Sururu no Parque

Laurel and Hardy are sailors on shore leave walking through the park. A misunderstanding over a misplaced item of clothing leads them into the favours (and company) of a pair of delightful young ladies. The pair invite them for a soda despite the fact that they have very little money, and then onto a quite memorable boating trip.

I have tried to really get into Laurel and Hardy shorts and have started watching them whenever I may get the chance. Of the ones I have seen so far this has been one of my favourites. The reason for that is I always enjoy when they are given the opportunity to be more than physical clowns and are given witty dialogue driven scenes. Here the majority of the film (the lost gloves and the soda shop) are all driven by the dialogue and the good `to-camera' work the pair do. The climax on the river boat is not as good as their better physical work but I didn't care as the majority was sublime.

Laurel and Hardy excel in the film, especially in the first three quarters. The chemistry and timing between them always shines through in the verbal more than the slapstick. Their delivery is perfect – while Hardy was calmly pleading with Laurel in the soda shop `why did you do that, just tell me why' I was in stitches! The support cast is pretty good although the ladies are a little dull. This short is also the best example of James Finlayson at his best and a good chance for all Simpsons fans to catch the origin of the Homer Simpson `d'oh'.

Overall I was always going to love this film simply because it revolves more around the dialogue than the slapstick. The climax on the boating lake is funny but this should be watched as proof that Laurel and Hardy were more than successful fall guys – they were simply comedy genius's who were all round vaudeville entertainers.

Laurel & Hardy are in their sailor outfits again, although there's really no need for them to be other than to emphasise their ineptitude in the second part of the film, which takes place on a boating lake. They come across a pair of bloomers and mistakenly believe they belong to one of a pair of young ladies they meet in the park. Of course, they don't belong to the ladies, but the boys realise this before they can embarrass themselves. That fact alone is an indicator of the high quality of the writing here; a lesser writer would have had the boys making asses of themselves, but the more satisfying pay-off is gained from the audience's sense of relief combined with the idea of what could have happened.

The boys take the girls for a soda. The clerk here is their old nemesis James Finlayson, but he doesn't really have a lot to do here other than squint suspiciously at the boys through one eye and say 'doh!' (nearly sixty years before Homer). Of course they don't have enough money and Ollie decides he and Stan will have to share one between them. You probably know how that works out, and the simplicity of Stan's line is filled with the kind of crackpot – but understandable – logic that typifies Laurel & Hardy's humour.

The ending's a variation on a theme they had used many times before but it still works because it *is* a variation rather than a rip off. This one's definitely worth a look.

Two sailors meet two equally less-intelligent chicks and with a single tiny coin they manage to produce another quality catastrophe. This is how you take the most out of the situation! One hapless situation follows after another, and when you see what kind of sailors these two are you'll think what kind of Captain let them to ruin Navy's honor. When they manage to get the two chicks into the bar you'll know that something is going to happen when the old grim-face Finlayson is seen playing the bartender.

Everything works fine in this small flick, the total chaos that eventually happens doesn't start too early, though unfortunately it feels a bit prolonged one. But before the lousy bit, you have been given a sharp reminder on how good these masters of banal catastrophes were also verbally.

Sailors on leave, Laurel & Hardy try to impress two girls they meet in a park in this delightful, early sound short.

After misfiring in their first two sound shorts, Laurel & Hardy start to regain their stride in this short film. There is much to commend here. The scene with the boys meeting the girls is very cute, and the misunderstanding about a lost garment was surprisingly risqué for the time. The scene at the soda shop, where the boys, broke as usual, try to marshal their resources to buy drinks for the girls is also quite amusing. The appearance longtime foil Jim Finlayson as the soda jerk adds to the humor of the scene. In the second reel, the boys take the girls out on a small lake in a rowboat which leads to a typical tit-for-tat fight with their fellow boaters. This sequence isn't as funny as similar battles in "Two Tars" or "You're Darn Tootin'," but it shows that the boys are back on the right track.

One of my favorite shorts of this period. I think it benefited from some nice dialogue that actually seemed written. In their first two films, the dialogue seemed too perfunctorily or ad- libbed. Here, for the first time, they seem to be exploring the true possibilities of sound.

Starting right now, I'm reviewing a Laurel & Hardy film, and then an Abbott & Costello one with something similar, one after another. So it is that I'm reviewing Men O'War, L & H's third talkie. In this one, they are sailors charmed by a couple of young women. So they go to a soda shop and Ollie finds out there's only enough money for three drinks. So he tells Stan to refuse. I'll stop there and just say Bud & Lou go through something similar in Keep "Em Flying which I'll review next. So then they also go row boat riding and...well, if you've seen many L & H shorts it shouldn't surprise anyone what happens. This was pretty funny if not completely hilarious but still a treat to watch, just the same, especially when James Finlayson is involved, that's for sure! This short was early in the talkie era so the timing involving sound wasn't perfect, yet. So that's a recommendation for Men O'War.