AVALIAÇÃO DA IMDb
7,1/10
1,7 mil
SUA AVALIAÇÃO
Thomas, o gato, encontra Piu-Piu na neve, se aquecendo em uma ponta de cigarro. A dona de Thomas salva o passarinho amarelo antes que seu gato possa comê-lo, mas Thomas não desiste.Thomas, o gato, encontra Piu-Piu na neve, se aquecendo em uma ponta de cigarro. A dona de Thomas salva o passarinho amarelo antes que seu gato possa comê-lo, mas Thomas não desiste.Thomas, o gato, encontra Piu-Piu na neve, se aquecendo em uma ponta de cigarro. A dona de Thomas salva o passarinho amarelo antes que seu gato possa comê-lo, mas Thomas não desiste.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 1 vitória no total
Bea Benaderet
- Sylvester's Mistress
- (narração)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The first short to pair Sylvester & Tweety was also the first short to win an Oscar for Warner Bros, breaking the streak MGM had going thanks to Tom & Jerry. Which is interesting because, in some ways, the Sylvester & Tweety series was very similar to Tom & Jerry. At least in terms of the basic structure of a cat chasing after a cute little critter. Also, the cat being named Thomas and the human woman who scolds the cat and hits him with a broom are other similarities in this first entry. Obviously there's much more to both series that separates them but there seemed to be something about this premise they both had in common that pleased Oscar voters back then as Tom & Jerry won a bunch of them and Sylvester & Tweety won a couple.
The story here is pretty basic. Sylvester (called Thomas here) catches Tweety outside in the snow. But before he can eat the bird, his owner catches him and brings adorable little Tweety inside. This doesn't stop the cat, who tries repeatedly to get at the bird with comical results. Tweety is much more aggressive (and Jerry-like) in defending himself against Sylvester in this first short. This is a good start to a series that would get much better once Sylvester developed his own personality and Tweety's was fleshed out some more. As it is, it's a funny short with nice animation, music, and voicework. I'm not sure it deserved the Oscar win but the Academy probably wanted to give a win to someone besides MGM or Disney that year and WB's Looney Tunes were screwed out of wins many other times.
The story here is pretty basic. Sylvester (called Thomas here) catches Tweety outside in the snow. But before he can eat the bird, his owner catches him and brings adorable little Tweety inside. This doesn't stop the cat, who tries repeatedly to get at the bird with comical results. Tweety is much more aggressive (and Jerry-like) in defending himself against Sylvester in this first short. This is a good start to a series that would get much better once Sylvester developed his own personality and Tweety's was fleshed out some more. As it is, it's a funny short with nice animation, music, and voicework. I'm not sure it deserved the Oscar win but the Academy probably wanted to give a win to someone besides MGM or Disney that year and WB's Looney Tunes were screwed out of wins many other times.
10llltdesq
Move over, Gallagher and Sheen, Laurel and Hardy, Abbott ans Costello, Lunt and Fontaine: it's Sylvester and Tweety! In a pairing so obvious as to be almost automatic, Tweety and Sylvester meet up for the first time and take the prize-Oscar, of course. One of the better ones, this pairing is perfect. Highly Recommended.
Before I review TWEETIE PIE, I am going to rant a bit. So, hold on tight and I'll get this over with as quickly as I can. In the history of animated shorts, few would argue that there were any better than those of Warner Brothers in the 1940s and 50s. While some of the MGM and Disney cartoons may have looked better (though all three had wonderful animation), none were as consistently funny and entertaining as the Looney Tunes shorts from Warner. However, oddly, this group of amazing artists won very few Oscars. Tom and Jerry (which I love), although highly repetitive, did great at the Oscars. And, amazingly, crap like the UPA shorts (with characters like Gerald McBoing-Boing and Mr. Magoo) cleaned up at the Oscars in the 1950s even though the animation quality was light-years behind Warners. Somehow, the Oscar folks did Looney Tunes dirty again and again...and I have no idea why. Perhaps they just thought that their cartoons weren't artsy enough or hated that they were intended for the common person out there.
Now, despite my rant, on occasion the Academy got it right--such as in the case of TWEETIE PIE. This is exactly the type of short that usually didn't win, as it was funny and extremely sadistic--two things necessary for a great short!! While some even better shorts by Looney Tunes have been ignored (such as the amazing FEED THE KITTY and CANNED FEUD), at least here they got it right.
This is the first pairing of Sylvester and Tweetie, though the cat is called 'Thomas' in this short. Still, it worked well and the combination seemed like a natural--with this first pairing actually being one of their best, if not the best. Great animation, great humor and a generous sprinkling of violence--this is one wonderful Oscar-winning cartoon.
Now, despite my rant, on occasion the Academy got it right--such as in the case of TWEETIE PIE. This is exactly the type of short that usually didn't win, as it was funny and extremely sadistic--two things necessary for a great short!! While some even better shorts by Looney Tunes have been ignored (such as the amazing FEED THE KITTY and CANNED FEUD), at least here they got it right.
This is the first pairing of Sylvester and Tweetie, though the cat is called 'Thomas' in this short. Still, it worked well and the combination seemed like a natural--with this first pairing actually being one of their best, if not the best. Great animation, great humor and a generous sprinkling of violence--this is one wonderful Oscar-winning cartoon.
If you watch a number of these Tweety and Sylvester cartoons you'll notice the two stars with different owners. "Granny" is the usual owner of Tweetie, but not always. Here, in this cartoon we see a woman who already owns Sylvester, taking in Tweetie whom she thinks is an abandoned bird. She calls our cat here "Thomas," too, and she's a nasty woman. She would be reported for animal abuse, in this day and age, as she constantly beats Sylvester with a broom.
This gets off to a good start as Tweetie is outside freezing in the show. Sylvester is hidden inside a snow man waiting for the right time. That comes along quickly and Sylvester jumps out, puts on his snow shoes and starts stalking the little bird. When he pounces, he grabs the little heater that Tweety was using to get warm, instead of the bird. A second try succeeds, but the cat's owner comes out and demands to know what he's hiding inside his paws. She winds up taking in the bird.
The rest of the cartoon is the standard material of the cat trying to catch the bird who is in his cage way up in the ceiling.
This was passable but I didn't care for the beatings "Thomas" took from the owner. I understand this was the first pairing of the two main characters, so it explains why we see different names and different owners. I'm glad "Granny" took over from this woman and Sylvester didn't have to hang around this house for too long.
This gets off to a good start as Tweetie is outside freezing in the show. Sylvester is hidden inside a snow man waiting for the right time. That comes along quickly and Sylvester jumps out, puts on his snow shoes and starts stalking the little bird. When he pounces, he grabs the little heater that Tweety was using to get warm, instead of the bird. A second try succeeds, but the cat's owner comes out and demands to know what he's hiding inside his paws. She winds up taking in the bird.
The rest of the cartoon is the standard material of the cat trying to catch the bird who is in his cage way up in the ceiling.
This was passable but I didn't care for the beatings "Thomas" took from the owner. I understand this was the first pairing of the two main characters, so it explains why we see different names and different owners. I'm glad "Granny" took over from this woman and Sylvester didn't have to hang around this house for too long.
This is not only the first Sylvester and Tweety short but the first Warner Bros. animated short to win an Oscar! The Oscar was well deserved and long over-due. I must point out that perhaps Friz Freleng's inspiration for this duo was Tom and Jerry. In a way this short resembles the first Tom and Jerry short. However this short is WAY better then the first Tom and Jerry short! Also if you think about it Sylvester and Tweety are basically Tom and Jerry's competition but in my opinion there is no winner! Now what I find unique about this short is that the characters are already fully developed! Then again this isn't the first Sylvester or Tweety short. They had already been introduced before. However, this is the first short where Tweety is fully developed. While Sylvester however, is a unique character cause since his first appearance he was already fully developed.
4(****)out of 4(****)stars
4(****)out of 4(****)stars
Você sabia?
- Curiosidades"Tweetie Pie" was the first cartoon to have its characters Sylvester and Tweety appear together (note: each of those characters had appeared in cartoons originally released before this one).
- Erros de gravaçãoThe distance between the bars on Tweety's cage keeps changing every time Sylvester grabs the cage. The cage also changes from having both horizontal and vertical bars to just having vertical bars and back again several times. Finally, the door in the cage disappears and reappears several times.
- ConexõesEdited from Trap Happy Porky (1945)
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Detalhes
- Tempo de duração
- 7 min
- Mixagem de som
- Proporção
- 1.37 : 1
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