Corações Divididos

With their HEARTS DIVIDED by international politics, can a pretty American girl and the brother of the great Napoleon ever find true happiness?

This good-natured romance film has been rather harshly criticized as being bad history, which it is, instead of being appreciated for its simple aim to provide some escapist amusement in the form of a lavish movie starring Marion Davies. In this it succeeds. William Randolph Hearst, Davies' powerful lover, saw to that, and what Hearst wanted he generally got. Although the plot is exceedingly silly at times, the film is still a pleasant entertainment.

At 39, Davies was too old for the part (and older than her costar by seven years), but Hearst liked seeing her in the crinoline & lace roles, and she had little control of the matter. However, as was her custom, Marion charms the viewer with her buoyant spirits, willingness to please and genuine acting skills. She's more than able to hold her own with a talented supporting cast and appears quite happy to be in the arms of young Dick Powell. For his part, Powell needs do little more than exude boyish charm and sing a few times to cover his acting requirements quite nicely.

As Napoleon, the great Claude Rains steals every scene he's in by very quietly underplaying his acting and only hinting at the tremendous power his character wields. Fascinating to watch even under heavy makeup, Rains makes a quality contribution to the film.

The movie's humor is largely handled by a trio of excellent character actors. Droll Arthur Treacher, suspicious Edward Everett Horton & grumpy Charles Ruggles play Marion's erstwhile suitors. Constantly trying to upstage each other, their dialogue provides plenty of chuckles.

Even in minor casting the film excels. Dignified Henry Stephenson and sharp-tongued Clara Blandick play Marion's father and aunt. Walter Kingsford & diminutive Etienne Girardot play the French officials assigned to keep an eye on Mr. Powell. Halliwell Hobbes lends gravity to his small role as Napoleon's Second Consul. Beulah Bondi brightens her single scene as the Bonaparte boys' kindhearted mother. And the magnificent Hall Johnson Choir appears to lift its voice in song for a few moments.

Time has not dealt kindly with Marion Davies. Almost forgotten today, when remembered at all it is usually as a sort of footnote to history or object of scandal. Her life certainly was colorful, and as chatelaine of America's most amazing private estate she did circulate amidst powerful circles. But to remember her as the bimbo blonde mistress of the country's mightiest media baron is patently unfair.

While much of the blame can go to Orson Welles' spoof of Davies in CITIZEN KANE (which he was to admit he regretted towards the end of his life) it must be stated emphatically that Marion was not a no-talent actress with few friends & even fewer brains, whose career was destroyed by her stammer leaving her to spend lonely years in great, hulking empty castles.

In reality, Davies was a bright, vivacious lady who charmed & captivated such diverse guests as George Bernard Shaw & Winston Churchill throughout her 33-year liaison with Hearst. Adored by her friends and a fierce cadre of fans, Davies was renowned for her tireless generosity and charitable good works. Her speech impediment never affected her screen acting and her undeniable talent was evident to any who were willing to assess her performances honesty and look past the scandal.

Davies had to have been embarrassed by the Hearst empire's relentless pushing of her career. She knew this left her open to ridicule & mockery, doubtless contributing to her scarcely concealed alcoholism. But she eventually relinquished her film pursuits in order to care for the aging Hearst, and after his death in 1951 she showed herself to be an astute businesswoman during the remaining ten years of her life.

It is only now, with the passage of much time & the restoration of her old movies, that it is becoming easier to acknowledge the contributions & cinematic expertise of Marion Davies.

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Jérôme Bonaparte (1784-1860) was only 16 when he entered the service of Napoleon as a member of the Consular Guard. After being wounded in a duel he transferred to the French Navy. Leaving his ship in the West Indies, he entered the United States, (Jérôme was not involved in the sale of the Louisiana Purchase to America) where he fell in love with Elizabeth Patterson of Baltimore, Maryland. They were married on Christmas Eve, 1803. After returning to Europe with his wife in 1805, it was discovered that Napoleon had annulled the marriage and forbade Elizabeth to enter any of his domains. This decision was absolutely determinate. Elizabeth was returned to America and Jérôme was married to Princess Catherine of Württemberg and subsequently proclaimed King of Westphalia in 1807, which included a wide territory east of the Rhine in addition to the former province of Westphalia. He abdicated in 1813 when Napoleon's powers began to decline, but he continued to serve as a loyal officer fighting for his brother until the Battle of Waterloo brought total defeat in 1815. Jérôme then retired into self-exile and did not return to France until 1847, when he entered the service of his nephew Napoleon III, the son of his brother Louis. Jérôme would eventually serve as Governor of the Invalides, Marshal of France & President of the Senate.

Hearts Divided (1936)

** (out of 4)

Claude Rains masterful performance as Napoleon is wasted in this rather bland mess that was clearly meant to be a showcase for star Marion Davies. In the film, Napoleon sends his brother Bonaparte (Dick Powell) to America where he is to negotiate $20 million for the Louisiana Territory. Once there, he ends up teaching French to the beautiful Elizabeth Patterson (Davies) and eventually falls in love with her, which doesn't sit too well with his brother. It's well known that Davies felt at ease with a good comedy but the costume dramas made her nervous and that's obvious here in this film, which besides a few good things turns out to be a complete mess. Based on true events, the movie changes history around to fit the story so those looking for the truth might want to settle with a book on the subject. Hearst obviously thought Davies could handle the material but she can't and sadly she comes off looking pretty weak her. There wasn't a single scene where I believed her as this character as she didn't look the part nor was she able to act it. Powell, selected by Davies, isn't any better and often just appears to be modeling for the camera. The two of them have absolutely no chemistry together and this really kills the love story trying to be pushed here. The main reason to watch this film is for Rains performance, which is another great one by the character actor. He does a great job at filling the part of Napoleon and one can't help but wish the entire movie be built around him. Rains plays the character quite low but that power (or evilness) is easily viewable just by looking at his eyes. The film isn't helped any by some really silly dialogue or rather lampoonish scenes including one where a group of men follow Davies character up a tree. In the end, there might have been a good story somewhere here but one can't help that the producers didn't find it.

I wasn't prepared to like this film as much as I did, since I had read the reviews of the people here on the IMD first before commencing to watch it on TCM. It's a good thing I didn't dismiss it, because I liked it much better than Miss Davies' "Page Miss Glory", which preceded it on the broadcast schedule.

The cast was wonderful, the script was meaty for a romantic picture, with some really funny lines, and I enjoyed the sweet romance between the principals, Miss Davies and Dick Powell. Claude Rains was a joy to watch as Napoleon; loved that bathtub scene with his servants scrubbing his manly hairless chest. Sort of like Johnny Rocco (Edward G. Robinson) in "Key Largo", but much funnier.

Special mention goes to character actors Charlie Ruggles, Arthur Treacher, and Edward Everett Horton as would be suitors to Miss Davies; they helped round out the script and bring even more giggles to the story.

I also enjoyed the music, including two pretty tunes by songmeister Harry Warren, and the negro spirituals.

8 out of 10.

Marion Davies was a winsome, whimsical, and very pretty comedienne, with a slyly subversive personality not unlike Carole Lombard's. But her mentor and manager William Randolph Hearst preferred to see her as a clothes horse, in stuffy period romances. And so we have this sleepy costume epic, from a flop play by the author of "Naughty Marietta," where she's a Baltimore society heiress, with hair of a color no 1805 society heiress ever knew, who keeps smiling gallantly while her heart is breaking. It's a Norma Shearer sort of part, and Marion's noble suffering is equally uninvolving. She looks glum and too old for the role, and her romantic interest, Dick Powell as Napoleon's brother (!), looks equally unhappy. Claude Rains is an asset as the Emperor, as are Edward Everett Horton, Charlie Ruggles, and Arthur Treacher as her three other suitors (though the screenwriters might have come up with better dialog for them). But mostly it's Marion being noble--acting condescendingly nice to the slave labor, going from haughty to starry-eyed over Powell in record time, shedding glycerine tears, and advancing to an unlikely, logic-defying happy ending. Frank Borzage directs with his typical moonlight and magnolias, but even he doesn't seem to believe it, and Marion seems to be wishing she were in a screwball comedy.

First thing to do is to forget history (I will not argue with American history,but as far as French history is concerned,well..): No,they did not live happily ever after ,for the marriage was finally broken ,and Jerome had more mistresses than you could count.No,Madame Mère -who briefly appears to sweeten her offspring's relationship- did not probably intervene.

But it does not matter when you deal with Frank Borzage,my favorite American director of the twenties/thirties.To say he gave it his all is diminish this director ,because there was always more to give,another passion to plumb,another open wound that demanded he raises his voice ;no one depicted love (against the whole world) as he did.In consequence ,the best scenes are to be found in the second part of the film:Marion Davis ,"translating" the letter into English in a voice chocked with emotion;the scene on the ship where the unfortunate lovers raises their glasses before the bell ring -this scene is similar to the ones we find in "Humoresque" before the hero goes to war ,and in "Street angel" when Janet Gaynor says goodbye to his love (who does not know it's a farewell celebration).In "Hearts divided" the sequence is too short ,and somewhat ruined by the final scenes although the song and the wall are romantic stuff.

As everything Borzage did ,"Hearts Divided" is a movie which deserves to be watched.I will not rate it as highly as Borzage's true masterpieces ("Seventh Heaven" "Street Angel" "Little man what now?" "A farewell to the arms" "Strange Cargo" or the immortal "Mortal storm") though.