Mulher Exótica

I have to admit I am prejudiced about my vote on this film, but I have strong reasons as I know some of the true history that was given the Hollywood treatment here. Edna Ferber's novel upon which this is based is from an era where real names can't be used. In a way, this film is all smoke & mirrors. Even though it was released in 1946, it was filmed shortly after Casablanca. Ingrid Bergman is at her most radiant in this movie as a brunette.

She plays a beautiful woman who is trying to trade on her beauty to get a rich husband. Today that is a gold digger, but in this social era, she is desirable & the kind of woman who makes all the men want her, & all the old snooty society types talk of her & avoid her, while wishing they were her. Ingrid is at her best & plays this role well.

Some sympathy for Ingrids character is raised in the New Orleans section of this film as she manages to get a decent belated tomb for her scandalized mother as part of the settlement by her relatives to get her to leave New Orleans. The snooty family of relatives there are so scandalized by her that they will do almost anything she asks to get her to leave town.

Gary Cooper is good in this film though he already appears to be aging a bit to play a dashing Texan Bachelor/Gambler. He pulls it off well considering that handicap which he appeared older than he was due to his real life chain smoking. Flora Robison as Ingrid's Maid got nominated for an Oscar as supporting actress in this film. Jerry Austin as Cupidor was over-looked in many ways for his role but is the only comic relief in the film & does it well.

When the film moves to Saratoga, it depicts accurately how important Saratoga was in that era. I like the sequence when Bergman walks to the Saratoge Spring to get some of the "sulfur" water which everyone considered so healthy then. When she drinks some she forces herself not to make a face and comments how good it is & that she must have more.

The real history is the railroad battle which really occurred on the rail line in Tunnel, New York- which is the actual Saratoga Trunk the film title is derived from. This battle actually happened in 1869 between agents for Andrew Carnagie & J. P. Morgan. The line was the economic key to the country in 1869 connecting coal country & the east coast. The references to it are throughout the film are very real. There is even some dialog describing Carnagie as a "Scot" though the reference is vague & unfamiliar to anyone not knowing the history around the battle.

The railroad line & the railroad tunnel in Tunnel, New York (zip code 13848) still exist although the film was shot in California. The real tunnel is about 1 mile long. It is still part of a key freight line today, years after this occurred. I grew up there. Gary Cooper's line in the film while he is riding the train into the tunnel is right, it is still "mighty pretty country".

The ultimate entertaining, hugely satisfying movie experience. Gary Copoper and Ingrid Bergman at their absolute peak, she in a role so different from her others--witty, flirtatious theatrical--a light-year from the nun in BELLS OF ST. MARY'S the same year. Sharp, live-wire screenplay from an engaging, bright novel by Edna Ferber, her best. Great Steiner music, quality supporting cast, sumptuous production, full of personality. A treasure.

I'll leave it to one of the ladies to give us judgment on Gary Cooper's charm.

For me, this is Ingrid Bergman at her absolute best. Shot just after Casablanca, the screenplay and Sam Wood's common sense choose to focus on Ingrid in every scene but the brief, although well done, train wreck and brawl.

She is radiant, sly, coquettish, warm, reactive, piercing, soft, hard. Most of all, she is desirable. A woman for all time, for all women.

And she is strong. Melting for a brief second, gathering her resolve and forging ahead with her plans and schemes.

The Edna Ferber novel has enough truth to provide a reasonable story line for Ingrid to carry along single handedly. Cooper and Jerry Austin as Cupidon are excellent. Florence Bates gets too little time, too late as a matron with claws.

And French, yes, bless them, they allowed Ingrid to speak French, which she did so beautifully.

The current 6.2 Yahoo rating is laughable. "Saratoga Trunk" may not be a "Casablanca" or "Notorious" but it is far better than this lowly rating. See for yourself.

Ingrid Bergman (Cleo Dulaine) has never been so beautiful. Gary Cooper as "Cleent" so perfectly cast as a laconic Texan who knows this gal is up to no good. When the two lock eyes at the French Market, we know this match will be full of sparks. When they stroll in her garden in her restored French Quarter house and the love theme plays it is a dream for all us romantics.

The costumes are lovely; the set decoration makes you wish the "Quarter" was just that way. And that Saratoga still had that hotel with the wide veranda with all the old biddies gossiping.

From Edna Ferbers novel, the story is of revenge for old wrongs and the fights over who would run the railroads in the early days of that industry.

In the Saratoga scenes, Florence Bates as a grand dame steals every scene.

But it is the scene of Cleo taking on the little lawyer her New Orleans relatives have sent to buy her off that is a Magic Movie Moment. After Cleo has bested him in the negotiations, he looks at her with longing and says "may I say - you are very-beautiful". And Cleo with a happy, wicked smile says "yes, isn't it lucky." You want to shout "YES"!!!

One of my all time favorite romantic films.

A must-see film for any Gary Cooper or Ingrid Bergman fan, Saratoga Trunk shows them both off to great effect. Cooper is especially good in a serio-comic role as a no-nonsense Texan playing off of Bergman's frivolous, free-spirited social climber. She has a penchant for stirring up mischief as she wields her feminine charms amongst the dueling rail-baron wannabee's at an elegant Saratoga Springs resort.

A terrific supporting cast adds lots of flavor, and Florence Bates almost walks off with the film as a street-wise society matron who helps Bergman navigate through the seas of snobbery and aristocratic treachery.

It has been said by some that both Cooper and Bergman are miscast in their roles, a matter of opinion, ultimately. They both make their respective roles their own, and it's my opinion that it's difficult to imagine anyone else playing them, especially with their level of chemistry. Every film has flaws; the good acting here more than makes up for this film's few shortcomings. Well worth a look.