Noite de Paz

It seems like manna from heaven when Stan and Ollie are sitting by the river with Laurel dropping in a line for some dinner and Ollie messing it up for a change. Then Ollie finds a stray newspaper with an advertisement for the relatives of the late Ebenezer Laurel to meet at the usual grim old mansion.

But it ain't for a will reading it's the police wanting to sort through the relatives over who might have murdered the old guy for his loot.

After that it's a series of haunted house gags that the boys go through, the highlight being a bat in a bedsheet that everyone thinks is a ghost. Laurel is even willing to give up his possible riches.

In the end the boys find it all really doesn't matter.

This is another L & H short that deviates in some way from the general pattern of them; but this time, the central tennet is drastically different: the boys are implicated in a frankly absurd murder case. Dell Henderson's wonderfully creaking, slow turn, is a comic parody of horror movie 'housekeepers' and butlers before Universal horror really took off. I like the way an authority figure is sent up (as often in L & H); this time a bumbling, melodramatic detective, the actor hamming it up for all it was worth. There's barely a bone in this film's skeleton that isn't light and giddily brittle; only the early scene of Ollie musing on his friendship with Stan, the two of them sitting by the waterside, really seems like a typically L & H scene. And beautifully played and written it is too. It has that comic pathos that is entirely relinquished by the film from then on.

The remainder of this picture spirals off into the most obvious, overplayed silliness; but I loved it. Laurel and Hardy in a creaking, almost chuckling set, standing in for a haunted house; absurd, devilish do propagated by a leering, comatose housekeeper; predictable gags; a bat or two. Just bring it all to mind, and smile... give it a viewing some day, and I'm sure you'll be amused. "The Laurel-Hardy Murder Case" is a wonderfully enjoyable short; and a refreshing variant within their very consistent, fine work during this pre-feature length era.

Rating:- ****/*****

***SPOILERS FOR EMILY***

This is one of Laurel & Hardy's weaker short film entries from Hal Roach Studios. It suffers from a repetitive script and an ending that feels so tacked-on that I can't help but wonder if the crew realized they were filming a mess with no good resolution.

The byplay between Stan and Oliver is the bright spot, though some of the gags in the bedroom scene are a little too hokey to get much of a laugh - that has to be the fakiest fake bat I've EVER seen in a movie.

The opening scene, with the Boys fishing off the pier, contains most of the movie's funniest material. You can always find something good about even the weakest Laurel & Hardy film.

As a spoof of murder-mystery movies and plays this movie is great fun. It has all the clichés from that genre in it and perfectly spoofs those clichés and characters in this movie. The movie has the usual suspects in it and a police inspector (Fred Kelse) who tries to solve the case. Yes, like I said before, it perfectly spoofs some of the murder-mystery clichés. As a spoof it sill applies today.

The 'spooky' elements of the movie are also a welcome addition and provides the movie with some fun moments. Seeing the boys being chased by a white-sheet is a pretty funny sighting. Frank Austin is also perfectly spooky as the stereotype old butler.

Too bad that the pace of the movie isn't the best at times. The movie is dragging on for too long at times, which makes some of the jokes feel stretched out a bit too much.

It overall does have its moments, especially when it spoofs the murder-mystery genre but it's a bit too much dragging movie to find it a hilarious one, or a must-see for the Laurel & Hardy lovers among us.

7/10

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The Boys read that the heirs of Ebenezer Laurel should present themselves at his mansion for a reading of the will. Naturally, Mr. Hardy sees riches in front of his eyes, which he will share with Mr. Hardy. However, there is no will. It's a set-up by the police, in the form of perpetual dumb cop Fred Kelsey to trap the old man's murderer.

It's pretty elaborate for Laurel and Hardy, with an immense cast; they were quite capable of making a great short with just the two of them, and Charlie Hall to fight. Because of that, the cast takes up too much time, with too little of the boys being scared out of their.... well, they never had much in the way of wits before.