AVALIAÇÃO DA IMDb
6,1/10
246
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA gold-digger hopes to land a rich husband in Trinidad, but gets mixed up with a beach boy and voodoo.A gold-digger hopes to land a rich husband in Trinidad, but gets mixed up with a beach boy and voodoo.A gold-digger hopes to land a rich husband in Trinidad, but gets mixed up with a beach boy and voodoo.
- Direção
- Roteiristas
- Artistas
Irving Bacon
- First Reporter
- (não creditado)
Juliette Ball
- Black Native
- (não creditado)
Harry Barris
- Master of Ceremonies
- (não creditado)
Brooks Benedict
- Nightclub Patron
- (não creditado)
Hillary Brooke
- Wife
- (não creditado)
Ralph Brooks
- Nightclub Patron
- (não creditado)
Gene Cale
- Dancer at the 'Fuddy Duddy'
- (não creditado)
Ben Carter
- Joe Brown
- (não creditado)
Avaliações em destaque
This is clearly a cast-off Crosby-Hope script with a couple of additional songs for Hutton and Martin. Panama and Frank do their regular "Road" story and the color is nice. All it needs is a patty-cake routine.
I like all the actors who appear in "Happy Go Lucky," but not much in this film. This movie bounces all over the place, the plot is a jumble of small plots, and the screenplay is lousy. Even the musical numbers don't go over well. Betty Hutton as Bubbles Hennessy is way overboard, especially in her singing. She could make some ugly faces with her facial contortions in songs. I think it was poor directing that let stuff like that get through. I'll bet she shuddered if she saw the film and how she appeared in her songs.
Mary Martin as Marjory, Dick Powell as Pete and Rudy Vallee as Alfred don't seem to have any energy. In Alfred's case, it may be intentional; but with few others showing any zip for their roles, this film soon becomes a ho-hum. Eddie Bracken is OK, and I like to see Eric Blore in his supporting roles. But they don't have enough to lift this film above poor. What little humor there is can't save the film either.
It appears to be a lavish production from the opening scene with many people in costume and the boat landing setting. But it soon turns out to be a very poor film. This was a Paramount picture, and I wonder if this wasn't one of its "B" level films. I had a hard time staying with it. It just isn't that interesting or entertaining.
Mary Martin as Marjory, Dick Powell as Pete and Rudy Vallee as Alfred don't seem to have any energy. In Alfred's case, it may be intentional; but with few others showing any zip for their roles, this film soon becomes a ho-hum. Eddie Bracken is OK, and I like to see Eric Blore in his supporting roles. But they don't have enough to lift this film above poor. What little humor there is can't save the film either.
It appears to be a lavish production from the opening scene with many people in costume and the boat landing setting. But it soon turns out to be a very poor film. This was a Paramount picture, and I wonder if this wasn't one of its "B" level films. I had a hard time staying with it. It just isn't that interesting or entertaining.
To get rich, Marjory Stuart, a gold digger, goes to Trinidad and poses as a debutant. The beach boy, Pete, immediately reveals it, but offers to help catch his enemy, Alfred Monroe, on a sailboat. Turns out Marjory's buddy, Bubbles, is Pete's old flame, Wally's buddy. Every well-planned effort to land Monroe ends in slapping simplicity; then Wally's voodoo priestess gives her a love potion that works ...
This mediocre film mostly wastes the comic talents of the cast. It's instructive to compare the terrific comic performances of Bracken, Vallee, and Hutton in Preston Stuges films, and their so-so or worse performances here -- few laughs, no wit. Vallee especially is a completely charmless oaf in this film, while he is very funny and charming in a very similar role in The Palm Beach Story. Eric Blore is completely wasted, given almost nothing to do and is photographed in partial shadow in a couple of shots.
There are a couple of good songs, Murder She Says, a Hutton classic with lyrics by Frank Loesser, and Let's Get Lost, a pleasant ballad that has had a modest life beyond this film.
Mary Martin does a good job with her songs, she's energetic and sings as well as she did in her later Broadway shows. But she's a bit weak on charisma and star quality. Dick Powell is competent, but seems bored. It's no wonder that both stars were dropped by Paramount or visa versa soon after this movie. Of course that worked out great, as Martin and Powell did their best work in the years that followed.
Interesting that one of the reviewers here mentioned this movie might have been orignially written as a Crosby-Hope Road picture. I can really understand that that might have been the case.
There are a couple of good songs, Murder She Says, a Hutton classic with lyrics by Frank Loesser, and Let's Get Lost, a pleasant ballad that has had a modest life beyond this film.
Mary Martin does a good job with her songs, she's energetic and sings as well as she did in her later Broadway shows. But she's a bit weak on charisma and star quality. Dick Powell is competent, but seems bored. It's no wonder that both stars were dropped by Paramount or visa versa soon after this movie. Of course that worked out great, as Martin and Powell did their best work in the years that followed.
Interesting that one of the reviewers here mentioned this movie might have been orignially written as a Crosby-Hope Road picture. I can really understand that that might have been the case.
Dick Powell is a completely relaxed Island Scavenger and his sidekick, Eddie Bracken, has a girl friend, Betty Hutton, who is fanatically crazy about him. Betty uses an energetic approach which would wear out three sidekicks. Dick's co-star, Mary Martin, flashes a great pair of legs in the show's stopper, "Ta-Ra-Ra-Boom-De-Ay". I was only thirteen when I saw this show and I think she made a leg-man of me. Miss Martin has set out for the sole purpose of catching herself a millionaire, Rudy Vallee. Rudy does the rich shtick very well, through his nose, and is a fore-runner of Mister Howell of Gilligan's Island fame. The site is also somewhat familiar.
Mary Martin and Dick Powell make a healthy, handsome couple who are a pleasure to watch, giving an effortless performance. The movie was aptly named and was a thoroughly satisfactory piece of entertainment. But then, again, she was a fine looking lady in those days and maybe it was just adolescence. By the way, the picture is in really good color.
Mary Martin and Dick Powell make a healthy, handsome couple who are a pleasure to watch, giving an effortless performance. The movie was aptly named and was a thoroughly satisfactory piece of entertainment. But then, again, she was a fine looking lady in those days and maybe it was just adolescence. By the way, the picture is in really good color.
Você sabia?
- CuriosidadesOne of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since; its earliest documented telecast took place in Seattle Thursday 25 December 1958 on KIRO (Channel 7); it first aired in Phoenix Saturday 25 July 1959 on KVAR (Channel 12); at this time, color broadcasting was in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so these movie showings were all still in black-and-white. Viewers were not offered the opportunity to see these movies in their original Technicolor until several years later.
- Citações
Pete Hamilton: With your charm and my conniving, there's nothing to worry about.
- ConexõesFeatured in Crimes e Pecados (1989)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Happy Go Lucky
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 21 minutos
- Proporção
- 1.37 : 1
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By what name was Caçadora de Marido (1943) officially released in India in English?
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