Adicionar um enredo no seu idiomaRobert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants R... Ler tudoRobert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants Robert.Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants Robert.
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- 2 vitórias no total
- Buckley's Secretary
- (cenas deletadas)
- Mrs. Jenkins
- (as Reine Riano)
- Private Detective in Car
- (não creditado)
- Joe
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Avaliações em destaque
Errol Flynn is a surprise in a good comic performance--a highlight of which is the scenes where he is pursued by hound dogs snapping at his heels every time de Havilland's father (Walter Connolly) tries driving him off his property. Flynn and Rosalind Russell play a pair of scheming reporters who, along with newspaper boss Patric Knowles, exploit Connolly as "the meanest man in America". Love complications abound when the four snarling couples get into cabs for the finale, with a surprising switcheroo happening before a justice of the peace about to perform the marriage ceremony.
Olivia de Havilland looks gorgeous as the giddy daughter of millionaire Connolly and shows a decided flair for comedy. Likewise, Flynn, Russell and even Patric Knowles (less wooden than usual) appear to be having a great time in their roles.
Amusing frothy comedy with too many complicated schemes going on for almost all of its running time--but worth a peek if you enjoy watching these stars.
For me the highlights are the scenes with Errol Flynn and Rosalind Russell. Russell has always been great as a comedienne and she delivers here as well, but Flynn is a revelation. Like Frank Morgan and Walter Pidgeon before him, he is the guy who not only can, but will, sell refrigerators to the Eskimos. When he turns the charm on Russell it's like being with that cousin who got you into network marketing.
The final act gets the ensemble (de Havilland,Flynn, Knowles and Russell) colliding together like bumper cars with Justice of the Peace, Hugh Herbert misdirecting traffic. He may have delivered the ultimate screwball line ever with "Children, please don't fight! There'll be time for that after you're married."
Realistically, it's obvious why the suits would not let Flynn take this direction, he was the king of swashbucklers and this would have weakened the brand. However, this movie shows what he could have been. As a screwball lead he had charm, athleticism, comic timing, sexy looks and a great voice, but so did Grant, Barrymore and Cooper and others and they were kind enough to leave the pirate market to him. A loss but I'll console myself with another hundred views of Captain Blood.
The bottom line is that the stars of this film made much better films and you should see them instead. In particular, Flynn, Knowles and DeHavilland all appeared in one of the greatest films of the era, THE ADVENTURES OF ROBIN HOOD. So it's obvious with better direction (sorry, Curtiz just doesn't have it here, though he was usually a wonderful director--particularly in romances and adventure films) and writing this SHOULD have been a lot better considering the money Warner Brothers spent to bring all these stars together.
With such a great cast, one would think this is a classic gem. Alas, no. In fact, due to a confusing script, it's in shambles. Fun shambles, but shambles.
Walter Connolly plays millionaire John Dillingwell, Olivia de Havilland is his beautiful albeit dizzy daughter, Rosalind Russell is a reporter, and Patric Knowles, who is dating de Havilland, is Russell's boss.
Dillingwell is a private person with no interest in public relations. Russell's boyfriend (Flynn) runs a PR firm and wants to land the Dillingwell account. With some help from the paper, Flynn manages to make Dillingwell the most hated man in America - a man desperately in need of having his image cleaned up. Not that he agrees to it right away.
The inspiration for this story is John D. Rockefeller, the most hated man in America at one time, known for his ruthless business tactics. He hired a publicist and, with the publicist's urging, began to give away his vast fortune consisting of property and money to various charities.
For screwball comedy, "Four's a Crowd" had a lot of competition, which is probably why the powers that be threw everything at it but the kitchen sink. Heiresses - "It Happened One Night," "Love is News," "Libeled Lady," etc. Abounded. So did the movies - and they were all better than this one.
There certainly are some fun scenes and some good performances. Flynn had a good flair for comedy, as did de Havilland, though they weren't often cast that way. De Havilland's early career was in fact doing airhead ingénues, such as in "It's Love I'm After" and this one. Russell is terrific as usual, and Knowles acquits himself well.
If only the script had been stronger...it's still fun, though.
Você sabia?
- CuriosidadesThis film was not successful at the box office and made Jack L. Warner rethink putting Errol Flynn in non-adventure pictures. Flynn, worried about being typecast, lobbied Warner to do other films - screwball comedies in particular.
- Erros de gravaçãoThe microphone is briefly visible, reflected in the window just before Jean sits for her shoe-shine.
- Citações
Jean Christy: I'll be a fool. I'm in love with a man whom I dislike intensely, who'd cheat me, who'd lie to me, whom I wouldn't trust as far as I could throw the Queen Mary. I hate myself for it, but, I can't help it.
Robert Kensington 'Bob' Lansford: Jean, hold everything. You - you don't mean me?
Jean Christy: Does the description fit, big lug?
- Versões alternativasThis is the only one of the Eroll Flynn-Olivia de Havilland that was never released to the home entertainment market in the USA. It was released in Argentina using a well preserved 16mm print with the original English credits and audio track and Spanish language subtitles.
- ConexõesFeatured in Breakdowns of 1938 (1938)
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- Tempo de duração1 hora 33 minutos
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- 1.37 : 1