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IMDbPro

Tinha que Ser Tua

Título original: I Met My Love Again
  • 1938
  • Approved
  • 1 h 17 min
AVALIAÇÃO DA IMDb
5,5/10
465
SUA AVALIAÇÃO
Henry Fonda and Joan Bennett in Tinha que Ser Tua (1938)
DramaRomance

Adicionar um enredo no seu idiomaCollege sweethearts Julie and Ives have planned to marry. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, she's left in Paris, penniles... Ler tudoCollege sweethearts Julie and Ives have planned to marry. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, she's left in Paris, penniless and with a daughter to support. She decides to return to her home town with the intent t... Ler tudoCollege sweethearts Julie and Ives have planned to marry. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, she's left in Paris, penniless and with a daughter to support. She decides to return to her home town with the intent to renew her romance with Ives. His family and a scheming co-ed vow to avert a reunion of t... Ler tudo

  • Direção
    • Joshua Logan
    • Arthur Ripley
    • George Cukor
  • Roteiristas
    • Allene Corliss
    • David Hertz
  • Artistas
    • Joan Bennett
    • Henry Fonda
    • Louise Platt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,5/10
    465
    SUA AVALIAÇÃO
    • Direção
      • Joshua Logan
      • Arthur Ripley
      • George Cukor
    • Roteiristas
      • Allene Corliss
      • David Hertz
    • Artistas
      • Joan Bennett
      • Henry Fonda
      • Louise Platt
    • 9Avaliações de usuários
    • 2Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos25

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    Elenco principal22

    Editar
    Joan Bennett
    Joan Bennett
    • Julie Weir
    Henry Fonda
    Henry Fonda
    • Ives Towner
    Louise Platt
    Louise Platt
    • Brenda Wayne
    Alan Marshal
    Alan Marshal
    • Michael Shaw
    May Whitty
    May Whitty
    • Aunt William
    • (as Dame May Whitty)
    Alan Baxter
    Alan Baxter
    • Tony
    Dorothy Stickney
    Dorothy Stickney
    • Mrs. Emily Towner
    Tim Holt
    Tim Holt
    • Budge Williams
    Florence Lake
    Florence Lake
    • Carol Towner
    Elise Cavanna
    • Agatha
    Genee Hall
    • Little Michael Shaw
    William 'Billy' Benedict
    William 'Billy' Benedict
    • Billy - Boy at Party
    • (não creditado)
    Henry Brandon
    Henry Brandon
    • Bruno - the Painter
    • (não creditado)
    Adrienne D'Ambricourt
    Adrienne D'Ambricourt
    • Marie - the French Nanny
    • (não creditado)
    Lester Dorr
    Lester Dorr
    • Hotel Desk Clerk
    • (não creditado)
    Mary MacLaren
    Mary MacLaren
    • College Staff Member
    • (não creditado)
    Philo McCullough
    Philo McCullough
    • Faculty Member at Dance
    • (não creditado)
    Hal Mohr
    Hal Mohr
    • College Student
    • (não creditado)
    • Direção
      • Joshua Logan
      • Arthur Ripley
      • George Cukor
    • Roteiristas
      • Allene Corliss
      • David Hertz
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários9

    5,5465
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    10

    Avaliações em destaque

    5boblipton

    Life and details get in the way

    Joshua Logan was promoted from dialogue director to co-director for this clunky soap opera, probably on the basis of his connection with co-star Henry Fonda -- Logan had directed him when they were students at Princeton.

    The story, about how Fonda and Joan Bennett had been lovers in college, then had separated for a decade, she to Europe and motherhood, he to academia, has some fine points, including the performances -- the actors are straightforward and believable. However, the details of the production overwhelm this winning simplicity, including distractions from the set design and an over-the-top score by Heinz Roemheld.

    There's a fine supporting cast who are permitted to emote strongly; May Witty as Bennett's aunt, Alan Marshall as her wastrel husband, Louise Platt as the student who loves Fonda and Tim Holt as Louise's would-be boyfriend. However, they all seem a distraction from the central story and characters and render this watchable for the stars but little else.
    6blanche-2

    Bennett and Fonda

    Henry Fonda and Joan Bennett star in "I Met My Love Again," a 1938 film featuring Dame May Witty, Alan Marshal, Louise Platt, and codirected by Josh Logan, Fonda's buddy from Princeton.

    Julie and Ives (Bennett and Fonda) become engaged while in college, but Ives doesn't want to get married until he amounts to something. One day, Julie and a friend go to buy him a birthday gift; there's a tremendous rainstorm, and Julie, her car turned over, stops at the home of a writer (Marshal). He's impetuous and funny, and planning to move to Paris. They marry and do just that.

    Ives becomes a local professor; Julie and her husband have a daughter, Michael, but basically she's unhappy. Her husband doesn't do much writing but a lot of partying, and he's constantly getting into fights. One night, he and another man have a pistol duel, and he's killed.

    Julie eventually returns to her home town with her daughter and connects with Ives again, but a lot of people are against them, his mother for one. And a student of Ives (Louise Platt) has fallen in love with him and wants to marry him.

    I saw a really bad print of this. It's a sweet film and the leads are very attractive; if I'd been Fonda's student, I'd have fallen for him too. He was pretty adorable. They made a good couple.

    "I Met My Love Again" is just not much of a film. It's pleasant but not memorable. If you see it, see it for the leads and the always delightful Dame May Witty.
    3planktonrules

    Not a bad idea for a movie, but the last 15 minutes is insane....and not in a good way!

    Have you ever watched a film that you were enjoying only to wonder, abruptly, if the writer went nuts? This is EXACTLY the way I felt with "I Met My Love Again". It's a dandy film through the first 80%--not perfect, but enjoyable. But then, in the finale, I almost wanted to scream because the film became a stupid and incomprehensible mess! So beware--the ending is just awful.

    The film begins with Julie (Joan Bennett) and Ives (Henry Fonda) falling in love. However, he's in school and their engagement is quite prolonged. One day, Julie meets a very exciting author and he sweeps her off her feet--marrying her even though they barely know each other. Well, not surprisingly, he turns out to be a horrible husband and soon dies--leaving her without money but with a child (who is a real brat). With some money sent to her by her aunt, Julie returns home for the first time in a decade. Not surprisingly, when she sees Ives, their reunion is rather cold and she decides it's probably for the best to just leave town for good. However, when they see each other again, despite the years and hurt, he declares his love for her and they SHOULD have a happy ending, right? Well, perhaps eventually, but in the meantime all sorts of contrived monkey wrenches are tossed into the picture--and MANY folks try to prevent their marriage. To make it MUCH worse and utterly ridiculous, Julie decides to deal with one of the problems in one of the most insane and stupid manners you can imagine....no, I doubt if you can imagine just how nuts her behaviors are...yet, inexplicably, she's NOT placed in a psychiatric institution! What, exactly, happens in this ending? Well, see it for yourself...but don't say I didn't warn you. Overall, a decent film that becomes stupid very, very quickly.
    dougdoepke

    Messy Disappointment

    No need to recap the tangled plot.

    No surprise to me that the clunky soap opera has generated so few reviews despite headliners like Bennett and Fonda. The various entanglements, both romantic and attitudinal, mount up without really developing, creating a crowded field for a comparatively short runtime. Likely, the jumbled storyline results from not one, but three directors, each likely with his own preferences. Certainly, someone liked big close-ups of the lovely Bennett who dolls up the otherwise drab proceedings. Unfortunately, Fonda's role as a stodgy professor doesn't help the lacklustre romantic appeal, and is a long way from his usual compelling charm. Then too, the cheap creek-side sets distanced me right away from their intended romantic setting. Clearly, it's an overall cheap and jumbled production that I expect both stars preferred to forget. Fortunately, both went on to bigger and much better things. No need for me to go on, except to say skip it unless you're a die-hard Bennett fan.
    5bkoganbing

    Doesn't quite measure up

    There was no way Henry Fonda was going to get top billing in I Met My Love Again, not playing opposite the boss's wife. Fonda was just getting his film career into high gear when he appeared with Joan Bennett who would soon marry producer Walter Wanger. And quite frankly this is what was euphemistically called back in the day, a woman's picture.

    Truth be told I can see why Joan gave into temptation and ran off with charming, but dissipated writer Alan Marshal. Fonda quite frankly is something of a dolt back in their college days in courting Bennett. But after ten years when Marshal gets rather stupidly killed in an accident at a party, Bennett packs up their 10 year old daughter Genee Hall and heads back to Vermont to hook up with her old friend who is now a cynical and unhappy biology professor at their old alma mater.

    In staid old Vermont Bennett's running off with Marshal was a town scandal and a lot of forces seem to be against them. Spoiled and rich coed Louise Platt and her jealous boyfriend Tim Holt and there's Fonda's mother Dorothy Stickney. And her daughter can't see anyone else in daddy's place.

    I Met My Love Again didn't slow down the careers of either Bennett or Fonda, but it seems to have trouble making up its mind which genre it falls in comedy or drama. It never really lives up to the mark in either.

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    Enredo

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    • Curiosidades
      This film was a disappointment at the box office, losing $64,104 (almost $1.1M in 2016).
    • Citações

      Julie Weir: I'm right here.

      [she kisses him]

      Ives Towner: Gosh, that's... Julie, do you mean...?

      Julie Weir: [she nods]

      Ives Towner: Are you sure you mean it?

      Julie Weir: It wasn't just an impulse, Ives. I love you. I love you and I couldn't stand it any longer. I thought you'd never kiss me. Five years on the same road and it just came over me. There! Had to say it quickly or never.

      Ives Towner: O, 'lie, I can't believe it. More than I ever expected. Julie... Julie...

      Julie Weir: Oh, I do mean it, Ives. Let's go to Upton and get married. Today. Shall we? Shall we?

      Ives Towner: You really would?

      Julie Weir: Of course I would. Come on. I dare us to get married.

      Ives Towner: I couldn't now. I'm not anybody yet.

      Julie Weir: What's that got to do with it, you silly?

      Ives Towner: It's got everything to do with it. Everything. I want to be important enough for you. And, Julie, if you wait for me, I will be. Maybe I'm just young and foolish but I want our love to be something different. Something great. Something... holy. Julie, you will wait for that?

      Julie Weir: Yes, I'll wait for that. But Ives, don't make me wait any longer if you're ever going to kiss me.

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    Detalhes

    Editar
    • Data de lançamento
      • 14 de janeiro de 1938 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Eu Quero Ser Tua
    • Locações de filme
      • Franklin Canyon Reservoir, Santa Monica Mountains, Los Angeles, Califórnia, EUA
    • Empresa de produção
      • Walter Wanger Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 428.800 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 17 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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