson]
Stanley: Well if that was the money that you gave to him
[points to Ollie]
Stanley: to give to me
[points to self]
Stanley: to pay to him
[points to Finlayson]
Stanley: It must have been the money I gave him
[points to Ollie]
Stanley: to give to you to pay my rent, didn't I?
[Ollie nods wildly]
- Versões alternativasThere is also a colorized version.
- ConexõesFeatured in Omnibus: Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy (1974)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Thicker Than Water
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração21 minutos
- Cor
- Proporção
- 1.33 : 1