Perfume do Oriente

As a genial blind detective, EDWARD ARNOLD chuckles his way through his familiar role as the man whose keen mind and senses detect things that a man with eyesight cannot possibly see. In this particular mystery, the murderer is revealed halfway through and the suspense lies in wondering how Arnold will get on his scent.

WILLIAM PHILLIPS has a good supporting role as his assistant who's assigned to test some perfumes. His scene at a perfume counter is the film's only solid comic moment and he shares it with the unbilled and unknown AUDREY TOTTER as an amused clerk. FRANCES RAFFERTY is the pretty leading lady, a woman about to inherit a huge fortune upon the death of her wealthy uncle. The crime is planted on her fiancé and it's up to Arnold to find a way to reveal the true murderer.

JACK LAMBERT makes a good thug, but Edward Arnold's bland portrayal of the amiable blind man is a bit tedious after awhile. Overall, it's pretty mild stuff.

Hidden Eye, The (1945)

** 1/2 (out of 4)

Sequel to Eyes in the Night has the blind detective (Edward Arnold) trying to track down a killer who has murdered four people in a rich family. I haven't seen the original film but this one here is a pretty solid entertainment but we've seen this type of mystery countless times before. Having the lead detective blind was a new angle on the story and his ways of solving a crime without sight was rather interesting. The best performance in the film has to go to his dog, Friday, who is constantly entertaining. Arnold is also very good in his role and really sells himself as being blind. The film only runs 70-minutes and at times it drags along but there's certainly worst out there.

After several members of Jean Hampton's family are murdered, the police begin to suspect her fiancé. Jean decides to hire a private detective to help find the real killer. Captain Duncan Maclain comes onto the case. Being blind, Maclain is a rather unique detective who brings his own methods and skills to the case. And, as one of the few clues is a distinct perfume left behind at each crime scene, being blind may prove an advantage. But can he uncover the killer before anyone else is murdered?

Unlike a lot of the older films I've watched lately, I'm not really a fan of The Hidden Eye. My first issue with the film is the way Edward Albert played Maclain. It just never feels right. I didn't care for him as a character. His deep, hearty laughing response to most every situation really put me off. He solves a case - laughter. He uncovers a clue - laughter. He wrestles a baddie - laughter. His dog is kidnapped - laughter. It was so bizarre and I didn't care for it. My second issue was how easily the mystery was solved. One of the biggest clues is a phone number that Maclain overhears being dialed. How fortunate that of all the phone numbers the bad guy could have called, he dials one that Maclain already knows. So by happenstance, Maclain comes up with the murderer's identity. This also didn't work for me.

The real highlight and the thing I will remember most about watching The Hidden Eye was seeing Audrey Totter in an all too brief, uncredited performance as a perfume saleslady. Her 45 seconds of screen time was so amazing that I had to stop the movie to look her up on IMDb.

4/10

Edward Arnold was an excellent actor, and all films with him are outstanding for his contribution. He made two films as the blind detective Maclaine with his good dog Friday, and although rather short, they are both excellent, the second even better than the first. There is nothing cheap or artificial in the construction of the intrigue, which eventually keeps constantly increasing in excitement and suspense, and you have to worry at times about the detective, especially when his dog gets into trouble. Ray Collins is abominable as the corrupt godfather-like guardian, and it is impossible not to fall into the trap of suspecting the wrong person of all these family murders. This is great entertainment for a chamber drama of murder at home.

Capt. Maclain, the blind detective, is called in on a murder case by a young lady of his acquaintance, Frances Rafferty. She is about to be married to Barry Gifford; they've tried twice before, but her father wants them to wait. They hope that three times will be lucky. Father seems to be agreeable over the telephone, and he sets up a seven pm appointment for the two to come and talk it over. But when Barry gets there just a few seconds early, he finds his prospective father in law dead at his desk. He's been murdered and the suspicion of the police has fallen on young Barry. For the sake of young love, we hope that Maclain can prove the police wrong before the picture ends, but it looks very bad for Barry.

This is not an exceptional film, but it's better than average for a forties B and the acting holds up very well. The plot is a good one, although the number of good suspects is quite small and the film doesn't cheat. But I think that even if you do figure out who the murderer is early on, the situations and the well acted characters will keep you entertained.