Lembra-te Daquele Dia

Claudette Colbert is a schoolteacher thinking about her past life in "Remember the Day," a 1941 film also starring John Payne, Shepperd Strudwick, Ann E. Todd, Jane Seymour and Anne Revere. As she waits to catch a glimpse of a former student, Dewey Peters, now running for President, Nora Trinell (Colbert) thinks back to 1916, when Dewey was a child in her class, and she had just met another teacher in the school, Mr. Hopkins (Payne). Dewey has a terrible crush on Nora, who sees his true worth right away; Hopkins is in love with her. Kay, a student in Dewey's class, is crazy about him, but Dewey is at an age where he doesn't want any girls around. Besides, he's in love with Nora.

Nora and Hopkins eventually marry secretly, and he signs up for World War I. Dewey is heartbroken when he sees them together. Before going away to prep school, Nora encourages him in his goals and tells him that he is like a son to her. At his request, she goes to see him off at the train, the same train her husband is on en route to battle. The last time we see her in the flashback, she is waving goodbye.

This is a very touching movie with some nice performances, particularly by Colbert, Payne, and Douglas Croft, who plays the young Dewey. The fashions don't look particularly of the period, and as usual, everyone is aged much more than the 25 years that are supposed to have passed. It is true that people look younger today at 50, partly because we fight aging and also because of a youthful attitude, as one of the reviewers states. I still think everyone looked too old, and that includes young Dewey's parents during the flashback, who looked like his grandparents. It's unusual for Twentieth Century Fox to have permitted any aging at all - Zanuck would barely let Tyrone Power have gray at the temples in films with long time spans.

Colbert was actually 9 years older than John Payne, but I was aware of it only because I knew it. She was cast opposite younger men more than once. She is very lovely in this, looking much younger than her 38 years. She really carries the film. Payne, a very well-built hunk, gives a wonderful performance.

The acting really uplifts this film as does the solid directing of Henry King. You may shed a tear or two - if you don't mind that, "Remember the Day" is well worth seeing.

This movie may seem old-fashioned today.Two teachers having an affair (this was also the subject of "these three" by William Wyler )causing a scandal ! These three are here a man,a woman and a boy;the movie begins when Claudette Colbert is an old teacher and the rest is a very long flashback ;it is interesting to notice there's something similar in a more recent work such as "Mr Holland's opus" in which a clumsy girl ,Holland's former pupil,becomes a senator.

More than a propaganda movie (WW1 and when the movie was produced WW2),this is a tribute to the teachers:Mrs Prinell is the kind of mistress every boy and girl would like to have (or would have liked to have).Her word reaches far when she tells Dewey he "stands out" but ,like any human being,he is on his own .Perhaps the ending is too good to be true and in real life people who make their way of life often forget the people who helped them along the way,but this is a wonderful ending:I love the moment when Deway mumbles "Mrs Trinell...Nora Trinell..." The boy writing "I beg your pardon" on the blackboard,the white Xmas ,the "auld Lang Syne" on the last day of the year and the train leaving the little town :we'll remember these days.

Henry King has directed a nostalgic piece of great artistry that accurately evokes the World War One era in America. Claudette Colbert's wit and charm effectively offsets the potential sentimentality of the story, and handsome John Payne gives one of his finest performances as her love interest.

Lovingly photographed, Remember the Day is a charmer from start to finish.

I have long loved Claudette Colbert in films and am a bit surprised that she isn't more well known for her part in this terrific film. While naturally people tend to think of her from IT HAPPENED ONE NIGHT and SINCE YOU WENT AWAY (two terrific films), it's a shame more people haven't seen REMEMBER THE DAY, as it offered a side to her that wasn't seen so often in films. Here, Colbert is both more sexual and less motherly than she usually seemed in films. Part of this is because her usual asexual hairstyle is gone and she seems to be more of a real woman with real needs and desires. Frankly, apart from her role in SIGN OF THE CROSS, it might just be the sexiest part she ever played. Now this does NOT mean that she was a slut or a loose woman--far from it. But she just seemed more approachable and warmer than in other films in which she appeared.

REMEMBER THE DAY is also a highly sentimental film about a beloved teacher who makes her mark on students. However, unlike films like GOODBYE MR. CHIPS and THREE CHEERS FOR MISS BISHOP, the focus in this movie is on the effect she had on one particular student--one who grew up to be nominated for President of the US. The sentimentality is strong but thanks to an excellent script, direction and acting, the film seemed more believable, less maudlin and more authentic than most films of the style.

In addition to wonderful work by Colbert, John Payne had one of his better performances and this is a film everyone involved should have been proud of making. A sweet old film that seems to be rather timeless--it's well worth a look.

This is a very nice little movie that showed Claudette Colbert and John Payne to great advantage as two young teachers who, in 1916, meet in a small mid-western town, teaching at a high school. They fall in love, and we watch the romance blossom into a marriage - the entire effect helped by the nostalgia of a by-gone, simpler era. Parallelling the story we have the story of a young boy that goes to the school and is taught by both Colbert and Payne.

The film is set up with it's heart (the romance) surrounded by a more recent story set in 1940, at the Republican Presidential Convention (a fictional version of the convention). Colbert is there to see the young boy student, who has now grown up. It is not until the film ends that we understand who she is visiting with. And it is not until the conclusion of the film that we get the bittersweet portion of the romance.

The film is very simple, and it's final element for success is that Payne and Colbert had terrific chemistry together. Ironically enough it would be their only film together (one wishes they had done a second film but that was not in the cards for some reason). Also ironically, it's total success should be compared with the comparative failure of TOMORROW IS FOREVER, wherein Orson Welles and Colbert both perform their roles well (in characters very like Payne's and Colbert's here) but lack the spark to make that trickier story more believable.