The Ghost of St. Michael's

Will Hay was adored by British audiences who saw his seedy, doddering con man character as preferable to the brash American comics they were offered. However distribution patterns make it seems unlikely that his reputation will outlast those who grew up with it.

This is an excellent example of the cycle with the shift to Ealing providing production values - settings that are just a fraction removed from real, superior character actors and Hulbert and Hawtrey a fair swap from his old Moore Marriot and Graham Moffat sidekick team.

The film is spun off THE GHOST TRAIN with enough variation to get attention. Aylmer's school is moved to the Channel Islands during WW2 and finds itself in a castle reputedly haunted by a bagpipes blowing, homicidal phantom. Hay, doing his incompetent school teacher character, proves a hit with the boys and blunders into solving the mystery.

The film is short on the great gags you might find in a W.C. Fields movie of the kind which must have served as a model for these but the lead trio are endearing and the pacing sharp enough to keep attention. The set pieces, the police inquiry held in the local dairy at milking time and a pursuit through the castle's secret passages, are more than adequate.

Dithering teacher Will Hay gets a job at a Scottish castle where pupils have been evacuated to. The castle is said to be haunted and indeed teachers start to be bumped off.

Usual silly Hay and co nonsense which tends to grow on you as the film progresses and turns into a fairly fun comedy thriller. Hawtrey is annoying for the most part but the film gains some dignity from the presence of Huntley and Aylmer.

I like all of Will Hay's films, but apart from 'Oh, Mr Porter,' this is my favourite. It is jam packed with funny one-liners and comic situations and gives Hay full reign to play his seedy music hall schoolmaster. A wee gem of a film.

I thoroughly enjoyed this Will Hay comedy, which successfully combines the school story and the requisite nod to wartime concerns with the spoof haunting theme that had featured in some of his most successful earlier work. The old team of Graham Moffat and Moore Marriott are here absent, but Hay is teamed very effectively with chinless Claude Hulbert and a young Charles Hawtrey as a precocious schoolboy. Hay's protagonist treads a skilfully effective line between annoying (we relish watching him get taken down a peg, rather than wincing) and sympathetic, while Hawtrey's gadfly-like persistence as a boy far brighter than his teachers is equally well judged, and Claude Hulbert makes ineffectuality likable.

The film has its share of broad comedy (watch for what Hay does with that piglet...) but often avoids obvious expectations, and is the funnier for it. The suspiciously Teutonic teacher is not, of course, what he seems; the ghost is, of course, not what it seems either; and the motivation which ultimately enlists the boys on the side of their erstwhile petty dictator is certainly not the type customary in school stories!

Overall "The Ghost of St Michael's" is a blend of guffaw-rich visual humour with accomplished misdirection to produce a very appropriate vehicle for its star. The beginning is a little hit and miss, but the film is still full of laugh-out-loud moments.

Will Hay was too old to serve in the armed forces during World War II, but he did his part to ease the tension in England with some comedy films until he retired in 1943. "The Ghost of St. Michael's" isn't his funniest movie, but it is a fair comedy mystery that just incidentally has to do with the war.

Again, the comical Hay takes to the classroom where he is a teacher of questionable credentials (and abilities). He plays Will Lamb. This was all shot in the Ealing Studios near London, but the setting is of a castle somewhere on the coast of Scotland. It has been converted to a school for boys (high school age) whose school has been closed during the bombing of London.

The funniest part of the film is the scene of a court being conducted in a barn. Animals keep coming and going to the consternation of the presiding judge. Ducks, pigs, a goat, a chicken and a cow all have cameo appearances. The best lines are from this scene. Here are my favorite lines.

Procurator Fiscal (played by Hay Petrie), "I put it to you, Mr. Lamb. Either you are grossly incompetent to teach chemistry, or you're making a puerile attempt to avoid an accusation of having caused the death of Mr. Humphries."

Procurator Fiscal, 'You couldn't possibly have known that I would say what I've just said." Will Lamb, "Listen, if you're trying to say that I wouldn't have said what I said I'd say, if you said what you said you would've said, well all I can say is fiddle sticks."