AVALIAÇÃO DA IMDb
7,0/10
5,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn escaped convict uses miniaturized humans to wreak vengeance on those who framed him.An escaped convict uses miniaturized humans to wreak vengeance on those who framed him.An escaped convict uses miniaturized humans to wreak vengeance on those who framed him.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Claire Du Brey
- Mme. Coulvet
- (as Claire du Brey)
E. Alyn Warren
- Commissioner
- (as E. Allyn Warren)
Jean Alden
- Apache Dancer
- (não creditado)
King Baggot
- Detective Pierre
- (não creditado)
Egon Brecher
- Detective
- (não creditado)
Robert Du Couedic
- Policeman
- (não creditado)
Avaliações em destaque
Directed by Tod Browning, it's hard not to think about "The Unholy Three" where Lon Chaney dresses as an old lady as a cover for committing a multitude of crimes. However, that's where the similarity ends. Here it is Lionel Barrymore dressed as an old lady, posing as a Parisian toy manufacturer, when he is in fact hunted fugitive Paul Lavond, who was framed 17 years before by three associates and sent to Devil's Island for life. Once back in Paris, forgive and forget are not in this guy's vocabulary. Lavond says he must clear his name for the sake of his daughter, but - let's face it - he seems to be really enjoying his revenge.
There are some plot holes here that confuse me. Lavond and his inmate friend Marcel escape from Devil's Island, which is off the coast of South America. Yet somehow the convicts manage to crawl to Marcel's wife's home. How did they get across the ocean? Did Marcel's wife relocate to Devil's Island hoping Marcel would escape? Although Lavond technically does not commit any crimes against the innocent, is what he does horrific enough that the production code requires his death? The ending is left so open it's hard to know what Paul Lavond's final move will be.
Kudos to Rafaela Ottiano as Marcel's crazed widow with that streak of white in her hair and that Mrs. Danvers of the Devil Dolls vibe going for her as she somewhat steals the show. It's never mentioned how she lost that one arm and what appears to be part of one leg, but it sure adds to the atmosphere. Maureen O'Sullivan hams it up a bit as Lavond's embittered daughter but the relatively unknown Frank Lawton as her taxi driving fiancé somewhat dampens the effect with a fine performance as a very tolerant fellow who looks for the sunny side of life.
Highly recommended as an odd little film from a director who specialized in them and that was quite daring for a movie made just after the production code.
There are some plot holes here that confuse me. Lavond and his inmate friend Marcel escape from Devil's Island, which is off the coast of South America. Yet somehow the convicts manage to crawl to Marcel's wife's home. How did they get across the ocean? Did Marcel's wife relocate to Devil's Island hoping Marcel would escape? Although Lavond technically does not commit any crimes against the innocent, is what he does horrific enough that the production code requires his death? The ending is left so open it's hard to know what Paul Lavond's final move will be.
Kudos to Rafaela Ottiano as Marcel's crazed widow with that streak of white in her hair and that Mrs. Danvers of the Devil Dolls vibe going for her as she somewhat steals the show. It's never mentioned how she lost that one arm and what appears to be part of one leg, but it sure adds to the atmosphere. Maureen O'Sullivan hams it up a bit as Lavond's embittered daughter but the relatively unknown Frank Lawton as her taxi driving fiancé somewhat dampens the effect with a fine performance as a very tolerant fellow who looks for the sunny side of life.
Highly recommended as an odd little film from a director who specialized in them and that was quite daring for a movie made just after the production code.
For those who remember the word "camp," that description would apply to this film and especially the character played by lead actor Lionel Barrymore.
He makes this movie really fun to watch, adding humor to the "horror" story, dressing up and talking like an old woman en route to satisfying his revenge. The story has no credibility - absolutely none - but the movie is so likable that it's still satisfying and always entertaining. I wish this would be put out on DVD.
Another big plus for this movie is the fact it isn't that dated for being so old. The special effects, for its day, are quite good. The combination of humor and horror works, almost 70 years after it was released! Tod Browning, who did some weird movies such as "Freaks," directed this one, if that helps make you want to check this out.
He makes this movie really fun to watch, adding humor to the "horror" story, dressing up and talking like an old woman en route to satisfying his revenge. The story has no credibility - absolutely none - but the movie is so likable that it's still satisfying and always entertaining. I wish this would be put out on DVD.
Another big plus for this movie is the fact it isn't that dated for being so old. The special effects, for its day, are quite good. The combination of humor and horror works, almost 70 years after it was released! Tod Browning, who did some weird movies such as "Freaks," directed this one, if that helps make you want to check this out.
After seventeen years in prison, the former respected Parisian banker Paul Lavond (Lionel Barrymore) flees with his friend, the lunatic scientist Marcel (Henry B. Walthall) that is researching with his wife Malita (Rafaela Ottiano) the miniaturization of animals and human beings to improve the resources of mankind. Paul Lavond was framed for robbery by his scoundrel associates Emil Coulvet (Robert Greig), Charles Matin (Pedro de Cordoba) and Victor Radin (Arthur Hohl) that had stolen his business while his family was doomed to shame, poverty and tragedy. When Marcel reduces the retarded servant Lachna (Grace Ford), he learns that the woman is motionless and only responds to the control of his brain and has a heart attack. After the death of Marcel, Paul Lavond sees the chance to use the miniaturization process as instrument of vengeance and he travels to Paris with the insane Malita disguised of Madame Mandilip, a nice old lady and owner of a dolls store. Paul Lavond, using the identity of Madame Mandilip, befriends his resented and estranged daughter Lorraine Lavond (Maureen O'Sullivan) and plots a scheme to revenge and vindicate his family name.
"The Devil Doll" is an entertaining film by Tod Browning with a good story and special effects still impressive in 2011. The cast has great performances but Lionel Barrymore is excellent in his double role, and convincing as an old woman. My vote is eight.
Title (Brazil): "A Boneca do Diabo" ("The Devil Doll")
"The Devil Doll" is an entertaining film by Tod Browning with a good story and special effects still impressive in 2011. The cast has great performances but Lionel Barrymore is excellent in his double role, and convincing as an old woman. My vote is eight.
Title (Brazil): "A Boneca do Diabo" ("The Devil Doll")
Don't let the genre classification as "sci/fi & horror" mislead you. It's really an excellent suspense/mystery/melodrama with the superb Lionel Barrymore (Mr Potter of "It's a Wonderful Life") and a young Maureen O'Sullivan. The sci/fi & fantasy elements - a mad scientist's ability to shrink people and control their actions - are exciting plot devices that allows Barrymore to exact revenge on the men who destroyed his life and family.
Director Tod Browning ("Freaks", the original "Dracula", and many Lon Chaney films) has created a great mix of suspense, action, light humor, & heart-tugging emotions in this tale of revenge and redemption.
The efx are (mostly) ahead of their time, and as good as the later shrunken-people sci-fi movies of the 40s and 50s, such as "Dr Cyclops", "Attack of the Puppet People", and "The Incredible Shrinking Man".
But the best part is the great acting of Barrymore. He plays a desperate escaped convict, who hides by masquerading as a kindly old woman, who in turn pretends to be maker of perfectly detailed dolls. As this character that's both humorous and murderous, obsessed and befuddled, he toys with the police and his betrayers who will be the targets of his army of living dolls. It's a tour de force of acting in this beautiful film.
Director Tod Browning ("Freaks", the original "Dracula", and many Lon Chaney films) has created a great mix of suspense, action, light humor, & heart-tugging emotions in this tale of revenge and redemption.
The efx are (mostly) ahead of their time, and as good as the later shrunken-people sci-fi movies of the 40s and 50s, such as "Dr Cyclops", "Attack of the Puppet People", and "The Incredible Shrinking Man".
But the best part is the great acting of Barrymore. He plays a desperate escaped convict, who hides by masquerading as a kindly old woman, who in turn pretends to be maker of perfectly detailed dolls. As this character that's both humorous and murderous, obsessed and befuddled, he toys with the police and his betrayers who will be the targets of his army of living dolls. It's a tour de force of acting in this beautiful film.
I really enjoyed this little horror flick. It was the story of an escaped prisoner and his efforts to exact revenge using his evil little zombie dolls. It was well-written and exciting to watch.
However, what really made the film for me was watching Lionel Barrymore. He was an immensely talented actor that starred in countless movies from the 1920s to about 1950 and I would have to say that this was definitely the weirdest departure he ever took on the screen! Not only was he an escaped con trying to exact revenge, but much of the movie he disguised himself as an old lady! Seeing him in drag (and doing a credible job) gave a me a real laugh and it was nice to see him increase his range. FYI--in drag, he DID look and sound a little bit like his famous sister, Ethel!
However, what really made the film for me was watching Lionel Barrymore. He was an immensely talented actor that starred in countless movies from the 1920s to about 1950 and I would have to say that this was definitely the weirdest departure he ever took on the screen! Not only was he an escaped con trying to exact revenge, but much of the movie he disguised himself as an old lady! Seeing him in drag (and doing a credible job) gave a me a real laugh and it was nice to see him increase his range. FYI--in drag, he DID look and sound a little bit like his famous sister, Ethel!
Você sabia?
- CuriosidadesMadame Mandilip's special dolls are costumed as members of vicious street gangs known as the Apache (pronounced ah-PAHSH), who were involved in theft, prostitution, and the occasional murder in pre-World War I Paris. The dolls even perform the Apache dance popularized by the gangs, in which extremely close steps alternate with seemingly brutal punches, kicks, hair-pulling, spins, and throws; it was usually danced to the Valse des rayons (aka Valse chaloupée) composed by Jacques Offenbach. In the 1930s and 1940s, this dance was still performed by professional dancers and can be seen in several films and even cartoons of the period.
- Erros de gravaçãoMarcel explains to Lavond that he can reduce the size of atoms in a body, thus shrinking objects proportionally. Atoms are elemental particles and cannot be reduced in size.
- Citações
Charles Matin: There'a a certain amusing irony in offering a man's own money for his capture. Fifty thousand francs? Why not?
- Versões alternativasAlso available in a computer-colorized version.
- ConexõesFeatured in The Late, Late Show: The Devil-Doll (1962)
- Trilhas sonorasValse des rayons
(uncredited)
from the ballet "Le Papillon"
Music by Jacques Offenbach
Played on a music box
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- How long is The Devil-Doll?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- A Boneca do Demônio
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Proporção
- 1.37 : 1
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