Aces and Eights

This low-budget oater opens with a brief prologue featuring Wild Bill Hickok (Karl Hackett), who was shot in the back and killed while holding a poker hand of a pair of aces and a pair of eights, before showing our hero Gentleman Tim Madigan (Tim McCoy) winning a game with the very same hand. Madigan is a somewhat ambiguous hero who dresses sharply and knows all the card sharp's tricks. He can also tear a pack of cards into four, which is pretty impressive. He also never uses a gun, choosing instead to simply disarm anyone who aims one at him.

Together with his sidekick Lucky (Jimmy Aubrey, probably the only Liverpudlian you're ever likely to see in a western), Gentleman Tim gets involved in foiling a plan by a local bar owner and his partner to swindle a Spanish ranch owner out of his property. The film is fairly good for a low budget effort, with decent acting from the leading man. The modest nature of the budget shows through every now and then, though; for example, the background crowd noise during the final poker game between Tim and the bar owner is clearly a loop which repeats every five seconds or so. Despite this, the film is reasonably enjoyable, with the only drawback being the wooden acting of the female lead Luana Walters, who fortunately only has about five minutes screen time. Walters went on to feature in a further sixty films over the next twenty-four years, though, so I guess she must have had something going for her.

The movie starts out with interesting stock footage of a wagon train and a very brief over narration telling about settling the west and the saga of Wild Bill Hickok and the significance of "aces and eights" as the hand Wild Bill was holding when he was shot and killed. Gentleman Tim Madigan (played by "he with the steely stare" McCoy) is a famous card sharp that travels the west with his sidekick Lucky (Aubrey). There are posters out warning other gamblers to be aware and avoid playing with Madigan - this even though he's an honest gambler and doesn't even carry a gun. Soon after riding into town, Madigan sees a crooked card sharp cheat a young Spanish man, nicknamed appropriately enough, "Spanish". Later the crooked gambler is shot and killed, "Spanish" thinks he did it and Madigan is accused of doing it. Madigan and Lucky are befriended by – and befriend – the Hernandez family. As it happens, "Spanish" is the Hernandez son. The family has been scammed out of their ranch. Madigan comes to the Hernandez family's assistance and plays poker in order to try and win back the deed. With the exception of Luana Walters (how did she keep getting roles?), the supporting cast is uniformly good as was McCoy. The running gag with Lucky that if he throws a seven with the dice, it will be a good day and if not, it won't be was a nice touch. Of special note is Earl Hodgins as Marshall Tom Barstow – his performance was very entertaining.

The title refers to the "dead man's hand" which was held by Wild Bill Hickok when he was gunned down during a poker game, and which plays an important part in this limply directed Western which fortunately stars the always poised Tim McCoy, whose piercing glances enfeeble his rivals in his portrayal of "Gentleman" Tim Madigan, an unethical gambler whose finer instincts cause him to assist a beleaguered Mexican family near the California/Nevada border. Madigan survives by his wits as he carries no gun and is given some clever lines, from the uneven screenplay, which McCoy delivers with aplomb, stealing the acting honors with ease in this rather subdued example of the genre, wherein recovery is the keyword: of pride, honor and property.

Tim McCoy was a real Westerner, a great horseman, and a better actor than most people might think, those considering him "just" a B Western star.

This Western is flawed by several Gringos trying, not very successfully, to play Mexicans, but there are many intriguing characters and a complex plot in a story set in Spanish-heritage California and Nevada to more than make up for the flaws.

The major locale is Rawhide, Nevada, a real town, now a ghost town, but it once looked like this: http://www.westernmininghistory.com/towns/nevada/rawhide

Perhaps the biggest flaw is Rex Lease, who gives good performances in other movies, but here he fails with a Mexican accent, and has trouble mounting his horse.

More than compensating for Lease is Earle Hodgins, here called Earl. Often cast as a fast-talking carnival or medicine-show barker, his role here as a marshal is different, perhaps (and reminding in some ways of John Cleese's playing a sheriff in "Silverado"), but he is a capable enough actor to pull it off beautifully.

Possibly the most intriguing note, though, is from the great Karl Hackett, who not only narrates at the beginning of "Aces and Eights," but plays that most famous holder of a poker hand of aces and eights, Wild Bill Hickok. And he doesn't even get screen credit.

Wheeler Oakman plays the slimy Ace Morgan, and as usual he makes us believe he really is despicable, in a great performance.

"Aces and Eights" is a flawed movie, with some obviously dubbed-in sound effects and an identical shot of a poker-hand close-up used at least three times.

But it stars Tim McCoy. All I ever need to know is It Stars Tim McCoy.

I'll watch it, and I'll recommend it. It Stars Tim McCoy, and it's available at YouTube.

Aces And Eights with its rather unnecessary prologue of why the poker hand of Aces and Eights is called the dead man's hand is a somewhat overplotted western starring Tim McCoy. It was made for a fly by night outfit called Puritan Pictures that had as its logo a picture of the guy that looked like the guy on the Quaker Oats cereal box.

Everybody who knows any western lore knows that Wild Bill Hickok was holding that hand when he was shot in the back. But Tim McCoy plays a somewhat different western hero, he carries no gun and he's on a mission to expose card cheats.

He exposes a couple of them and in the process gets accused of murdering one of them. He's got Marshal Earl Hodgins on his trail and Hodgins for once is not a comic foil.

A rare western indeed having a hero who carries no gun for its time. Still a little too much plot in this B picture horse opera for the Saturday matinée crowd.