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7,6/10
2,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAlthough they are successful fishmongers, Stan convinces Ollie that they should become fishermen too, but making a boat seaworthy is not an easy task.Although they are successful fishmongers, Stan convinces Ollie that they should become fishermen too, but making a boat seaworthy is not an easy task.Although they are successful fishmongers, Stan convinces Ollie that they should become fishermen too, but making a boat seaworthy is not an easy task.
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Avaliações em destaque
10Hitchcoc
Can it get any better than this. Stan has a great idea. Instead of working for "the Man," they should get a boat and fish themselves, thereby accruing all the profits. Since they have little money, it means buying a piece of junk boat and fixing it up. Actually, their ideas are sound and at times their skills aren't bad...but when it comes to coordination and execution, they are totally lost. As soon as they are finished trying to destroy the boat before getting it launched, things seem ship shape, if you will. But it isn't long before their mutual efforts begin to clash. Of course, as is usually the case, poor Ollie gets the worst of it. He is crunched, glued, painted, and abused. Yes, he did make the mistake of listening to his friend whose track record is anything but solid. I think the fact that their hearts are always in the right place is what made these guys so endearing. They never meant to be nasty to each other. Circumstances just didn't go their way. This effort, with really just them on the screen, except for a short scene with Billy Gilbert, shows them at their absolute best.
This is probably my all time fav. L&H short. right from the start with the call of 'Fresh Fish' (toot), this is a 'hoot'. As always, Stan has an idea this time expressed as only Stan can. 'If we had a boat .....'. The bit that makes me howl is when Olly is painting the rudder and Stan is scrubbing the deck and finds the tiller in the way. The pause before 'what did you put that stuff on your face for' is agony!. As for Stan's method of getting his head out from behind the mast... See this one now.
Laurel and Hardy are travelling fishmongers, selling door to door on the street. Laurel has the idea to cut out the middle man and catch the fish themselves hence turning pure profit on every fish they sell. They buy an old boat and begin to do it up with predictable consequences.
From the opening conversation where Hardy asks Laurel to repeat his sensible and good idea and Laurel proceeds to muddle himself (`if we catch the fish, the people wouldn't have to pay and .') I was sold on this short film. The action follows this banter with a fantastic mix of physical humour and the good old double take stuff they do so well. Here the two (styles) really compliment each other the highlight being when Laurel causes Hardy to become covered in paint and there is an eternity of looks, double takes and pauses before he asks `why did you put that stuff on your face'!
The stuff around the boat is all good and both men do really good work with their looks and their bodies. Hardy shows his class while leaning on the mast of the boat, hears sawing, looks to camera, looks down towards the sound, looks to camera then goes!
Overall this short has everything in it that I love about Laurel and Hardy and should be immediately seen by anyone who is wondering what all the fuss is about!
From the opening conversation where Hardy asks Laurel to repeat his sensible and good idea and Laurel proceeds to muddle himself (`if we catch the fish, the people wouldn't have to pay and .') I was sold on this short film. The action follows this banter with a fantastic mix of physical humour and the good old double take stuff they do so well. Here the two (styles) really compliment each other the highlight being when Laurel causes Hardy to become covered in paint and there is an eternity of looks, double takes and pauses before he asks `why did you put that stuff on your face'!
The stuff around the boat is all good and both men do really good work with their looks and their bodies. Hardy shows his class while leaning on the mast of the boat, hears sawing, looks to camera, looks down towards the sound, looks to camera then goes!
Overall this short has everything in it that I love about Laurel and Hardy and should be immediately seen by anyone who is wondering what all the fuss is about!
It has a laugh a minute and has some very sophisticated humour. Two fabulous bits stand out - one where Stan is washing the anchor chain and 'wrings' it into a bucket of water. The other is where Stan has been confined to the cabin and plays noughts and crosses with himself. In the finale, there is this wonderful scene where Stan and Ollie watch helplessly as their newly painted boat careers down the road under sail power and smashes into a million pieces. The film does not have too many set pieces but contains loads of small, exquisite gags which will have you doubling up with laughter.
Laurel and Hardy have a business plan: instead of buying fish and selling it, they'll catch the fish themselves and cut out the middleman. Unfortunately, the people who are going to execute this idea are Stan and Ollie.
It's my favorite short by Laurel and Hardy. There are others just as good, but this is just them. Except for a brief appearance by Billy Gilbert (maybe seconds) to sell them a boat, it's all the Boys and the boat they are trying to recondition, right next to a big mud puddle. The inevitability of disaster is delicious, and the gags are, as usual, great.
It's my favorite short by Laurel and Hardy. There are others just as good, but this is just them. Except for a brief appearance by Billy Gilbert (maybe seconds) to sell them a boat, it's all the Boys and the boat they are trying to recondition, right next to a big mud puddle. The inevitability of disaster is delicious, and the gags are, as usual, great.
Você sabia?
- CuriosidadesThe film that became "Towed in a Hole" was scheduled to start shooting on October 17, 1932, but was postponed for two weeks whilst Stan Laurel and his gag writers struggled to come up with a workable story. Director George Marshall described how he found the way out of this impasse: "I drove to the studio one morning, and in Culver City I passed one of these little fish wagons; and this fellow was touting his wares with a long horn as he drove down the street. So I thought, 'Well, maybe that could be the answer, with the boys selling the fish, but to make more money, catching their own fish.' I had about that much when I came to the studio. Stan was sitting in his room. I told him about the idea and he said, 'Yeah, that just might work.'. The script developed from there. Filming began on November 1 and lasted ten days. The result is considered one of Laurel & Hardy's finest short comedies.
- Erros de gravaçãoWhen Stan is sawing the mast, the sawing sound is slower from inside the boat than the fast sawing sound from the outside shot of Ollie up painting the mast.
- Versões alternativasAlso available in computer colorized version
- ConexõesFeatured in The Crazy World of Laurel and Hardy (1966)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- O Capitão e Seu Marujo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 21 min
- Cor
- Proporção
- 1.37 : 1
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