Sua Excia. o Réu

WILLIAM POWELL and the gorgeous HEDY LAMARR co-star in a tale of an amnesiac who can't recall what happened to him when a train wreck wipes out part of his memory. Two very cunning crooks (BASIL RATHBONE and CLAIRE TREVOR) take advantage of him by posing as people who want to help him and then plotting to extort money from the wealthy French diplomat and his wife in order to hush up the crime they say he actually did commit.

While the story itself seems far-fetched at points, it does make for an intriguing tale and it's played to the hilt by a very competent cast--although Powell as a French diplomat is a bit hard to swallow.

The sinister overtones are well played by Rathbone and Trevor, both of whom always excelled at playing shady characters in films of the '40s, with Rathbone shifting from his Sherlock Holmes roles to those of the villain. They do much to give the film a flavor of film noir, as does the B&W cinematography.

It's a clever tale, well directed by Jack Conway, and gives Powell and Lamarr a much better chance to emote than they would have two years later in a misguided comedy called THE HEAVENLY BODY.

Enjoyed viewing this film on late night television starring William Powell, (David Talbot) a very successful man working for the French Government and happily married to a very beautiful woman named Lucienne Talbot, (Hedy Lamarr). Every thing is going great for this couple until David has an accident and develops amnesia and cannot remember a period of his life for 13 years. Henri Sarrou, (Basil Rathbone) meets up with David Talbot and blackmail's him for a crime he committed under the name of Jean Pelletier several years ago. Henri also has a woman named Michelle Allaine, (Claire Trevor) who also confirms that David is guilt of this crime and seeks thousands of dollars to keep everything quite. This is a great mystery story starring great classic veteran actors.

This is a good, keep-you-guessing mystery. William Powell plays a man who doesn't remember anything of his life beyond 13 years ago. Circumstances begin to make him doubt himself and wonder what he had done before an accident caused him to have amnesia. He is very much in love with his wife (the beautiful Hedy Lamarr), and it is riveting to watch his self-assurance crumble as clues begin to reveal a possible shady past. Also starring Claire Trevor and Basil Rathbone. Good movie, especially if you are a William Powell ("The Thin Man") and/or Hedy Lamarr fan.

I was drawn to this by the presence in the cast of William Powell, an actor whose graceful charm always lent class to any movie he appeared in. His work in this surprisingly good story of mystery and blackmail, lives up to expectations. The plot manages to surprise one throughout and keeps one's interest going right to the end. Good script, good direction, and a nice setting in 1920's France. Basil Rathbone turns in a nice bit as a villainous character from the past. Worth seeing.

Slickly done MGM programmer. It may not be a top-of-the-line production, but it still has the studio's signature polish and glamor. The premise is an intriguing one-- is successful diplomat Powell also a murderer with a bad case of memory. With luscious wife La Marr and an ascending career, he's got a long way to fall if he is. Powell is his usual urbane self, while La Marr and Trevor get to play dress-up, big time, while Rathbone gets a break from Sherlock by playing a rather nasty villain. There's nothing special here, just an entertaining diversion with a rather unsurprising ending. For those interested in European types, this is a good opportunity to catch them under a single roof, as it were-- especially Felix Bressart, whose pixilated professor lifts the sometimes stolid proceedings. Aesthetically, there's one really striking composition of black and white photography. Powell's on his way to the river to end it all. But next to the coursing dark waters separated by a zigzagging wall is a shimmering cobblestone boulevard lit by three foggy street lamps. It's an uncommon depth of field with subtly contrasting shades of black and gray. All in all, it's a real grabber, and demonstrates vividly those values that have been lost in the wholesale move to Technicolor.