Henrique 5º

It's a splendid rendering based on Shakespeare play with a nice staging , dealing with the warrior king Henry V and his grand victory at the battle of Agincourt on St. Crispin's Day, October 15, 1415 . The movie begins with an ingenious initiation , the camera from a first general shot on the background lead us until a foreground where some actors are playing at the Glove theater in 1600 , then several dramatic scenes take place and eventually going back to the Globe for the final scenes . The film is alrightly based on historic events well made by filmmaker and star Sir Laurence Olivier. They are the following ones : Henry V vanquishes Charles VI in Agincourt (1415) and took over Normandy . Charles VI of France signs Troyes treatise in what Henry V is wedded to Charles's daughter . His descendant Heny VI of England will proclaim himself King of France but Charles VII (anterior Delphin) will be crowned king of France in Reims and the ¨100 years war¨ going on until 1453 (date of downfall Byzance).Grand staging of the Shakespearean play of King Henry V .

This is the first of three principal movies directed by Laurence Olivier along with ¨Hamlet¨ and ¨Richard III¨ based on Shakespeare plays . It's an astounding , stirring , stunning and thoughtful film with glimmer , glittering , colorful cinematography and splendid costume . Partly intended as a wartime morale-booster for the British . Certain parts of the play were consequently omitted , such as Henry's hanging of a friend as an example of firm justice . Laurence Olivier won a honorary and special Oscar for his producing , directing and acting in bringing English history part to vivid life of the screen made with pageantry and perfection . The excellent secondary cast is completed with usual players of the English stage theater and films with important careers : Leo Genn (Quo Vadis) , Leslie Banks (Jamaica inn) , Robert Newton (Treasure's island) , Ralph Truman (El Cid) , Felix Aylmer (Ivanhoe) , Ernest Thesiger (Bride of Frankestein) , Neal McGinnis (Jason and the Argonauts) , Freda Jackson (Brides of Dracula). The especial departments are outstanding , thus : Robert Furse in wardrobe and costumes , the classical musician William Walton and the photographer of superproductions Robert Krasker . Rating : Good and notable . Well worth seeing.

What an intelligent film!!! I loved its stage-y quality--The good-humored recreation of a performance in Shakespeare's time with the audience so fully engaged, laughing at jokes we don't understand (e.g., the machinations of churchmen). I loved the details and sense of history--the sets inspired by medieval illuminations and the score by William Walton. The tight script and directing bring out the complexity of the play. Unlike other reviewers, I'd rate it higher than Branagh's more visceral, contemporary version though I can see why some might find this one pallid. It doesn't have a modern feel, and this style of acting Shakespeare feels dated to me--I've grown accustomed to naturalism. Overall, I appreciate that it is many-layered and distinctively English. I hope it accomplished its worthy goal of raising morale during the WWII.

When I saw this movie at age 13 or so, I was terribly disappointed because it was clear that this is the third part in the story. Henry IV Part 1 and Part 2 come before this play, and they tell the story of Sir John Falstaff and his friendship with Prince Hal ( who is Henry V in this play.) The first two plays also introduce Nym, Bardolph, Pistol, and Mistress Quickly. Unfortunately, this play starts after Falstaff has been banished and Prince Hal has become King.

This play is a lot of fun, but it's very frustrating if you haven't read the earlier plays. There are so many poignant (or funny) moments that point backwards. Even the pretend audience at the beginning seems to feel that they want Falstaff back! The best acting moments in this movie are all scenes where the lower characters remember Falstaff and mourn his death.

Of course, there are some heroic battles and speeches in this movie, but looking back after forty years they don't seem as impressive as when I was 13. The great battle is actually over fairly quickly. And a lot of the later scenes drag, like when Captain Fluellen makes Pistol eat his leek. This is played as very bad slapstick when it's actually very violent and brutal in the play.

With tensions between England and the arrogant French pushed to breaking point, King Henry the Fifth sets out with his armies to conquer and quell the French in their native land. The film builds up with to the historic battle of Agincourt with the troops and the king camping together and making progress across the land.

Whenever Henry V (to use the shorten title) comes on TV I always tape it simply because I always assume that it is a masterpiece of English cinema – such is it's reputation in many circles. However this reputation may not be that well deserved as I have decided from my viewing of it today. The plot is Shakespeare and I will not criticise it, but I know myself that it is not a story that I would pick if asked to chose from his canon of work – I prefer the darker stuff or the out and out comedies. That aside the film tells a straightforward tale, here used to raise morale and fly the flag of Britain and England during WWII. As such it works but I needed it to be more than just a flag waving exercise, I wanted more detail and more thought. Such scenes exist within the play but Olivier does not use them as well as he uses the grandstanding speeches and battle scene – his focus is not on thought but on scale.

As director he does quite well in early stages and in the actual battle itself. The device of opening ad closing in the playhouse works to good effect and is clever but far too many scenes have poor camera angles or are poorly framed. The battle scene is good but too much of the film is ordinary in terms of looks and style. As actor Olivier carries the King well but is too one dimensional for me and I didn't have to put any thought into him to watch the film. He holds back for much of the film but leaps up for more upbeat scenes or rousing speeches. The support cast all sound natural with the dialogue although some of the roles are a little bit hammy, they still hold the film together well.

Overall this is an enjoyable film that has good spectacle to it and key scenes are very good. However the lack of anything under the surface is a problem and it is one of the lesser Shakespearean adaptations I have seen. Still worth a look but if you're like me, you'll be left wondering `was that it?'

This is a brilliantly conceived movie-within-a-play-within-a-movie that showcases the genius of Laurence Olivier. Today's audiences are exposed mainly to Olivier the movie actor. But if you want to see a purer form of acting, see Olivier the stage actor. This is possible by watching his Shakespeare plays on film. And these films are by Olivier the "auteur," long before the term was coined. Olivier's is the legacy to which Branaugh and others, who essay Shakespeare on film, must live up to.

And lest you're expecting a camera pointed at a stage, don't worry. Olivier, who produced and directed most of his Shakespeare films, has actually used the film medium to enlarge his plays' visual scope, while maintaining the intimacy that is the essence of live theatre. Also, Olivier is mindful of how daunting the language of Shakespeare is for modern audiences and has modified much of the original script to be more comprehensible, while preserving the feel of Elizabethan English.

Olivier's "Henry V" was to England what Eisentein's "Ivan the Terrible" was to Russia — a familiar history rendered as a national epic, for morale purposes, while audiences were fighting off the Germans during World War II. There are other parallels. For example, both use static, formalized composition, in Henry V's case meant to resemble the images in medieval illuminated manuscripts and books of Hours. (In Ivan's case, according to Pauline Kael, like Japanese Kabuki.) Thus, a sound stage "exterior" backdrop becomes a tableau that serves to enhance, with its flat perspective and subjective scale, the view we have of that fabulous Age of Chivalry for which the play's Battle of Agincourt was the closing act.

I've always scoffed at the extravagant accolades which show business gives its own. But after seeing this film, or his equally brilliant "Hamlet," I can understand why Laurence Olivier was so good, that a knighthood wasn't enough, and so he was raised to the peerage.