O Monstro do Mar

Messrs. Harryhausen and Bradbury serve up a thoroughly enjoyable dinosaur epic with a reasonable amount of thrills and typically excellent effects work by Harryhausen. It's rather heavy on plot and dialogue for a while, so the less patient of viewers may get a little restless waiting for the next good bit of dinosaur action. However, whatever pacing issues there may be are compensated for with some wonderfully iconic shots & scenes. The lighthouse sequence in particular is a gem.

Based on the Saturday Evening Post short story "The Fog Horn" by Bradbury, this tells of an atomic test in the Arctic that unleashes a ferocious rhedosaurus from its icy tomb. It goes about doing just what you'd expect any monster to do in this type of tale, making its way to NYC for the grand finale. Nuclear physicist Tom Nesbitt (Paul Hubschmid), one of the first to glimpse the monster, must convince paleontologist Thurgood Elson (Cecil Kellaway) that he wasn't hallucinating, and also enlists the services of Jack Evans (Kenneth Tobey) in hunting down and destroying this beast.

The acting is engaging across the board, with Hubschmid very likable in the lead; Paula Raymond plays his leading lady (fortunately, hints of romance that might slow down the action further are kept to a bare minimum). Intrepid Tobey is once again terrific as the kind of hero you need in such a story, and Kellaway is delightful as the old pro who is willing to put vacation plans on hold in order to participate in a historic expedition. Donald Woods, Lee Van Cleef, Jack Pennick, Frank Ferguson, King Donovan, and an uncredited James Best can be seen among the top notch supporting cast.

The exciting amusement park finale is of course the best part, with expert marksman Van Cleef and Hubschmid taking on the beast from atop a roller coaster.

Good fun overall.

Seven out of 10.

A ferocious dinosaur awakened by an Arctic atomic test terrorizes the North Atlantic and, ultimately, New York City.

When producers Dietz and Chester were negotiating with Bradbury to rewrite their screenplay, he reminded them that both works shared a similar theme of a prehistoric sea monster and a lighthouse being destroyed. The producers, who wished to share Bradbury's reputation and popularity, promptly bought the rights to his story and changed the film's title.

The film is worth watching because of the involvement of Bradbury and Ray Harryhausen, as well as having a supporting role from Lee Van Cleef. It may not be amazing, but the effects are rather good and it is a piece of 1950s science cheese that can be enjoyed if you just suspend disbelief for an hour.

Most interesting is the alleged influence this movie had on "Godzilla". This film is semi-forgotten, or at least not widely seen. But it had a dinosaur rise following an atomic blast and then destroy a city, trampling the army and electricity in its path. Sounds like Godzilla! And indeed, this was a primary influence on the Japanese monster film, which has since become one of the most culturally important films in horror / monster history. So maybe "Beast" needs to be respected just a little bit more.

This film is not only a great science fiction film, but it is also one of the most influential as well. Within a few years of its release, giant monster films began to pop up from every major studio. Everything from giant ants, tarantulas, praying mantises and gila monsters began to pop up all over the place. But, perhaps its biggest influence was felt in Japan. This film is often sighted as being the main inspiration for Gojira (Godzilla). This film is defintely a classic.

"The Beast From 20,000 Fathoms" is one of many "nuclear explosion thaws out the pre-historic monster" movies popular in the 1950's. What sets this film apart from other similarly themed films, are the superior special effects created by the legendary Ray Harryhausen.

His dinosaur is as good as you will see in any sci-fi movie. It moves without that jerky motion common in so many stop-motion monsters (i.e. King Kong). The "monster destroys the city" sequence is outstanding. There is also an excellent fight between an octopus and a shark that is very exciting. The best sequence takes place at the end of the film when the monster is cornered in an amusement park.

As in all such movies, the human actors are incidental to the plot. The German/Swiss actor Paul Christian (aka Hubschmid) plays the requisite scientist, Paula Raymond and Cecil Kellaway are the "dinosaur experts" and Kenneth Tobey and Donald Woods play the sceptical military types. There are also a number of recognizable "B" movie faces from the period such as Lee Van Cleef, Steve Brodie, Jack Pennick and James Best.

One of the best atomic monster movies from the 50s.

"The Beast From 20,000 Fathoms" is, quite simply, the best dinosaur-on-the-loose movie ever made. I would say "best monster-on-the-loose movie ever made" if it weren't for that King Kong guy (need we even say which version?). I loved "The Beast" when I was a little kid, and today--some 40 years later--the movie still knocks me out. Forty years ago I loved the fact that, unlike a lot of similar movies that followed in its wake, you don't have to wait a long time for the Beast to make its appearance. It shows up in the first 10 minutes of the film and makes regular appearances thereafter. The look of the creature is very realistic; one of Ray Harryhausen's greatest creations. There are so many terrific set pieces in this film that one doesn't know where to begin, but the attack on the lighthouse, beautifully done in silhouette; the initial sighting of the Beast from the bathysphere; the Beast's attack on lower Manhattan; and the grand finale at the Coney Island roller coaster are certainly all standouts. Music, acting and photography are all first rate, and the script is intelligent and moves along briskly and with purpose. But the main attraction of the movie is the Beasty himself, and every moment that he is on screen is riveting. This picture is a true classic; the inspiration for Godzilla and all the other thawed-out creatures that followed. I have seen this one over 50 times and never seem to get tired o f it. I have seen it several times on the big screen, at one of NYC's many revival theatres, and it is always greeted with cheers whenever the Beast theme begins during the opening whirlpool credits. The movie is well loved and remembered for good reason: It's the best in its class! By the way, it took me many, many years to figure out, but the Professor's last word in the diving bell is "cantileveric." 10/10