Carícia Fatal

Steinbeck's classic story of 'my brother's keeper' brought to the silver screen in a reverent manner. Perhaps the biggest story in this film is the fact that Chaney jr. could REALLY act-he was undoubtedly cheated out of the Oscar for best actor. Merideth, best known to younger folks as Rocky's trainer does a fine job as the brains in this two man operation. Veteran cowboy star Bob Steele does a stand-out job as the heavy. The direction is steady and the script lifted literally from the novel(why improve perfection?) Remade several times, but never as effectively. Even if you've seen it 100 times, keep a hankie handy.

The first comment given here shows an incredible lack of understanding of Steinbeck in his California period. Our Irish friend's acrid comments show he obviously doesn't like Steinbeck and that's his privilege. Now, having said that, I must say he's wrong. This film is excellent. Just that. The cast is wonderful and the story is a classic: the destruction of innocence by cruel reality (viz: the title of the story taken from a line from a Robert Burns's poem). And, while Steinbeck was not one to let a sentimental moment pass by, e.g, Lennie's Christ-like innocence, inappropriate super-human strength which inadvertently wreaks havoc resulting in his euthanasia with the same instrument as used for Curley's dog, these scenes are never maudlin. Too, for the serious Steinbeck fan, there's more, much more. This story, and the play, created at Steinbeck's most experimental period, is fraught with symbolism. There's the "big" guy, a victim of the "little" guy's vanity. Many are not aware that Steinbeck was small (5'3") and very self-conscious about his size. The cast is outstanding: Betty Field's careless and bored character, Mae contrasts with the mighty innocence of Chaney's Lennie. There are the solid characters of Bickford's Slim, Meredith's George and Bohnen's Candy; Steele was at his best as the vain, pugnacious Curley; Veteran character actor, Noah Berry Jr. as Whit adds another element of sympathy. This is one of our American classic films. We invented and developed this genre of art and this film must stand as one of its finest examples.

This movie has power. Some of todays movies are great extravaganzas but they have no power. The flawless performance given by Lon Chaney Jr. has never been surpassed. John Stienbeck wrote the story and is one of my favorite authors.

In this movie "Of Mice and Men" you can not help but be drawn into the story and feel every feeling that each character brings to the story. There are no big heroes here just people in a time of great tribulation. The director Lewis Milestone is superb in his making of this movie and also produced it.

I have seen all the remakes and there are none to compare. If you enjoy good movies don't miss this one and bring a box of Kleenex.

OF MICE AND MEN (1939) **** Burgess Meredith and Lon Chaney Jr. embody John Steinbeck's tragic migrant workers George and Lennie during The Great Depression facing all the hard work and hard knocks life offers in their pursuit of The American Dream of `livin' off the fatta the lan' and wind up on a ranch with its share of down on their luck characters all enclaved to certain destinies and a heavy fall for our protagonists. Chaney (in his second icon role, the latter would be as the accursed Larry Talbott aka The WolfMan) personifies the gentle souled giant with a dim bulb who obeys his best friend George like a loyal dog and as his brother's keeper, Meredith allows his scrappiness a warmth underneath. Lennie Smalls would be endlessly used as a punchline in Looney Tunes toons to come (`which way did he go George!') and the film would be updated twice - one a tv movie with Robert Blake and Randy Quaid and a theatrical 90s version with Gary Sinise and John Malkovich. This classic was also produced by famed studio maven Hal Roach.

Excellent screen adaptation of the John Steinbeck classic about two drifters in the Depression who move from ranch to ranch in search of work. Perfect pairing of Meredith and Chaney (his finest screen performance) as George and Lennie. In a year of great classic movies, it should be no surprise that this film falls into that category as well. Oscar nominated for the Best Picture of 1939.