AVALIAÇÃO DA IMDb
6,5/10
796
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA scientist who is working on a cure for influenza is victimized by his unscrupulous boss, who releases the vaccine before it's ready, resulting in tragedy.A scientist who is working on a cure for influenza is victimized by his unscrupulous boss, who releases the vaccine before it's ready, resulting in tragedy.A scientist who is working on a cure for influenza is victimized by his unscrupulous boss, who releases the vaccine before it's ready, resulting in tragedy.
- Direção
- Roteiristas
- Artistas
Lon Chaney Jr.
- Jeff Carter
- (as Lon Chaney)
Gregory Marshall
- Tommy Carter
- (as Gregory Muradian)
Wheaton Chambers
- Mr. Reed
- (não creditado)
William Desmond
- Peanut Vendor
- (não creditado)
Jody Gilbert
- Mrs. Todd
- (não creditado)
Leyland Hodgson
- Jason - Graham's Butler
- (não creditado)
David Hoffman
- The Spirit of the Inner Sanctum
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Strange Confession (1945)
*** (out of 4)
Fifth in the Inner Sanctum series once again features Lon Chaney, Jr.. This time around he plays a brilliant scientist who's trying to find a cure for influenza. His greedy boss (J. Carrol Naish) puts the stuff out on the market before it has been proved to cure and this leads to a tragedy. This is probably the best of the series as it mixes some Frank Capra like quiet moments with some rather mean spirited stuff towards the end. Chaney gives a very good performance and Naish lends a very strong supporting performance.
*** (out of 4)
Fifth in the Inner Sanctum series once again features Lon Chaney, Jr.. This time around he plays a brilliant scientist who's trying to find a cure for influenza. His greedy boss (J. Carrol Naish) puts the stuff out on the market before it has been proved to cure and this leads to a tragedy. This is probably the best of the series as it mixes some Frank Capra like quiet moments with some rather mean spirited stuff towards the end. Chaney gives a very good performance and Naish lends a very strong supporting performance.
This is possibly the best of the "Inner Sanctums", though it's also not a typical one - being based on Jean Bart's impressive anti-war drama "The Man Who Reclaimed His Head" (already filmed by Universal in 1934 with Claude Rains; in retrospect, it's amusing to note that the remake starred the actor who had played Rains' son in THE WOLF MAN [1941]!). Still, even if the setting is effectively updated - the original had a pre-WWI backdrop - its dealing with the crooked marketing of an untried drug is not quite the same thing as the philosophical war-themed discussions which distinguished the play (and earlier film)!
Again, we're supposed to believe Lon Chaney Jr. is something of a genius in his field - in this case, medical research - but he allows himself to be exploited by his unscrupulous boss J. Carrol Naish (who even has designs on his wife!). Chaney is typically flustered but Naish is an ideal villainous substitute for Lionel Atwill; Brenda Joyce, then, fills in for Joan Bennett as the heroine yearning for a fuller life but, ultimately, unwilling to sacrifice her domestic harmony to satisfy her own selfish ends.
The pace is necessarily slow - there are no murders or detectives this time around - with Chaney recounting his tragic tale to a childhood friend, and the resolution rather skimps on the hero's particular 'crime' (which was certainly more explicit in the 1934 version, even if STRANGE CONFESSION itself was also known as THE MISSING HEAD!) - but, as I said, it's the most satisfying entry in the series (which, ironically enough, was the one to go unseen for decades due to a copyright dispute!).
Again, we're supposed to believe Lon Chaney Jr. is something of a genius in his field - in this case, medical research - but he allows himself to be exploited by his unscrupulous boss J. Carrol Naish (who even has designs on his wife!). Chaney is typically flustered but Naish is an ideal villainous substitute for Lionel Atwill; Brenda Joyce, then, fills in for Joan Bennett as the heroine yearning for a fuller life but, ultimately, unwilling to sacrifice her domestic harmony to satisfy her own selfish ends.
The pace is necessarily slow - there are no murders or detectives this time around - with Chaney recounting his tragic tale to a childhood friend, and the resolution rather skimps on the hero's particular 'crime' (which was certainly more explicit in the 1934 version, even if STRANGE CONFESSION itself was also known as THE MISSING HEAD!) - but, as I said, it's the most satisfying entry in the series (which, ironically enough, was the one to go unseen for decades due to a copyright dispute!).
Mild-mannered chemist and devoted family man Jeff Carter (Chaney) is exploited by his unscrupulous employer (Naish) until tragedy results.
A half-hour into this programmer and I still wasn't sure where it was going. It plays more like an ordinary melodrama than an entry in a horror series (Universal's Inner Sanctum). Nonetheless, it's the most coherently plotted of the six entries and features Chaney's best performance. He was always good at projecting pathos, unusual for such a hulking figure. Here he gets the opportunity and looks more engaged than usual for the series.
It's a good thing the cast is engaged because the set-up takes some time, enough time for viewers to otherwise wander off. The premise amounts to a cynical look at the pharmaceutical industry, circa 1945. I don't know where the federal Food and Drug Administration was in those days, but the screenplay amounts to a strong case for federal regulation of the drug industry. Not exactly what you'd expect from a horror feature, although there is strong episode of implied horror near the end that works very well.
Anyway, I rather liked this little oddity and enjoyed a young and vigorous Lloyd Bridges clearly on his way up the Hollywood ladder.
A half-hour into this programmer and I still wasn't sure where it was going. It plays more like an ordinary melodrama than an entry in a horror series (Universal's Inner Sanctum). Nonetheless, it's the most coherently plotted of the six entries and features Chaney's best performance. He was always good at projecting pathos, unusual for such a hulking figure. Here he gets the opportunity and looks more engaged than usual for the series.
It's a good thing the cast is engaged because the set-up takes some time, enough time for viewers to otherwise wander off. The premise amounts to a cynical look at the pharmaceutical industry, circa 1945. I don't know where the federal Food and Drug Administration was in those days, but the screenplay amounts to a strong case for federal regulation of the drug industry. Not exactly what you'd expect from a horror feature, although there is strong episode of implied horror near the end that works very well.
Anyway, I rather liked this little oddity and enjoyed a young and vigorous Lloyd Bridges clearly on his way up the Hollywood ladder.
"Strange Confession" was the fifth of six "Inner Sanctum" mysteries produced by Universal between 1943 and 1945 and starring Lon Chaney Jr.
The film opens with chemist Jeff Carter (Chaney) arriving on the doorstep of Parker (George Chandler) a lawyer he knew during his school days. He pleads with him to listen to his "strange confession".
In flashback, we see Carter content with his lot in life. He is a chemist whose boss Roger Graham (J. Carroll Naish) takes all of the credit for Jeff's work in developing new drugs. Jeff's wife Mary (Brenda Joyce) wants Jeff to be more ambitious and provide her and their son with the better things in life.
When Jeff refuses to provide Graham with his notes on a drug he is working on because of incomplete testing, he quits his job. Graham uses his influence to block Jeff's getting another job in the field. Jeff goes to work as a pharmacist and is content in that role. One New Year's Eve, Graham comes to Jeff's apartment to offer him his old job back with perks. At first Jeff refuses but at Mary's insistence, he takes the job.
Unbeknownst to Jeff, Graham has eyes for Mary. To that end he arranges for Jeff and his assistant Dave Curtis (Lloyd Bridges) to go to South America to continue work on an influenza drug. Meanwhile Graham and his assistant Stevens (Milburn Stone) steal Jeff's papers and market the drug based on an incomplete formula. Jeff eventually finds the missing link for his formula and wires the new formula to Graham. Graham and Stevens believe the re-working of the drug will take to long to produce, so they continue to market the drug made with the incomplete formula.
And then tragedy strikes. Jeff returns home and....................
This film is one of the better ones in the series. It has an excellent supporting cast and a good story to boot. Chaney as always is excellent. His performance as the meek and gentle chemist who is double crossed once too often is memorable. Naish makes a smooth villain. Brenda Joyce also stands out as Carter's wife.
Also in the cast are Addison Richards as Dr. Williams and Mary Gordon (Mrs. Hudson in the "Sherlock Holmes" series) as Mrs. O'Connor. For Naish and Stone, this was their second appearance in the series.
A compelling little drama with a few unexpected twists.
The film opens with chemist Jeff Carter (Chaney) arriving on the doorstep of Parker (George Chandler) a lawyer he knew during his school days. He pleads with him to listen to his "strange confession".
In flashback, we see Carter content with his lot in life. He is a chemist whose boss Roger Graham (J. Carroll Naish) takes all of the credit for Jeff's work in developing new drugs. Jeff's wife Mary (Brenda Joyce) wants Jeff to be more ambitious and provide her and their son with the better things in life.
When Jeff refuses to provide Graham with his notes on a drug he is working on because of incomplete testing, he quits his job. Graham uses his influence to block Jeff's getting another job in the field. Jeff goes to work as a pharmacist and is content in that role. One New Year's Eve, Graham comes to Jeff's apartment to offer him his old job back with perks. At first Jeff refuses but at Mary's insistence, he takes the job.
Unbeknownst to Jeff, Graham has eyes for Mary. To that end he arranges for Jeff and his assistant Dave Curtis (Lloyd Bridges) to go to South America to continue work on an influenza drug. Meanwhile Graham and his assistant Stevens (Milburn Stone) steal Jeff's papers and market the drug based on an incomplete formula. Jeff eventually finds the missing link for his formula and wires the new formula to Graham. Graham and Stevens believe the re-working of the drug will take to long to produce, so they continue to market the drug made with the incomplete formula.
And then tragedy strikes. Jeff returns home and....................
This film is one of the better ones in the series. It has an excellent supporting cast and a good story to boot. Chaney as always is excellent. His performance as the meek and gentle chemist who is double crossed once too often is memorable. Naish makes a smooth villain. Brenda Joyce also stands out as Carter's wife.
Also in the cast are Addison Richards as Dr. Williams and Mary Gordon (Mrs. Hudson in the "Sherlock Holmes" series) as Mrs. O'Connor. For Naish and Stone, this was their second appearance in the series.
A compelling little drama with a few unexpected twists.
Of the six Inner Sanctum movies Lon Chaney made at Universal, for me this one constantly switches positions with two others in "Top Three" status. Chaney plays Jeff Carter, a good husband and father who's too soft when it comes to handling his domineering boss Roger Graham (J. Carrol Naish). Jeff's a skilled, meticulous lab chemist busy developing medicines with his partner (played by a very young Lloyd Bridges), but for all his achievements still lives modestly with his family in a tiny apartment. Jeff works hard while watching Graham take all the money and credit, and ultimately becomes a pawn in Graham's game when the boss sends Jeff away for a month on a job in South America for his own selfish ulterior motives.
STRANGE CONFESSION benefits right away for being somewhat different in style and approach from all the other Inner Sanctum mysteries, and it ropes you in from its prelude where we see a tormented Jeff desperately consulting with a lawyer while carrying a black bag with something unspeakable inside it. The film is then told as a flashback where we can find out what happened and why. Chaney gives a good performance, and J. Carrol Naish (who was so perfect with him in CALLING DR. DEATH) again makes for a fine match. *** out of ****
STRANGE CONFESSION benefits right away for being somewhat different in style and approach from all the other Inner Sanctum mysteries, and it ropes you in from its prelude where we see a tormented Jeff desperately consulting with a lawyer while carrying a black bag with something unspeakable inside it. The film is then told as a flashback where we can find out what happened and why. Chaney gives a good performance, and J. Carrol Naish (who was so perfect with him in CALLING DR. DEATH) again makes for a fine match. *** out of ****
Você sabia?
- CuriosidadesDue to a rights dispute (being an unauthorized remake of O Homem que Reclamou a Cabeça (1934)), this film was not released to television with the other "Inner Sanctum" features. It was the fifth of the six entries, filmed February 1-14, 1945, and released October 5. After its theatrical reissue using the title "The Missing Head", the film vanished until its video release in the 1990s.
- Erros de gravaçãoThe sherry bottle Jeff got as a new year's gift changes during the dinner scene, and the it changes back.
- Citações
Jeff Carter: Three alive and one dead.
Dave Curtis: Well, three outta four isn't bad.
Jeff Carter: That's not good.
- Versões alternativasOlder television prints often eliminate the "Inner Sanctum" introduction.
- ConexõesFollowed by O Travesseiro da Morte (1945)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Strange Confession
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 2 minutos
- Cor
- Proporção
- 1.33 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Estranha Revelação (1945) officially released in India in English?
Responda