Fuga

In the Ethel Vance novel, the role of the Countess is even smaller than it is in the film. The story has been re-structured to fit MGM's Norma Shearer (still the Queen of the lot at the time) and Robert Taylor. Taylor, always an underrated actor, gives one of his most forceful, sensitive and earnest performances as an American trying to free his mother from a German prison camp and seeking the help of the Countess to achieve his goal. Suspense builds as the Nazi menace (Conrad Veidt) threatens to destroy any hope he has of enabling his mother to escape.

Handsomely produced, although much of the Alpine scenery has a studio-bound stage setting look, it gives us a glimpse of Norma Shearer's aristocratic beauty and Robert Taylor in his prime--which should be enough for some movie fans. Added to that is the suspenseful story and an excellent supporting cast--including Nazimova as the mother, Felix Bressart and Bonita Granville as a pro-Nazi sympathizer. It all moves rather smoothly under Mervyn LeRoy's direction, a glossy melodrama that unfortunately has never made its way to video. Well worth watching, so catch it if you can on one of the cable stations.

Robert Taylor is in Nazi Germany in search of his mother, a former prominent stage actress played by silent screen star Alla Nazimova. He meets a whole bunch of people in his quest, some who help and some who hinder. One of them is an expatriate American Norma Shearer who is the widow of a German Count and now involved with an Army General played by Conrad Veidt.

Essentially that's the plot of Escape and a clever plot is hatched to help Nazimova escape from a concentration camp. With a few unexpected curves thrown in the way and a not so happy ending for two of the principals, you can probably figure the rest of it out.

The most interesting character in the film is Conrad Veidt. He's a whole lot like the character Burt Lancaster played in Judgement at Nuremberg. A man who has disdain for the Nazis, but when they succeed in gaining power, he accomodates himself to the new regime as did so many in the German Armed Forces. But for something that happens to him in the film, I can see Veidt before the bar of justice at Nuremberg after World War II.

Robert Taylor plays a 20th century version of Armand Duval, the part he successfully played opposite Greta Garbo in Camille. It's another role as a callow youth. He was getting old for those kind of parts and I think upon seeing him in Escape, MGM realized this. Taylor would be getting more mature parts from then on.

Norma Shearer is the American girl essentially trapped by her now noble title in Germany. She's turned her spacious living quarters into a girl's school and she's living a genteel life, but one filled with anxiety. Eventually she has to choose between Taylor and Veidt and at the end of the film, fate makes the choice for her.

Veidt and Shearer do the best jobs here. Taylor was now 29 and not suited for the Armand kind of part anymore. Still he does a good job and others to watch for are the ever dependables Alfred Basserman, Felix Bressart and Phillip Dorn.

Robert Taylor (Mark) arrives in Nazi Germany to seek out his actress mother Alla Nazimova (Emmy Ritter) who seems to have disappeared. In reality, she is in a concentration camp awaiting execution. Taylor comes up against a brick wall whenever he asks about her and it takes the help of doctor Philip Dorn (Dr Ditten) for him to find out the truth, and he must then prepare to make his escape.

It's an interesting storyline that gets you involved from the beginning. Personally, I liked the German characters of Philip Dorn (I think he deserved a "Thank You") and Nazi General Conrad Veidt (Kurt) the best. There is also a good performance from Albert Bassermann at the beginning of the film where he is left pondering the meaning of the word coward. Incidentally, the lady playing his wife is his actual wife, Elsa Bassermann. I felt that Robert Taylor played his role as a bit of an ungrateful bastard and emerged as quite unlikable. I don't think he was realistic and I couldn't relate to him. And his old pal Felix Bressart (Fritz) was a comedy nitwit character that could have been really annoying, but as such, was just mildly annoying. Nazimova is good in her role as the mother and is involved in some memorable scenes as she is smuggled out of the concentration camp, despite being in a coffin. Is she dead or alive?

There are good scenes of dialogue between Conrad Veidt and his lover Norma Shearer (the Countess), especially when he calls her stupid. Ha ha. Nice one, Conrad. He throws some comedy out there - another example occurs when he confronts Robert Taylor about Taylor's thoughts and sense of humour - yet he still manages to retain a threatening personality. It's a shame that the film decides to give him a weak heart. The ending seems all rather convenient. And check out the bit with the stolen passport and how Nazimova makes herself up to look like the student girl's picture. Freaky!

Just stumbled upon this movie tonight. Quite a gem.

Lots of emotions involved in this movie, considering it is a son trying to save his mother from an undeserved fate. Nice acting by Taylor and Shearer, and Veidt does well as the ominous and ever-present antagonist.

What I really liked about this movie is the timing of its making. It is before average American's really knew about Hitler and Nazi's, and well before Pearl Harbor, and America's entry into the war.

Yet, it shows in a magnificently subdued way the political climate of the time, without ever mentioning Germany or Nazi's.

Keep in mind, if you watch this movie, that the actors, directors, and producers knew nothing of the horrors the Nazi's would ultimately do.

Seeing movies like this one makes me wonder what people were thinking at the time. Could the holocaust have been prevented? Is there something going on right now that we should take notice of, and maybe prevent? In summary, I say watch this movie, and try and put yourself in 1938 while watching. The movie has to be viewed from that perspective to fully appreciate it.

If this was released towards the end of 1940, the U.S. was not officially in WW II yet, but word was certainly out about the movement and cruelty of Hitler's army as they invaded the surrounding countries. Robert Taylor is Preysing, american, over in wartime germany, looking for news of his missing mother, still a german citizen. He gets hints that she may have broken the local laws, but no-one will give him details on what she has done or where she might be. Getting emotional and loud, even in front of german officers, Preysing leaves and bumps into the Countess , played by Norma Shearer. Shearer had already lost husband and hollywood bigshot Irving Thalberg by this time. If you haven't seen her in "The Women", that one is a lot of fun! In Escape, the Countess may have information on where to find his mother.... with supporting cast Conrad Veidt, an actor who had already fled to the US, and Felix Bressart, who popped up in so many supporting roles. The story is mostly strong and full of suspense. However.... everywhere Preysing goes, everyone he meets asks him to keep his voice down, to act calm and normal; but... the entire film, he's yelling in public, making a scene, and embarrassing everyone who could help him. After the first five people said "Keep your voice down, everyone is listening and watching", you'd thing he would catch on, but he doesn't do any of that. That part was not very believe-able, and quite unlikely. Aside from that, it's pretty good! Danger, suspense. War-time intrigue. Directed by Mervyn LeRoy. He was one of the (many) directors on Wizard of Oz.