Adicionar um enredo no seu idiomaWomen from various backgrounds volunteer as nurses in France at the outbreak of World War I.Women from various backgrounds volunteer as nurses in France at the outbreak of World War I.Women from various backgrounds volunteer as nurses in France at the outbreak of World War I.
- Direção
- Roteiristas
- Artistas
- Frank
- (as Edward Nugent)
- French Surgeon
- (não creditado)
- Frank and Wally's Buddy
- (não creditado)
- Nurse in VA Hospital
- (não creditado)
- Wounded French Soldier
- (não creditado)
- French Medical Officer
- (não creditado)
- French Chanteuse
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
There are also lighter moments in this film, especially regarding the soldiers and fliers who come to know the nurses. Chief among these is Wally (Robert Montgomery), who is a confident flier always looking to score with the ladies. He meets Babs (June Walker), a rather straitlaced girl who falls for his line in a big way. In a pivotal scene, he explains to Babs that his philosophy is to "take what you can get" from life, because the future is so uncertain in the midst of war. He also says that war makes people "cheap and rotten". Babs wonders if it might even be a girl's patriotic duty to play along, making a pilot "happy" before he's sent off on another mission.
Another young nurse, Joy (Anita Page) falls for a patient in her care, only to be heartbroken later. I thought her performance was mostly good, but when she had to cry it rang false for me.
In 1930, talkies were still a new phenomenon. Still, the sound quality in this film was fine. Obviously, sound effects was a new technical area, and some of the sound effects were amateurish. The visual effects were a mixed bag. The use of back screens and model planes--though state of the art for their time--were distracting. On the other hand, the explosion effects used in bombing scenes were excellent, and the shots of exploding buildings and collapsing ceilings were realistic enough to hold up in today's films!
The editing of "War Nurse" is sometimes choppy, especially near the end. But the film, overall, is a solid tribute to the women (and men) who put themselves in harm's way for a good cause. And it is a realistic enough depiction of war to demonstrate its tragic nature.
War Nurse follows a group of women who volunteer for nursing duties in France at the outbreak of the First World War. The film is a perfect companion piece to All Quiet on the Western Front, released the same year. Similar to how the young army recruits in All Quiet... have a distorted, glamorised view of what war will be like, so do the nurses at the beginning of War Nurse (some of them are barely into adulthood) expecting to be "holding hands all night with good looking sick officers" and to spend "Moonlight nights up on no man's land, with a general in each arm". Little do they expect the extremely strenuous work, horrendous conditions, the lack of supplies and the near insanity caused by the constant firing of shells.
One scene in which the nurses retreat to bed for the night only to be woken up shortly afterward by the arrival of injured troops during the middle of the night, I can feel just how tired and physically exhausted these people must be. War Nurse is full of powerful moments both big and subtle such as when a soldier played Robert Montgomery asks a nurse played by Anita Page out on a date, literally seconds after she told him one of his close comrades just died; death is that common of an occurrence
The copy of War Nurse I watched was not of the greatest of quality so I couldn't always distinguish the cast members apart. Yet I was still fully engaged and can say the production values are superb. I don't have any information on the filmmaking locations for War Nurse but the exteriors feature lush countryside backdrops to large-scale recreations of baron no man's land with shells constantly exploding.
Get this baby onto the Warner Achieve Collection!
As far as the types of women you see in the film, they all are a bit different. Some are very professional and dedicated and some are more flighty and annoying. One of the worst of them is actually the leading lady, Anita Page, who plays a nurse who seems awfully interested in romance and who seems ready to crack up at a moment's notice! While annoying, however, this is probably pretty realistic- -and it was very tough work to say the least.
Overall, this is a pretty good little film. At times it's gritty and blunt about sex for 1930, though in some ways it is all a bit sanitized as you really see no blood and the horrors of war aren't nearly as horrific as you'll see in contemporary films like "All Quiet on the Western Front". Not a brilliant film but one that is worth seeing, well acted and well written.
If you're a shallow voyeur who watched this just to see Anita Page bouncing around in her undies you'll feel very guilty and a little soiled because this is proper film. It's a hard hitting condemnation of war. It's a life affirming story of how amazing the human spirit is.
Veteran director Edgar Selwyn wasn't one of those experimental filmmakers pushing boundaries in the late twenties but neither was he one to make those appalling stodgy static filmed stage play types of thing. By focusing on how it affects real people, Selwyn evokes the never ending relentless horror and despair of war by making it personal.
It's based on a notorious anonymously written autobiography of an actual war nurse which caused quite a scandal with its no holds barred revelations of what life was like for those young amazing heroines. Although this was made in 'the pre-code era' the saucy story was heavily censored and sanitised - in terms of any sexual shenanigans anyway. The true mental and physical brutality of conflict however was left undiluted.
Like all the best stories this tells its tale through the eyes and experiences of real people. The acting style is a bit more 1920s than 1930s but once you acclimatise, the characters do feel authentic, like real people. It's a story about how war doesn't just change people but society. These volunteer girls, hundreds and in the case of the Americans, thousands of miles from home, like the men there, realise that have to live as though each day might be their last. Consequences and convention have no role in a world without a future. The only way to survive was to pretend it's just a nightmare and live in a sphere of self deception.
Overall it's a clever and engaging fast-moving film. It's professionally made and a lot more entertaining than you might imagine... and if you're still wondering, yes Anita Page does bounce around in her undies!
Você sabia?
- CuriosidadesLoretta Young was replaced by Anita Page midway through filming, which led to her scenes being deleted and re-shot. Young can briefly be seen in a long shot.
- Erros de gravaçãoSet during World War I (1914 - 1918), at about 30 minutes into the movie, there is a scene where Robert Montgomery lands his plane and approaches some fellow pilots who are talking nearby. As they talk, contemporary 1920s vehicles can be seen passing on a distant road (at the upper left of the screen, over Robert Montgomery's shoulder).
- Citações
Cushie: Funny the way the men have changed. They used to talk about what they'd do when the war was over and things like that.
Rosalie: Yeah, now all they talk about is women.
Babs: Yes, women. It seems to be the only thing the men are interested in. Why even the youngsters are so afraid they'll die before they've ever lived.
Joy: Well, it makes me awfully nervous the way they always want to look at you and touch you. Why, even the doctors are getting so...
Cushie: Well, even the doctors are human, I suppose.
- ConexõesReferences Three Weeks (1914)
- Trilhas sonorasWhen I Saw Sweet Nelly Home
(1859) (uncredited)
Music and Lyric by John Fletcher
Sung a cappella by Robert Ames and Anita Page
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- War Nurse
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- Tempo de duração
- 1 h 21 min(81 min)
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