The Danny Thomas Show

"Make Room For Daddy" aka "The Danny Thomas Show" was one of the cornerstones of situation comedy. It was the longest running situation comedy in American television history (11 years in prime time) until "Cheers" tied it for longevity.

"Make Room For Daddy" was a milestone in showing how families truly behaved: indulgent parents, manipulative children and relatives,the trials of balancing a career and home life, ethnic pride vs. assimilation into American society. No other situation comedy of the period came close to such honest depictions of American family life.

The show provided the perfect showcase for Danny Thomas. He never found anything else that effectively showcased his comedy. His supporting players were excellent actors, including and especially, the child actors playing his children (Sherry Jackson, Rusty Hamer, and Angela Cartwright). The scripts were generally excellent. The show ended its run only because Danny Thomas was tired of it, not due to falling ratings.

"Make Room For Daddy" gave showcase roles for many up-and-coming players:

Pat Harrington, Jr., Annette Funicello, Pat Carroll, Piccola Pupa, Bill Dana (as the memorable Jose Jimenez). Thomas was generous enough to provide the great Hans Conreid his most memorable character besides the classic work he did on the Jay Ward cartoons.

"Make Room for Daddy"'s success helped create Desilu Productions as the first major television company in America and allowed Danny Thomas to become the most prolific television comedy producer of all time. Such shows as "The Andy Griffith Show", "Mayberry RFD","The Dick Van Dyke Show", "That Girl", "I Spy" (an action series laced with comedy)were all products of Danny Thomas and his business partner, Sheldon Leonard (who had a recurring role in "Make Room for Daddy").

Lastly, "Make Room for Daddy" featured Jean Hagen and Marjorie Lord with their best-remembered television roles.

"Make Room for Daddy" deserves belated ranking with the great television shows of all time. Nothing less!

Outstanding comedy series of the 1950s starring Danny Thomas as Danny Williams, a comedy pro who battles his loving family along the way.

Created by Sheldon Leonard, the show was memorable with a phenomenal supporting cast. When Jean Hagen left the show to pursue a movie career, she was replaced by Marjorie Lord. Lord knew just how to recite her lines in such a way so as to get what she wanted.

Rusty Hamer, who committed suicide in 1990, at 42, was simply terrific as the precocious Russell. He often did battle with his father in a memorable but comic way. Rusty sure had excellent comic timing for one so young.

Who can forget Hans Conreid as Uncle Tanousse? Amanda Randolph was that spunky maid.

We certainly made room for this daddy and his family for each and every episode.

When Make Room for Daddy ended its run in 1960s Danny Thomas offered to put Rusty Hamer through college but Hamer turned him down believing he had a future in acting. Sadly after the series ended acting jobs for Rusty were few and far between. Eventually in 1990 depression over being a 42 year old has been led to his suicide.

Seems almost every TV series thinks that screaming and yelling is funny..Examples: Sgt Bilko, The Honeymooners, All In The Family, The Danny Thomas Show and many more. Personally, all the yelling gives me a headache and I don't find it the least bit laughable. With that said, Danny Thomas is very likeable and clearly very talented. The story plots are usually pretty good and with the screaming aside very entertaining. The supporting cast is always good and the actresses who play Danny's wife and maid usually steal the episode. Everyone has good on screen chemistry and the shows are always positive and uplifting.

I appeared on three Danny Thomas Shows; first in 1955 as part of the Little League team from the episode of the same name which aired on Sept. 20, 1955. I played drums in a band called The Dixie Small Fry and we were part of "Good Old Days" -Season 5 Episode 25 from March 24, 1958 and then Season 6 Episode 13, "When The Saints Come Marching In" - Dec. 29, 1958.

Recently, I bought the Fifth Season DVD collection and watched "Good Old Days" for the first time since it aired originally. I remember being a big fan of the show before ever being on it and watching this episode brought back not only how much fun that week at Desilu was for the guys in the band, but how well written and acted the Danny Thomas Show was week in and week out. There was nothing phony about the set ups, or the people being presented as the Danny Williams family. There was an intelligence about the situations, funny always, with an edge at times, again which made it believable. Regardless of age, The Danny Thomas Show was both real and funny, no small accomplishment. Marjorie Lord was first rate, Sherry Jackson, besides being a major babe for guys my age, was also a very good actress who might have become great and Rusty Hamer at eight years old had comedy timing most seasoned adults couldn't match.

As great as all the parts and people were, it was Danny Thomas who made The Danny Thomas Show exceptional. He was what he was portrayed to be, an entertainer,a nightclub entertainer and as sitcom fathers go, unique in his make up. This was a real guy and not a silly characterization of a father. In fact, every character in the show seemed to be from real life.

Danny Thomas was a man of remarkable character and compassion for others. To use the phrase that came into being during the Vietnam war, he "walked it like he talked it", whether heading the drive for St. Jude Hospital or as Danny Williams giving us another brilliant Danny Thomas spit take over coffee with Sid. Through all the years the Danny Thomas Show was on the air, he stressed values, truthfulness and respect and that's what we as the audience got back each week. That, and humor with a real life edge to it.

And it was clear that people working on the show LIKED working on the show. Danny and producer Sheldon Leonard were in charge, but Thomas never acted like he was the star. In the first scene of "Good Old Days", I had a line to say as our band left the Williams apartment....I was not an actor and the line got tossed to me in dress rehearsal...the show was shot in front of an audience, in sequence using the three camera film technique that Desi Arnez had dreamed up. Anyway, Danny saw that I was nervous and so he made a big deal about going over the sequence where he fed me his line, then I said mine and as soon as I got it out of my mouth, Danny nodded my way and spoke loudly enough for the crew to hear...."Do it that way in the show tonight, Kid and we'll be fine."