AVALIAÇÃO DA IMDb
7,0/10
2,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn post-WW2 Berlin, when travel to the East was still possible, the sister of a British officer from West Berlin is abducted by Communist agents and taken into the Soviet sector where her ev... Ler tudoIn post-WW2 Berlin, when travel to the East was still possible, the sister of a British officer from West Berlin is abducted by Communist agents and taken into the Soviet sector where her eventual rescue is arranged by a German smuggler.In post-WW2 Berlin, when travel to the East was still possible, the sister of a British officer from West Berlin is abducted by Communist agents and taken into the Soviet sector where her eventual rescue is arranged by a German smuggler.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Hildegard Knef
- Bettina
- (as Hildegarde Neff)
Aribert Wäscher
- Halendar
- (as Aribert Waescher)
Ernst Schröder
- Kastner
- (as Ernst Schroeder)
Eberhard Fechner
- Minor Role
- (não creditado)
Frederick Schiller
- Construction Worker on Generator
- (não creditado)
Emile Stemmler
- Waiter in Restaurant
- (não creditado)
Robert Brooks Turner
- Man in crowd leaving theatre
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The bleak war-torn settings of East and West Germany during the post-war years of WWII provide a suitable backdrop for a rather cold tale involving complex characters and moral ambiguities.
The story's first half takes time to set up the murky relationships between CLAIRE BLOOM, HILDEGARD KNEF and JAMES MASON before settling down to some quieter moments and romantic overtones when the chemistry between the young girl (Bloom) and the dangerous criminal (Mason) becomes evident. It's their relationship in the second half of the story that heats up some of the cold war atmosphere of the tale.
Suspense mounts as they hide out from the German authorities, but all the while one gets the feeling that all will not end well for the ill-fated pair who have fallen deeply in love.
If you liked the somber atmosphere of films like ODD MAN OUT and THE THIRD MAN, you'll definitely enjoy the atmospheric effects achieved in the crisp B&W photography on display here. Outstanding photography in scene after scene, although the story itself never quite achieves the same degree of finesse as the previously mentioned Carol Reed films.
Nevertheless, it's all extremely well acted. Mason has never been more effective as a complex man full of moral ambiguities and Bloom is given a wonderful chance to display her charm and sensitivity in a well-written role.
Definitely worth watching.
The story's first half takes time to set up the murky relationships between CLAIRE BLOOM, HILDEGARD KNEF and JAMES MASON before settling down to some quieter moments and romantic overtones when the chemistry between the young girl (Bloom) and the dangerous criminal (Mason) becomes evident. It's their relationship in the second half of the story that heats up some of the cold war atmosphere of the tale.
Suspense mounts as they hide out from the German authorities, but all the while one gets the feeling that all will not end well for the ill-fated pair who have fallen deeply in love.
If you liked the somber atmosphere of films like ODD MAN OUT and THE THIRD MAN, you'll definitely enjoy the atmospheric effects achieved in the crisp B&W photography on display here. Outstanding photography in scene after scene, although the story itself never quite achieves the same degree of finesse as the previously mentioned Carol Reed films.
Nevertheless, it's all extremely well acted. Mason has never been more effective as a complex man full of moral ambiguities and Bloom is given a wonderful chance to display her charm and sensitivity in a well-written role.
Definitely worth watching.
Vintage Reed with all the elements from his films of the period. The innocent (Bloom) whose view needs to be muddied. The world weary, complex hero/villain. The confusion and ambiguities veering between love and hate, trust and betrayal, weakness and strength. Humans pulled from their comfortable lives and twisted by circumstance. The worn surroundings of war torn Berlin an extra character in the plot. All this in typical stark angled Reed view, with an atmospheric signature tune used noticeably towards the end, and a scene sequence mirroring the ambiguities of the characters.
Whilst the film doesn't flow as fluently and seamlessly as The Third Man, Mason and Bloom create eminently watchable if not entirely rounded characters.
Whilst the film doesn't flow as fluently and seamlessly as The Third Man, Mason and Bloom create eminently watchable if not entirely rounded characters.
James Mason gives a tour-de-force performance as a tired clerk who knows not who to trust. Hildegrade Knef is magnificent in a complex supporting role. Carol Reed has directed some great movies and this is among his best. The ending sequence is so poignant, it always brings tears to the eyes.
In 1947,James Mason worked with Carol REED,in "Odd man out" (in Belfast).This work was influenced by Marcel Carné's "realisme poétique" and cast Mason as a fugitive.Both "odd man out" and "the man between " have similar endings,except for the female part.
Berlin atmosphere (like Vienna in 'the third man') is well rendering,with the claustrophobia you used to feel during the Wall days. There are plotholes,but the cast easily makes up for that.The couple Mason /Bloom is very endearing:Mason 's character is a man whose ideals have been betrayed and his love for the beautiful English woman he tries to save is touching .Actually ,at the beginning,Mason was not friendly,he was even disturbing,but his moral stature ceaselessly grows towards the end.The two stars get good support from German thespian Hildegarde Kneff,whom we miss in the second part.
This movie might have influenced two sixties work:"the spy who came in from the cold"(Martin Ritt,1965) which featured Claire Bloom again,and "torn curtain" (1966),one of Hitchcock's minor movies in which we find a theater again!FF Coppola in "godfather III" ,like Carol Reed,took advantage of this by using opera music to enhance particular scenes.
Although inferior to 'the third man" (neither Welles nor Karas) "odd man out' or even "fallen idol" (1948),"the man between " deserves to be seen.
Berlin atmosphere (like Vienna in 'the third man') is well rendering,with the claustrophobia you used to feel during the Wall days. There are plotholes,but the cast easily makes up for that.The couple Mason /Bloom is very endearing:Mason 's character is a man whose ideals have been betrayed and his love for the beautiful English woman he tries to save is touching .Actually ,at the beginning,Mason was not friendly,he was even disturbing,but his moral stature ceaselessly grows towards the end.The two stars get good support from German thespian Hildegarde Kneff,whom we miss in the second part.
This movie might have influenced two sixties work:"the spy who came in from the cold"(Martin Ritt,1965) which featured Claire Bloom again,and "torn curtain" (1966),one of Hitchcock's minor movies in which we find a theater again!FF Coppola in "godfather III" ,like Carol Reed,took advantage of this by using opera music to enhance particular scenes.
Although inferior to 'the third man" (neither Welles nor Karas) "odd man out' or even "fallen idol" (1948),"the man between " deserves to be seen.
I wasn't sure if I'd like this film or not. Its British and it stars James Mason and Claire Bloom. So far so good, but its a "spy" drama which I sometimes find tedious. What a surprise! Beautifully filmed amid the bombed out rubble of post war Berlin, Mason and Bloom really shine here. This was an amazing pairing of two excellent actors. Mr Mason, as always, gives an first rate performance. What a pleasure to see him on ice skates. Bloom is lovely as the Englishwoman visiting her brother in Germany and drawn into a tense cat and mouse game where no one can be fully trusted.
Definitely a must see for Mason fans but I think good for anyone who enjoys top-notch drama well acted and directed.
Definitely a must see for Mason fans but I think good for anyone who enjoys top-notch drama well acted and directed.
Você sabia?
- CuriosidadesJames Mason commenting on "The Man Between" in 1974: "This film became very big on television in the U.S. In the cinema one demands of a thriller that the narrative thread be ever taut. The American televiewer makes no such demands since continuity is destined to be shattered by commercial interruption. Thus it often happens that what has been hitherto regarded as a failure in the cinemas will be a hit on the Late Late Show and vice versa."
- Erros de gravaçãoIn East Berlin, there are many political posters with the name "Walter Ulbrich," but the East German Communist leader's name was actually spelled "Ulbricht."
- Cenas durante ou pós-créditosOpening credits prologue: BERLIN
- ConexõesReferenced in A Morte Passou por Perto (1955)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Man Between?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 40 minutos
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was O Outro Homem (1953) officially released in India in English?
Responda