Navio Negreiro

I'm agreeing with the reviewer who said that William Faulkner who wrote the adapted story for the screen on which Slave Ship is based envisioned a commentary on the brutality of slavery. But I'm sure Darryl Zanuck thinking of those southern markets turned this into an adventure yarn. Later on post World War II it was 20th Century Fox that was the most daring in terms of social commentary, but not now.

Warner Baxter and Wallace Beery are captain and first mate and best friends and they happen to be in the slave trading business, a business that is both illegal and declining due to British patrol vessels. Truth be told Baxter himself is sick of the misery in which he traffics. When he starts courting and marries Elizabeth Allan he decides to get out of the business.

Sad to say Beery doesn't want to do that. As he correctly points out in this illegal business you don't have a crew, you sail with partners and he proves it. The rest of the story concerns Baxter and his attempt to gain back his ship and also win Allan back as well.

Around this time Souls At Sea over at Paramount and MGM's Stand Up And Fight also dealt with the slave trade and slavery, Souls At Sea being the better film. Still both are better than Slave Ship though it is still a good adventure story.

Interesting that Darryl Zanuck also must have paid a pretty penny to Louis B. Mayer for MGM contractees Wallace Beery and Mickey Rooney who were two of his most reliable box office performers. Rooney plays the ship's cabin boy and his role is far cry from Andy Hardy. A great tribute to his talents.

Good action adventure yarn and some of the scenes involving the slaves are brutal and haunting. But this could have been a lot more.

The 1930s was a terrible decade for black actors in films in many ways. Considering the popularity of the caricatures played by the likes of Steppin Fetchit and Willie Best, it would seem that most studios saw black people as slightly less than people. There were a few examples, such as Hattie McDaniel receiving an Oscar for her performance in "Gone With the Wind" (though she did play a slave) and this film, "Slave Ship". While I wouldn't exactly call this movie the best in portraying blacks as people...it was way ahead of most films of the day.

When the film begins, you see a heavy-handed scene where it's meant to illustrate that the ship in the picture is cursed. After the deaths of many of its crew due to illnesses and accidents, the ship is sold very cheaply. The new mission of this merchant ship is to illegally transport slaves to America--something banned both by the British and United Stares for most of the 19th century. Captain Lovett (Warner Baxter) and his crew are out to illegally transport more Africans to a life of slavery. The Captain seems to hate this life...but he does it and is responsible for much wickedness. As for his crew, his First Mate (Wallce Beery) seems to adore the life!

Following this trip, the Captain meets a decent lady and falls in love. He decides to give up the life and go straight--transporting normal commercial goods instead of slavery. However, after order his First Mate to fire the old crew and hire all new non-slavers, he is tricked...and soon after the ship with him and his bride leaves port, he finds he is no longer in charge of the ship and the Mate intends for them to return to Africa for more slaves! At the risk of his life and that of his bride, the Captain fights his men and tries to do the right thing. But it's just him and an inexperienced woman against an entire crew! What are their chances?

The acting is good and it's obvious Twentieth Century-Fox must have seen this as a premier project since it borrowed Beery and Mickey Rooney (two big stars at the time) from MGM to make this picture. The film doesn't go far enough by today's standards to preach against the evils of slavery but it is still quite compelling and worth your time. I particularly liked Beery in this one as he apparently was playing himself....and did it quite well.

William Faulkner must have envisioned "Slave Ship" as a dark commentary on the curse of slavery(the "cursed ship" element is abandoned early on) and the studio tried to turn it into a typical adventure yarn. The results are strangely tasteless, unsettling, and facinating.

This is a bad movie, but one I highly recommend. The movie seems to be saying "these people veiwed things in a different way, but the best of them rose above slavery." We feel almost as much distance to movie makers, as Wallace Berry is mostly viewed as a roughish but likeable scoundrel; though we learn early on he is a genocidal mass murderer.

Though only seen in short glimpses, the inhumanity of slavery is fairly well expressed. It's the fairly casual context of subject that is allmost chilling. But see it for yourself and decide.

SLAVE SHIP

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white)

Any film which opens with an unbilled Lon Chaney Jr. being crushed to death during the launching of a ship can't be all bad! And, indeed, Tay Garnett's SLAVE SHIP gets off to a cracking start with a hellish vision of the slave trade along the West African coast in 1860. Sadly, the long middle section is bogged down by muted dramatics and a number of soggy romantic interludes (Warner Baxter and Elizabeth Allan provide the offending drippery), but the rousing climax makes up for some of the longueurs. George Sanders turns up, horribly miscast, in one of his pre-stardom roles as a villainous sea-dog.

1937's "Slave Ship" looks today as gritty as it must have been shocking to audiences 80 years ago, a script concocted by several writers, including William Faulkner, who admitted that he merely doctored certain scenes that hadn't come off. George S. King's 1933 novel "The Last Slaver" was the basis for a story that remarkably pulled no punches in depicting the odyssey of the newly launched ship Wanderer, tasting blood on the runway as Lon Chaney delivers a stinging unbilled cameo as a doomed laborer unable to escape its path. Three years, and as many names later, the rechristened Albatross is now commanded by Jim Lovett (Warner Baxter) and first mate Jack Thompson (Wallace Beery), with cabin boy Swifty (Mickey Rooney) willing to fight anyone for what he believes in. The slave trade had fallen on hard times by 1860, officially a hanging offense, so after their most recent trip back from Africa, Lovett meets and marries young beauty Nancy Marlowe (Elizabeth Allan), deciding to start over with a new crew and sail to Jamaica in the business of trading goods instead of lives. This does not sit well with the crew, willing to continue their trafficking on human suffering despite the risks involved, forcibly taking control of the ship after a successful mutiny. Unable to prevent the six week voyage back to Africa, Lovett reveals all to his wife, who finds that she still loves him and is willing to forget about his past and work out their future. What they don't know is that Thompson plots to leave his captain behind while the fully loaded ship returns to America, only for the intended victim to turn the tables on his captors, producing a climax as rich in excitement as it is unpredictable. If not for the poorly done romantic scenes involving the little dog it might have been an enduring classic, but it's still a real find, quite unexpected for 1930s Hollywood. MGM's "Souls at Sea" may have earned all the accolades but Darryl Zanuck's pluck produced the better picture, under the assured guidance of director Tay Garnett, both John Ford and Howard Hawks proving unavailable. Beery actually plays the villain, George Sanders in support, Mickey Rooney the true standout.