Casanova Júnior

This one gets a lot of flak for being simply ridiculous--and I can see why--but if you come with a healthy dose of suspension of disbelief you will enjoy it.

A case in point--a cigarette butt ends up burning an entire house--which some viewers might see as over-the-top but I thought was simply laugh-out-loud hilarious. There are other laugh-out-loud moments for me too, but the movie nosedives when the Gary Cooper character kidnaps his own baby: he's a college professor and is unable to understand the rate of growth of a newborn baby? Seriously stretches credulity, but watch it for Gary Cooper and the earnest Teresa Wright.

This "screwy comedy" seems very forced. Indeed, the actors TRY very hard to make a go of an essentially unfunny script. And, as a result it doesn't really go anywhere. The idea of a woman finding out she was pregnant after getting a quickie divorce just isn't all that funny. And then, when Cooper sneaks off with the baby because he doesn't want it put up for adoption just seems terribly unfunny and it's really pushing hard to turn this into a comedy. It's really a shame, too, as the actors were more capable than the script and I found myself just bored by the whole mess. Considering that Cooper made so many GOOD comedies, I recommend you see them instead.

Enchanting, wittily written screwball comedy about a supposed bachelor, on the eve of his wedding, who discovers he may have fathered a child by a previous marriage that only lasted a week or so. His prospective father-in-law (Morgan), eager to rescue him from any marriage, encourages him to investigate. When he discovers his young divorcee plans to give the baby up for adoption (or pretends to), he kidnaps the infant and tries to raise it with the help of a small hotel's staff. Of course, much comedy ensues. The story is handled well and the humor light and effective, but Wright's character is not well drawn and her relationship with Cooper seems a bit forced. Cooper is well developed and the comic situations are amusing.

A man named Casanova becomes involved with a number of women and a cute baby. This attempt at screwball comedy has a few amusing moments but much of the humor is forced. Despite the efforts of veteran screenwriter Johnson and director Woods, the film takes a while to get going and soon runs out of steam. Cooper tries hard but can't overcome the weak script. Morgan comes off best, playing Cooper's would-be father-in-law. Wright is perky as Cooper's wife, but seems too young for him; there was an age difference of over 17 years between them. Interestingly, the baby girl is played by a fellow named Billy Chapin, who went on to have a brief acting career before retiring at age 16.

As a professor on the verge of matrimony for a second time, Cooper (the unlikely Casanova here) learns he's become a new father, by his ex-wife Isabel (Teresa Wright). He wants to find out the truth for himself so visits the hospital directly. One thing leads to another and he decides to kidnap the baby, with mostly awkward and hilarious results.

I like Frank Morgan in this movie as he tries to be the practical observer and adviser. He shines with his usual wit and bumbling charm.

Cooper, being the 'outside parent' makes an interesting remark at one point about fatherhood, that men can be fine leaders and do great things but can't be considered capable enough to raise a child, all of which goes to show the roles society dictated then and even now.

This is amusing entertainment without going overboard on comedy.