Pecadores no Paraíso

I was very much looking forward to this one, mainly due to Michael's favorable comments but, while I enjoyed it quite a bit, I also thought the material unworthy of its director (who happens to be one of my all-time favorites)! Featuring multiple characters (though the cast itself is rather second-rate!), the film evokes memories of GRAND HOTEL (1932) and LOST HORIZON (1937) but also looks forward to FIVE CAME BACK (1939) and STAGECOACH (1939). FIVE CAME BACK is especially comparable in view of its plot similarities but, while probably no more elaborate a production, that RKO film - directed by John Farrow and featuring one of the best performances by Maltese actor Joseph Calleia - is considerably more compelling and a much better film in every way.

Given Whale's customary lavishness, then, it's distressing to see how his fortunes dwindled at the change in the studio's management and the miniscule budget and B-movie status afforded SINNERS IN PARADISE hurts the film considerably! Still, the opening scenes (featuring an uncredited cameo by Whale regular Dwight Frye) are nicely handled and the airplane crash, while an obvious model, is nonetheless exciting. However, once on the island (and the introduction of its 'master' John Boles, who's miscast but not bad), the film kind of stops dead in its tracks; while it provides a couple of villains, there is no real menace a' la the headhunters closing in on the stranded party in FIVE CAME BACK - and the film merely relies on the obligatory if tepid romance (which mainly revolves around two separate couples) and some resistible comic relief to prod the story along (though Gene Lockhart's typical fooling in the role of a pompous politician is amiable enough)!

Having so far watched four non-horror films by James Whale, it's interesting to note that two were set in stylish surroundings and the other two in exotic locales; still, while equally ramshackle, I found GREEN HELL (1940) - due, in no small measure, to its remarkable cast - to be a lot more satisfying than this one!

For a film from the late 1930s it's not a bad film. The technological limitations for special effects and cost of shooting on stage verse on location are apparent, but the story is fairly compelling enough.

A band of assorted individuals with various pasts and agendas take flight aboard a "flying boat", and find themselves challenged in a new environment.

The film by today's standards may seem somewhat racist in regards to one Asian character, but is more or less a product of its time, and the character in question is noble to a fault, and in fact key to helping the rest of the characters.

Marion Martin shows that her acting chops weren't quite there yet (and she had yet to engage in an exercise regime), Bruce Cabot of King Kong fame shows his range, and a number of other well known actors of the time do well to bring to life the characters in this film.

Again, the shortcomings are the technical aspects, Martin's lack of theatrical training, and money. Otherwise it's a solid B-performer that'll help whittle away a lazy Sunday afternoon.

If you need a classic film on your TV or computer, you could do worse, but you could also do better. Either way, give it a shot and see what you think.

Not a great film, but nor a bad film.

Give it a shot.

An airplane sets out for China but doesn't make it: struck down in a storm, it crashes at sea and the passengers wash ashore on an apparently uninhabited island, where they are seemingly without hope of rescue or escape…until they discover John Boles, a mysterious American living on the island in relative luxury. He has a boat—but for reasons of his own, refuses to let the castaways use it to escape.

Boles is solid as the island's primary inhabitant; he has run away from a murder charge, accompanied by a servant (Willie Fung) whose loyalty is complete. His uninvited visitors are a diverse group of characters on this journey for a variety of reasons—some pursuing shady business deals, others running away from personal issues. On the island, events develop and allegiances form; we learn, in bits and pieces, the stories behind some of the main characters.

Boles strikes up a relationship with Madge Evans, an unhappy wife heading to China to escape via a nursing career. Gene Lockhart is a blustery senator and Charlotte Wynters is an heiress—these two stuck up characters are quickly elected by the others to perform the most menial chores.

Marion Martin gives the best performance as a tough young woman on the run from life. "This is pretty funny," she comments on reaching shore and looking around, "I was trying to run away from a nervous breakdown." She pairs up with Bruce Cabot, who has a stack of stolen money (useless on an island) and a pistol (that may come in handy).

The plane crash scene that opens the action is very well done—a great example of a director creating chaos and excitement despite obviously limited resources. Otherwise, the production is solid but nothing out of the ordinary...if there is such a thing as a run of the mill tropical island, this would be it.

Overall, it's entertaining if not great. The characters are interesting but never develop much; the performances are solid; the plot moves fast but rarely surprises.

James Whale directs this unremarkable story of survival (sort of). After a sea plane with several passengers crashes into the ocean near an uncharted island, a man living there must decide whether or not to ferry the survivors back to civilization since he's wanted for murder in China. This is a B movie version of what would be an all star movie of the week on TV. Its not bad, its just been done to death thanks to Gilligan's Island and uncreative TV executives. Once the plane crashes and we get to the island the film is reasonably enjoyable since the story is in motion and all of the clichés are allowed to play out. Well acted by a cast of veterans you'll know whats going to happen as well as the cast knows how to play their well worn parts. Its worth a look if you run across it on TV just don't expect high art even from James Whale

While there are a few amusing moments in this film, the odd mixture of characters who find themselves awash on an Island in the Pacific really don't have much chemistry. They are mostly wrapped up in their own egos and forced to do some work or they will never see home again. There is a strange Chinese man, loyal to his master, who is incredibly confusing. He has this goofy laugh that comes at odd times. It grates on the brain. There are bad guys and windbags and loose women and a nice woman. There is an islander who can't go to China because he is wanted for a murder there. He has the only boat and navigation skills to get the people off the island. Everyone stays true to their colors and it rolls toward a predictable conclusion. I found Gene Lockart's politician to be utterly insufferable. They should have drowned him right away.