Dinheiro não Dá Felicidade

Betty Hutton works overtime at being indefatigable playing a hat-check girl/band singer who saves a bum's life, not knowing he's really a multimillionaire; he becomes her secret benefactor, much to the dismay of her jealous orchestra-leader boyfriend. Overwritten comedy from B.G. DeSylva and John McGowan is mercilessly talky and comically complicated, with bosses, lovers, husbands and wives all trying to fool one another into happiness. Hutton is remarkable, however; she's terribly aware of the camera and keeps playing to the collective funny bone, yet she radiates chummy charm and her musical numbers are memorably spirited. The excellent supporting cast includes Barry Fitzgerald, Robert Benchley, Don DeFore, and the wisecracking Iris Adrian, a stitch as Hutton's gal-pal. **1/2 from ****

So, this beautiful blonde saves a rich old man from drowning, see? But she doesn't realize he's rich, see? And she tries to get him a job at the Stork Club, where she works, see? And he decides to secretly make her rich for being so nice to him, see?

A totally predictable feel-good movie, worth watching if you like Betty Hutton and WWII vintage studio potboilers with fun stories and a couple of good musical numbers.

After the days of Prohibition where Sherman Billingsley made his money, he founded The Stork Club which was in New York what the Cocoanut Grove was in Los Angeles, where the elite meet to eat as Duffy's Tavern used to advertise. It was only natural that sooner or later one of the studios would make a film centered on the famous night spot and Paramount was the one that finally did it.

The nightclub serves as a backdrop for the story of one of the hatcheck girls in this case Betty Hutton. When she sees Barry Fitzgerald falling in a lake and starting to drown, Betty remembers her Girl Scout training and jumps in and saves him. Barry doesn't tell her, but he's a multimillionaire who then becomes her secret benefactor, much like Magwitch was to Pip in Great Expectations. Of course it all turns out a lot happier in the end for this cast.

Barry's presence leads returning serviceman boyfriend Don DeFore to suspect the worst that Betty's found herself a rich sugar daddy. It doesn't sit too well with Mrs. Fitzgerald played by Mary Young.

Fitzgerald was in the publicity gathered by his Best Supporting Actor Oscar for Going My Way. For the next few years Barry received more screen time and in this case, co-star billing with Betty Hutton.

As for Betty she and the cast get songs from a variety of sources. The best known number is the famous Hoagy Carmichael-Paul Francis Webster song, Doctor, Lawyer, Indian Chief which Hutton sings with her usual gusto. Betty's fine, but the really primo version of this song was done by it's composer who was a pretty fair entertainer as well.

Owner Sherman Billingsley was played by actor/radio announcer Bill Goodwin. In real life Billingsley was hardly as genial a person as Goodwin plays him.

Still the film is a must for Betty Hutton fans and for those who want to celebrate the past era of gaudy, yet tasteful nightspots.

Mistakenly thinking the old man is committing suicide, two-piece bathing-suited Betty Hutton (as Judy Peabody) jumps in and saves eccentrically wealthy Barry Fitzgerald (as Jerry "Pop" Bates) from drowning. He decides to reward Ms. Hutton, who is barely making ends meet as a hat-check girl at "The Stork Club" in New York City. Mr. Fitzgerald becomes Hutton's mysterious benefactor, giving her an all-expenses paid apartment and a luxurious line of credit.

Suddenly rich, Hutton decides to help poor Fitzgerald, unaware he is behind her wealth. Complicating matters, Hutton's boyfriend Don DeFore (as Danny Wilton) thinks she's become Fitzgerald's high-paid mistress.

This is light, sentimental comedy infused by the personalities of its stars. The film really jumps to life when Hutton sings "Doctor, Lawyer, Indian Chief" which entered the record charts just before the film's release, and stuck around through the spring of 1946, going to #1 for two weeks. The song, which features a great Hutton vocal and infectious chorus, was her biggest chart hit, beating down competing versions from Les Brown and Hoagy Carmichael (who wrote the music).

***** The Stork Club (12/19/45) Hal Walker ~ Betty Hutton, Barry Fitzgerald, Don DeFore, Robert Benchley

I cannot believe how mean-spirited so many of the comments are on this delightful piece of froth. It is a Rom-Com, a fun way for a war-weary people to loosen up and forget about their troubles. Betty Hutton does yell. And how. Her sense of rhythm, quick gestures and dance moves are extremely well-honed, and she nails these songs with a precision and joie-de-vivre that is a lesson to anyone in show business. The story is implausible. Good! That's what makes it so fun and such good escapist value. Look at Rom-Coms today and they're not that much more plausible... The set design is fabulous, the gowns are gorgeous, the girls vivacious, and the band excellent. The songs aren't amongst the forty best tunes of the century, but they're memorable enough that I'm humming one of them right now. Can't say fairer than that.