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Adicionar um enredo no seu idiomaHarold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But then he loses his job, and when he is offered a potent drink at a bar, he goes on a very st... Ler tudoHarold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But then he loses his job, and when he is offered a potent drink at a bar, he goes on a very strange and funny rampage (with a lion in tow).Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But then he loses his job, and when he is offered a potent drink at a bar, he goes on a very strange and funny rampage (with a lion in tow).
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- CuriosidadesDuring the scene where Harold Lloyd's character meets Jackie the lion, on the first take when Lloyd pets Jackie, the lion actually bit him on his right hand. However, he was not injured because the lion's teeth scraped against his two prosthetic fingers (Lloyd had lost most of his right hand in an on-set accident in 1919). After that, he refused to pet the lion ever again on- or off-screen, and in the second take, which was used for the film, his terrified squirming over the lion standing next to him is genuine.
- Erros de gravaçãoThe story takes place in New York. It is odd to see Los Angeles City Hall in the background of the final shot.
- Cenas durante ou pós-créditos"... and for the first time a young girl called Frances Ramsden playing the youngest Miss Otis"
- Versões alternativasOriginally released at 90 minutes; was then re-edited and re-released in a shorter 79-minutes version under the title "Mad Wednesday" in 1950.
- Trilhas sonorasAmerica, the Beautiful
(uncredited)
Music by Samuel A. Ward
Played during the presidential calendar montage
Avaliação em destaque
The last laugh of any great clown is interesting, if only for its memento mori value. Laurel & Hardy's last film, UTOPIA, is sadly botched but moments of their grand comedy still flair up, like Marc Antony's final bravery in Shakespeare's Antony & Cleopatra. The grandiose W.C. Fields still holds his own in SONG OF THE OPEN ROAD, even though he was deathly ill with alcohol poisoning. The Marx Brother's LOVE HAPPY is mainly a vehicle for one last pantomime fling for brother Harpo -- and all the more poignant for it. Chaplin's KING IN NEW YORK is a splendid idea -- we chuckle at its conception -- though Chaplin conducts himself like a department store floorwalker more than a comedian. And Harold Lloyd's last movie seems to me to be a nostalgic conspiracy between him and director Sturges, a Last Hurrah to remind movie audiences one last time of the glorious slapstick & pantomime heritage that America was in the process of losing forever as the old clowns faded from the scene and brash lunatics like Martin & Lewis or Bob Hope took over the reins of comedy. Lloyd's film exists in several differently edited versions, but I won't call any of them "butchered", just misunderstood. By the late Forties there weren't any skilled editors around who could quite understand the cadence, the beat, the nearly-balletic timing that a great clown brought to the camera and needed the editor to highlight -- such things as double-takes, long shots of the chase and just stationary shooting when the clown is unfolding a gag. Lloyd produced a novel, a War & Peace, if you will, of vintage gags -- his editors only understood short stories or magazine articles. They grew nervous when the camera lingered on anybody or anything. But great comedy is just that -- lingering. In his final film Lloyd wants to loiter over gags silly and profound. His dawdling is cut short and the truncated comedy that follows seems at times stiff and childish. But before Harold is relegated to the dusty shadows he still pulls off much nonsense that is both genial and brassy -- not a coming attraction, but a dignified retreat back to the Land of Belly Laughs. Anyone grounded in American cinematic comedy feels abit like one of the children in the story of the Pied Piper; we wish we could go with him back into that wonderful, magical, mountain.
- tork0030
- 2 de abr. de 2001
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- How long is The Sin of Harold Diddlebock?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Sin of Harold Diddlebock
- Locações de filme
- Memorial Stadium - Stadium Rim Way, Berkeley, Califórnia, EUA(football scenes edited from The Freshman)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.712.959 (estimativa)
- Tempo de duração1 hora 29 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Trapalhadas do Haroldo (1947) officially released in Canada in English?
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