Mais Forte Que a Lei

Generally, a limp western. I don't know where they get "Canyon" since this is about the least scenic western on record. In fact, except for a few shots of LA's ugly Bronson Canyon, the story takes place almost entirely on studio sets. It's more like a prison movie than anything western. That might be okay if the story could work up suspense or intensity. But except for a motivated McNally, the movie generally meanders along without generating much of anything.

Of course, there's Mayo as eye candy. And since it's Marilyn Monroe 1953, Mayo sports a cantilevered chest and occasional cleavage. And that sets the stage for maybe the biggest stretch of the year. In short, we're supposed to believe she's the only woman imprisoned in the same prison with 500 horny guys. Come on scripters, I'll accept the improbable, but not the nutzoid.

At least, the lengthy supporting cast features familiar faces from that era, including a folksy Hunnicutt for comedy relief and a bulldog-faced Flippen for general nastiness. But please, couldn't someone wake Robertson from his general walk- through stupor. Looking like a young Clark Gable is simply not enough. At least the Technicolor makes the visuals somewhat watchable, but 3-D effects appear nowhere in evidence. From the title, I was expecting at least a 3-D avalanche in my lap.

Anyway, I get no pleasure from mocking this dud, but a 90-minute dud it unfortunately is.

Devil's Canyon is directed by Alfred Werker and collectively written by Frederick Hazlitt Brennan, Harry Essex, Bennett R. Cohen and Norton S. Parker. It stars Dale Robertson, Stephen McNally, Virginia Mayo, Robert Keith, Arthur Hunnicutt, Jay C. Flippen, Whit Bissell and Earl Holliman. Music is by Daniele Amfitheatrof and cinematography by Nicholas Musuraca.

Arizona 1897 and former marshal Billy Reynolds (Robertson) is forced to kill in self defence two brothers of outlaw Jesse Gorman (McNally), the man Billy had previously sent to prison. With new people enforcing new laws in town, Billy doesn't get a fair trial and is sentenced to ten years at the tough Arizona Territorial Prison; home of one Jesse Gorman! When lady outlaw Abby Dixon (Mayo), sweetheart of Gorman, is also sent to the prison, it stirs the already potent hornets nest still further…

Originally a 3D production out of RKO, boasting Natural Vision 3 - Dimension no less, Devil's Canyon can now only be viewed in Technicolor flat mode. Upon examination it's hard to believe that even in 3D this tardy Western had anything going for it, unless Mayo's pointy breasts were the selling point, or Robertson's Teddy Boy haircut? (Yes, they must have had Teddy Boy's in Arizona circa 1897!).

There's a bunch of reliable Western actors in it, director Werker was always competent and ace cinematographer Musuraca was also on board, yet the promising story is bogged down by a good hour of, well, nothingness, as the screenplay has a bunch of sweaty guys talking about stuff that doesn't advance the plot with any real distinction.

Mayo looks gorgeous, but her character is victim of a preposterous set-up and in spite of the trailer (and some misguided reviews) promising a prison of 500 desperate men in a tizzy over one woman, this really isn't the case at all. It should also be pointed out that Devil's Canyon is where the prison is, it's the unofficial name of the prison, it is not a metaphor for Mayo's private parts, as some have bizarrely suggested is the case!

On the plus side the picture begins and ends with some decent action, with the Gatling Gun coming into play at the finale, which just about lifts the film out of its stupor. Yet even here it's all very predictable and hard to feel lenient about since the previous hour has been so pointless. The prison is suitably dank and moody, Musuraca doing his best to put a bleak sense of film noir foreboding on proceedings, while costuming for the boys is of a high standard.

Utterly frustrating all told, a waste of idea and personnel, while the print shown on TV these days is scratchy and often washed out in colour. 5/10

DALE ROBERTSON is a marshal unjustly prisoned in an Arizona jailhouse who hinders and then helps a prison break plan concocted by VIRGINIA MAYO. This has the look of a low-budget movie that was put together hastily with a second-rate script and designed as a programmer to fill out a double bill.

VIRGINIA MAYO looks absolutely beautiful but her hairdress and costuming is strictly from the 1950s--and so is her overall demeanor as a tough gal who thinks she's in love with the brutish STEPHEN McNALLY.

Among the supporting cast, Whit Bissell, Arthur Hunnicutt, Robert Keith, Earl Holliman and Irving Bacon have all seen better days.

It affords only minimal entertainment with a standard prison break climax not too convincingly staged. Of the actors, only the handsome and stalwart DALE ROBERTSON looks as though he believes in his role, bringing strength and sincerity to his role as the marshal.

You can afford to miss this one.

Devil's Canyon, a RKO picture, starts out like a normal western, the first ten minutes features an exciting gunfight between Dale Robertson and two outlaws gunning for him, but switches to a prison - it's essentially prison break yarn that happens to be a western.

The story- Following a shoot out in which he kills two men, former US marshal Billy Reynolds is sent to the notorious Arizona territorial prison. There he finds himself face to face with an old enemy who is determined to revenge himself on the lawman who sent him to jail.

It's a tautly-drawn story with just enough unpredictability to create suspense. Visually, Virginia Mayo is the only bright spot; a significant contrast to everything else, which is a drab grey. The stone walls are grey, the prison uniforms are grey, the quarry where the prisoners break stone is grey. Visually it's quite oppressive.

The cast is excellent, especially Stephen McNally, who towers over everyone with his intensity as the unhinged Gorman, Dale Robertson is his usual reliable self, and Virginia Mayo as Abby doesn't just add a speck of glamour, but is quite good as a character conflicted between Dale and Stephen McNally. (Also, it might seem odd to find a woman placed in a man's prison, however, in 1899, a woman stage robber known as Pearl hart was imprisoned at Yuma).

It's a decent film, and though I am not usually keen on prison dramas, there's enough things happening here to catch your attention. The finale features an exciting sequence with a Gatling gun and dynamite. I found it really entertaining- it's another of those regular westerns that were shown on BBC2 at 6.pm after school in 80's.

Film noir, prison break drama or western? It doesn't seem to know and you'll give up caring to figure it out about a third of the way in. This is a lacklustre B movie in any genre. Starts out a western shoot em up then takes on a Cagney in the big house edge. A good scene at the end with a gatling gun though, if you don't mind fighting to stay awake to get that far. Notable if spotting Earl Holliman in early bit parts is one of your favorite past-times, and Virginia Mayo is watchable if you like your western dames talking tough as nails and looking like they stepped out of a 50's LIFE ad for Lee Jeans. Otherwise, skipping this would probably be more to your liking.

And I agree with the other reviewer that the title refers to Ms. Mayo's *mm-hmm*. If you can find an actual canyon anywhere in this picture you paid closer attention than I did.