Asas Sobre Honolulu

A spoiled debutante (mannered & shrill Wendy Barrie, the poor man's Katharine Hepburn) has trouble adjusting to life as the wife of a Navy flyboy (the always-overrated Ray Milland). This woman's-magazine storyline is terminally boring, and aviation buffs attracted by the title will be disappointed, as barely 5 of the film's excruciating 80 minutes are given over to aerial footage. Oscar nominee for Best Cinematography in the era in which every studio was invited to put up a title in the tech categories, and this was the best Universal could come up with.