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The Hoaxters

  • 1952
  • Approved
  • 36 min
AVALIAÇÃO DA IMDb
5,5/10
213
SUA AVALIAÇÃO
The Hoaxters (1952)
DocumentaryShort

Adicionar um enredo no seu idiomaSo called snake oil salesmen at carnivals are often used as the symbols of hoaxters. There are much more globally sinister hoaxters in the form of world leaders of totalitarian regimes, lead... Ler tudoSo called snake oil salesmen at carnivals are often used as the symbols of hoaxters. There are much more globally sinister hoaxters in the form of world leaders of totalitarian regimes, leaders such as Adolf Hitler, who promised of a bright new world in order to gather support. A... Ler tudoSo called snake oil salesmen at carnivals are often used as the symbols of hoaxters. There are much more globally sinister hoaxters in the form of world leaders of totalitarian regimes, leaders such as Adolf Hitler, who promised of a bright new world in order to gather support. A longer term hoax than that of Naziism is Communism, the two which, despite being on a dif... Ler tudo

  • Roteirista
    • Herman Hoffman
  • Artistas
    • Marilyn Erskine
    • Howard Keel
    • George Murphy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,5/10
    213
    SUA AVALIAÇÃO
    • Roteirista
      • Herman Hoffman
    • Artistas
      • Marilyn Erskine
      • Howard Keel
      • George Murphy
    • 13Avaliações de usuários
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 1 indicação no total

    Fotos3

    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal32

    Editar
    Marilyn Erskine
    Marilyn Erskine
    • Narrator
    • (narração)
    Howard Keel
    Howard Keel
    • Narrator
    • (narração)
    George Murphy
    George Murphy
    • Narrator
    • (narração)
    Walter Pidgeon
    Walter Pidgeon
    • Narrator
    • (narração)
    Dore Schary
    Dore Schary
    • Narrator
    • (narração)
    Barry Sullivan
    Barry Sullivan
    • Narrator
    • (narração)
    Robert Taylor
    Robert Taylor
    • Narrator
    • (narração)
    James Whitmore
    James Whitmore
    • Narrator
    • (narração)
    Winston Churchill
    Winston Churchill
    • Self
    • (narração)
    Dwight D. Eisenhower
    Dwight D. Eisenhower
    • Self
    • (cenas de arquivo)
    William Green
    • Self
    • (cenas de arquivo)
    Hermann Göring
    Hermann Göring
    • Self
    • (cenas de arquivo)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (cenas de arquivo)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (cenas de arquivo)
    J. Edgar Hoover
    J. Edgar Hoover
    • Self
    • (cenas de arquivo)
    King George V
    King George V
    • Self
    • (cenas de arquivo)
    Vladimir Lenin
    Vladimir Lenin
    • Self
    • (cenas de arquivo)
    • (as V.I. Lenin)
    George C. Marshall
    George C. Marshall
    • Self
    • (cenas de arquivo)
    • Roteirista
      • Herman Hoffman
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários13

    5,5213
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    Avaliações em destaque

    5bkoganbing

    Cold War Relic

    This documentary film cobbled together from a lot of old newsreel sources is MGM's attempt at affirming American values circa 1952 without going over too far to the right. Note the non-presence of such folks as Joe McCarthy and Huey Long. Note the presence of George Marshall out selling the Marshall Plan and he was a target for the extreme right and some not so extreme.

    The comparison of the response to the Nazi threat or lack thereof for some time is made to how we respond to the Soviet Union.

    The passage of time has really dated this film. Issues were and are a lot more complex than the us versus them message of The Hoaxters.

    It was made at MGM and a lot of MGM stars contributed to the narration.

    Look at this one as a piece of history.
    7planktonrules

    At times, a bit heavy-handed, but still a fascinating film

    This is an interesting propaganda film from Hollywood in the early 1950s. While in the early 1940s, Hollywood had experienced a short love affair with the Russians (mostly thanks to the US becoming allies with the Russians against the Axis), this film represents a different era--one where fear of spreading Communism and Stalinism gripped much of the world. This film is a far from subtle and occasionally heavy-handed short film about the menace of international Communism and was narrated by many of the biggest Red-haters in Hollywood (such as Robert Taylor). While nowadays, many in Hollywood have a bit of nostalgia for the old Soviet Union (or at least use moral relativism to make the Western nations seem somehow comparable to it), this was a time when there was great dread of Communism spreading everywhere--thanks to statements by Stalin himself that they would do so.

    From a historical point of view, this is an amazing look back into the scary days of the nuclear arms race, though as I said above it's all very heavy-handed. While the basic message is true, the silly way that Communism was passed off as comparable to a "snake oil salesman" was a bit goofy and this comparison probably caused more laughs than anything else. Still, an important little film and interesting history lesson from an era that seems so very long ago.
    7nickenchuggets

    Snake oil

    In the 1950s, the word "communist" was essentially used to describe anything americans didn't like. The USSR's previously friendly attitude towards the United States was gone by this point, although you could argue they never liked us to begin with. In this half hour film from the 50s, we learn how Soviet Russia was really not much different from Germany under Hitler, and was even worse than him in many respects. The early part of the film shows a snake oil salesman, meant to represent people like Hitler, Mussolini and Stalin. The salesman claims what he's selling is like magic and will make all your problems go away, strikingly similar to what dictators in the 30s and 40s were telling their citizens in regards to their policies. The film argues that despite Hitler saying Communism was his regime's ultimate nemesis, there's very little difference between the two ideologies. Nazis believe that everyone should work together for the betterment of the whole country (just like communists), and both parties had offshoot organizations in the USA, such as the German American Bund. These people were living in America under its protection but were still preaching about how Hitler will make things right. It's also worth pointing out that many people in Hollywood in the 30s were actual communists, as they wanted to take a stance against Hitler. Both communists and nazis were treated with equal disdain by the FBI, who shut down many of their meetings and arrested their members. The film then goes on to draw comparisons between Nazi Germany and the USSR, saying how both countries banned free speech and people voting in elections had their choice of only one person: Hitler or Stalin respectively. The most interesting part of the film comes when the narrator says the Soviet Union changed its attitude towards America 7 whole times in the 30s and 40s. He says they hated America at first because they viewed us as dirty capitalists, but then changed their attitude when they noticed Germany becoming more and more powerful. Later, Stalin changes his mind again and accepts a peace deal with the Nazis, hoping to bide his time long enough until his country can achieve military parity with Germany. Once Hitler invades the USSR, they have no choice but to once again change their thoughts on America, as they desperately need vehicles and weapons. Finally, after the war is over, the Soviets decide to be hostile to the US since they see them as an adversary with a different, non-socialist mindset. Russia is once again America's enemy, but during ww2, we put our differences aside to defeat the common threat of national socialism. I thought this film was interesting, but it didn't tell me much I didn't know already. Anyone with a brain in their head should be aware of the fact that Stalin was more evil than Hitler, but for whatever reason he is still widely venerated in Russia, alongside other human garbage like Trotsky and Lenin. Even the biggest mass murderer in history Mao Zedong, whose industrial and agricultural policies killed around 70 million Chinese, is held in high esteem today. Every single chinese bank note has his face on it. It's a good example of the winners writing history, since if Stalin lost world war 2 (or if Mao lost china's civil war), they would probably be just as hated as Hitler is now. The USSR was also a horrible place to live for much of its existence, and only started to improve towards the very end of its life in the mid 1980s. Even then, saying anything bad about the government was liable to get you in prison. Overall, this short brings up some good points about how the Soviet Union used many of the same tactics the nazis did, such as crushing free speech, getting rid of political adversaries, and silently disposing of troublemakers via a secret police force. It goes to show that most dictators are all the same, despite their differing beliefs.
    4reader4

    Sickening Propaganda Piece

    The Hoaxters only rates a four out of ten. The production value is very high, and it has big-name stars doing the narration, but the subject is so repugnant that it is almost nauseating to watch.

    I'm glad it wasn't listed as a Documentary, because it is certainly anything but. Its purpose is indoctrination, pure and simple. It is sort of the American version of a Leni Riefenstahl film, except that her films are a lot more upbeat and enjoyable to watch.

    It starts out equating Hitler, Mussolini and Hirohito. Then, the first banner headline word zooms across the screen: "COMMUNISM" Almost immediately, Stalin is equated with the first three. "All dictators are the same," is chanted throughout the film at intervals in between segments of the narration.

    The film is a classic example of what George Orwell termed "double-think." It rails against "The Big Lie" while at the same moment spouting some of the most incredible whoppers I have ever heard! Just a minor example is J. Edgar Hoover, the King of Blackmail, stating that he would never want to see anyone publicly embarrassed as a result of his investigations.

    At one point, it is railing against dictators and the one-party system, and in the same breath has the nerve to show film footage of Senator Joseph McCarthy!

    The thing I personally found most offensive was its presentation that all the anti-war protests at the White House were engineered and funded by the International Communist Party, and that as soon as Stalin and Hitler had a falling out, the demonstrations instantly evaporated.

    The film kept my interest. In fact, it is fascinating. But rather in the same morbid way as I imagine watching a train wreck taking place would be.

    At the very least, "The Hoaxters" is worth watching as a lesson in history, and also as a textbook example of propaganda techniques which are still widely used and very effective today.
    Michael_Elliott

    Poor

    Hoaxters, The (1952)

    * 1/2 (out of 4)

    MGM short is pure propaganda, which ranks right down there with Triumph of the Will and various other films. The film tries to show claims that Communist and anyone wanting to make money are no different than Nazis. This film runs just over 30-minutes and I'm sure at the time it had its heart in the right place but it's very dated today and some of the films claims are just downright silly. Howard Keel, George Murphy, Walter Pidgeon, Barry Sullivan, Robert Taylor and James Whitmore narrate various parts of the film. Technically speaking the film is very well made but that doesn't add to the entertainment value.

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    • Curiosidades
      The credits show the title 'The Hoaxters' change from typeface to stylized letters composed of tools of oppression and tyranny, with concentration toward Nazi and Communist symbols. The 'H' is made up of a Machine Gun/Knife combination, the 'O' is a Noose, the 'A' is made up of a Whip crossed with a Blackjack, The 'X' becomes a Swastika, the 'T' becomes a Gallows, the 'E' a combination Sickle and Hammer, the 'R' is shaped from a Ball and Chain, and the 'S' becomes a rattlesnake.
    • Citações

      [first lines]

      [opening title card]

      Title Card: The film you are about to see is an objective report. This film is based on fact, documented by history, and presented in the cold photographic light of events that have actually occurred.

    • Cenas durante ou pós-créditos
      All credited performers listed after the 8 narrators are identified by one of the narrators.
    • Trilhas sonoras
      Entry of the Gladiators
      (1897) (uncredited)

      Written by Julius Fucík

      Played during the opening scenes

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    Detalhes

    Editar
    • Data de lançamento
      • 5 de dezembro de 1952 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 119.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      36 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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